Flag of the Neo-Hanseatic Republic of Welserland

This is the flag of the Neo-Hanseatic Republic of Welserland. It comes from a world where German settlers established a colony on the northern coast of Venezuela. The initial agreement was that the German settlers would help settle the interior of Venezuela, and produce goods and resources. Settlement would, in theory, be administered by all the kingdoms of Germany. It was hoped that the colony would help give rise to a new Hanseatic League. Unfortunately, this did not come to pass. However, people from all different parts of Germany began to flood into the colony. This gave the colony a very eclectic flavor. It was named Welserland as a reference to Klein-Venedig, the previous attempt by Germany to colonize Venezuela.

The interior mountains have a temperate climate, and allow for the production of crops such as crops such as peaches, strawberries, cabbage, carrots, beets, cauliflower, and lettuce. In fact, the interior mountains wouldn’t be out of place in Bavaria. The coastal regions have a more tropical climate, and allow for the production of crops such as bananas, mangos, oranges, and coffee. Coffee production formed the backbone of Welserland’s economy during its early days. On paper, Welserland was considered part of Venezuela, and merely leased to the kingdoms of Germany. As time went on, however, the Germans exerted greater control over Welserland. Venezuela made various attempts to get Germany to back down, but these never amounted to much. This came to a head following the unification of Germany in 1871. Germany formally purchased Welserland from Venezuela to establish a foothold in the Caribbean and South America.

Welserland enjoyed several decades as a province of the German Empire. Then the First World War broke out. Welserland found itself in the crosshairs of Britain and France’s Caribbean colonies. As the war dragged on, and the odds of a German victory diminished, many in Welserland began to worry about their future. It was decided that independence would be the best course of action. Welserland officially declare independence from Germany in 1917. Welserland added the titled Neo-Hanseatic to its name in reference to its roots as an attempt to revive the Hanseatic League. Welserland survived by playing Britain and France off of each other. It also courted a powerful new ally in the form of the United States. The United States helped ensure that Venezuela didn’t attempt to re-annex Welserland.

Against all odds, Welserland has managed to survive to the present day. It has become a popular destination for German tourists, but they are far from the microstate’s only visitors. Tourists from around the world come to visit the little slice of Germany on the coast of South America. Tourism makes up a big part of Welserland’s economy, and it is also home to many casinos and resorts. It is generally agreed that, of all the nations in the Western Hemisphere, Welserland makes the best beer. In fact, several Welserland breweries have won major awards for their beers. In the past, money laundering, offshore banking, and the illegal drugs trade also formed major contributions to Welserland’s economy. However, they have put all of that behind them…for the most part.

The flag includes the traditional German colors of black, red, and gold. A Lutheran Rose Seal sits in the middle of a St. Andrew’s Cross. Lutherans are the largest religious group in Welserland, but Catholics form a sizable minority. Welserland also has decent-sized communities of Orthodox Christians and Jews.

The flag has caused some controversy with American tourists, due to its superficial similarity to the Confederate Battle Flag. Welserlanders find this rather annoying. They are frequently quick to remind Americans that Welserland sent non-combative volunteer regiments to help fight against Nazi Germany during World War II. Welserland also welcomed Jewish refugees with open-arms during World War II. In fact, most of Welserland’s Jewish community is descended from these refugees.

Some Catholic and secular-minded Welserlanders dislike the inclusion of the Lutheran seal on the flag, and have been known to cut it out. Of course, this also leads to the flag looking even more like the Confederate Battle Flag, so many support keeping it, if only so the American tourists will shut up.

The Alt-Hist File: Cthulhu in the Deep South by Kirk Battle

The world of audio fiction podcasts has gone through many changes over the years. The mid-2000s brought us short story podcasts such as Escape Pod, The Drabblecast, and Lightspeed Magazine. By the 2010s, the audio drama boom was in full swing, and isn’t showing any signs of slowing down. Earlier than either, however, were podiobooks. Podiobooks, as their name suggests, were serialized audiobooks made available as podcasts. Podiobooks aren’t as common these days, but you do see some new ones pop up from time to time. Such is the case with the podiobooks we’ll be reviewing today. We’re taking a look at Cthulhu in the Deep South by Kirk Battle.

Cthulhu in the Deep South is a series of books set in South Carolina between the 1830s and 1860s. Usually, the action is set in or around Charleston, but two mysterious islands, named Ryland and Carcosa, also play a major role in the plot. Another common thread is people from New England, more specifically Arkham, finding themselves in South Carolina. But above all, the core of the series is the way that the creatures of H.P. Lovecraft combine with real world historical events to produce some fine historical horror.

Okay, so I think I ought to be upfront about a few things before we move forward. Many of you come here for my audio drama reviews. However, Cthulhu in the Deep South is a podiobook. It is like a standard audiobook; no bells and whistles beyond that. I listen to a lot of audiobooks, so I’m good with that. But I know some people feel differently, some I’m giving you all the info upfront. If that sounds good to you, let’s press on. I should also note that all six books of Cthulhu in the Deep South are also available as eBooks. 

I was approached by Kirk Battle to review Cthulhu in the Deep South after he saw my review of Modes of Thought in Anterran Literature. Each season of Cthulhu in the Deep South is a book in the series. I’ll give general thoughts and remarks before we get into each individual book. I liked the way that Kirk Battle incorporates actual history into the story. Kirk includes a bonus episode at the end of each season. In the bonus episodes, he explains his thought process when crafting each book. Naturally, he talks about which works of H.P. Lovecraft he draws upon. However, he also talks about which primary historical sources he uses. He will also spends quite a bit of time discussing what those primary sources are, and what they’re about. As someone with a history degree, I very much appreciate all of this.

Okay, so let’s get into the individual stories. Book one begins in the 1830s. It follows a man from Arkham, Massachusetts. He was part of an ice harvesting crew. The crew have collected their ice from the Arctic, and now they’re bound for balmy South Carolina to sell the ice. However, strange things begin to happen. Our protagonist begins to wonder if, perhaps, the crew has brought more than just ice with them. Things get even stranger when our protagonist finds himself on a pair of twin islands, located just off the South Carolina coast, called Ryland and Carcosa. They are a strange otherworldly place where White planters seem to take orders from their own slaves. There is something strange about the people of Ryland and Carcosa. Almost as if they aren’t exactly human.

Okay, so Cthulhu in the Deep South starts out strong. Out of all the books in the series, this is the one that comes closest to mimicking Lovecraft’s writing style, and the general feel of a Lovecraft story. I don’t mean that as a slight against the other books in the series. Kirk Battle has stated that he wanted each of the books to have their own style, and to play into other genres. Overall, I would say he succeeded in that goal. But all of that is to say that the genre for the first book is straight Lovecraft.

That being said, and as previously noted, Kirk Battle also included quite a bit of historical research into this one. One detail is that a lot of the crew of the ice harvester are Black. A lot of free Blacks did indeed find work on sailing ships. Quite a few whaling ships had predominantly Black crews. I also liked the details the bonus episode gave about the history of ice selling. I’m alway fascinated how people were able to preserve ice in the days before refrigeration. Apparently, ice water wasn’t then instant hit you might think it would be. A lot of people didn’t like that it made their teeth hurt, and others were worried that ice water would be dirty. To be fair, that latter concern probably wasn’t totally unfounded. Not that room temperature water was much better, mind you. Still, ice salesmen often had to pay people to give ice water a try, and to sing its praises. A little underhanded, perhaps, be it certainly bore fruit in the long run.

Book one poses a question that crops up a lot throughout Cthulhu in the Deep South. That question is this: at what point is turning a blind eye towards something horrible the same as being complacent in it? Our protagonist comes from an abolitionist family, and considers himself on as well. However, he clearly holds deeply racist views of Blacks. True, he doesn’t own any slaves himself. However, he doesn’t really do much to oppose slavery, beyond some hollow words. This is, sadly, not to far removed from actual history. Many abolitionists were opposed to slavery on philosophical grounds. However, this didn’t mean they believed Blacks should be equal to Whites. The number of people who did was comparatively small. Many abolitionists proposed sending Blacks back to Africa. The nation of Liberia was the results of such attempts.

Okay, history is all well and good, but what about the Lovecraft? Book one takes inspiration from “The Shadow Out of Time.” So, unsurprisingly, the inhabitants of Ryland are members of the Great Race of Yith. I always thought that “The Shadow Out of Time” was one of the more underrated stories from the Lovecraft Mythos. I loved the way all of the different authors put their own signature styles into the story. I have also found the Great Race of Yith to be underrated, as far as Lovecraft creatures. It is mentioned briefly, but our protagonist attended Miskatonic University, which frequently pops-up in the works of Lovecraft.

There were a few minor anachronisms. For example, at one point, one of the Yith makes reference to dinosaurs and genetics. The term dinosaur didn’t come into common use until 1842, and Gregor Mendel was still a kid in the 1830s. Granted, the Yith are time travelers, but the protagonist should have been tripped up by such terms. Still, just a minor instance that I noticed. Overall, the historical research was extremely well-done.

Cthulhu in the Deep South comes out of the gate with a strong first book. Let’s see if it can mainline that momentum.

Book two takes place in Charleston, South Carolina only a few years before the outbreak of the American Civil War. The protagonist of book two is a woman from New England who married the son of a wealthy plantation owner. Her family has pretty much disowned her, as they are all abolitionists. Still, she was convinced that she can build a happy new life in the Deep South. She assumed that she could reform her husband’s plantation into a kinder gentler place. Oh how very wrong she was. Our heroine finds herself drawn into the casually, and not so casual, cruelty of plantation life. This tears her apart mentally, and it only gets worse when her young son Daniel dies. The protagonist begins to hear voices that sound an awful lot like Daniel. Has he returned from the dead? Our heroine teeters on the edge insanity and mental breakdown as South Caroline, and the South as a who, draws ever closer to secession.

Well, well, it would seem that Cthulhu in the Deep South was able to maintain that momentum quite well indeed. The main Lovecraft influence for this one is the Dreamlands Cycle. “The Yellow Wallpaper” by Charlotte Perkins Gilman was also a major influence on book two. However, the real horror from this one comes not from eldritch horrors, but from the all too real horrors of history. It is tempting to laugh at the protagonist’s naïvety. When you get down to it, there is no such thing as a truly benevolent slave owner. Slavery wasn’t horrible just because of the physical violence, but also the psychological violence that slaves endured. At any moment, you or your loved ones could be sold completely on a whim, and you’d never see them again. In fact, slave marriages often included the phrase “til death or distance do you part.” Slaves were property, not people, so slave marriages were not legally binding.

I’m reminded of something that Augustine of Hippo once wrote. He wrote about a friend of his who decided to go to a gladiator game. The friend assumed that, as a good Christian man, there was no way he’d get drawn into the violence and bloodshed of the arena. Well, suffice it to say, it didn’t take long for the friend to be jeering loudly for the gladiators to kill each other. The supposedly good Christian man had found himself drawn in by the arena.

It is in book two that we meet the most vile and despicable creature in all of Cthulhu in the Deep South: the heroine’s mother-in-law. Now, you might think I’m joking, but let me assure you that I’m not. On most plantations, it wasn’t the actual owner you had to watch out for. He’d usually be off playing sports, or hunting, or doing other rich people things. Oh, the overseers were certainly nasty, particularly to field slaves. However, it was the lady of the house you really had to watch out for. The wives and mothers of plantation owners were expected to run a tight ship. Many of them often took sadistic glee in the power they lorded over their slaves. They’d often do things like forcing slaves to whistle while they cooked, to ensure they slaves didn’t eat anything. Any slaves who failed to whistle would be hit with a wooden spoon. Kirk Battle drew upon the personal diaries of plantation owner’s wives for his historical research.

Our heroine is frequently tormented by her mother-in-law, who resents her for being a Yankee. Things only get worse when the protagonist’s husband becomes involved with the newly formed government of the Palmetto Republic. That was what South Carolina was called before the other Southern states formed the Confederate States of America. Kirk Battle mentioned that he wanted to tell a story where the protagonist is driven to insanity, per Lovecraft tradition. However, he wanted to depict that insanity as a means of escape and liberation, rather than a terrible fate. I won’t give away the ending, but Kirk certainly achieved that goal. Then again, given how horrible the main heroine’s life is, pretty much anything would be an improvement for her.

Book two of Cthulhu in the Deep South is a worthy follow-up to book one.

Book three takes place during the American Civil War. We follow a young Free Black man from Arkham. He felt the swell of patriotism and decided to enlist in the Union army. However, he soon finds himself facing discrimination from all sides. Many of his commanding officers assume that he’s trying to swindle money out of them. Most of his fellow Black soldiers are former slaves, and he has quite a bit of cultural difference with them. As for the Confederate soldiers he fights against, well, that goes without saying. Our protagonist is assigned to a dangerous mission to the islands of Ryland and Carcosa. It is a mission that will lead him straight into the heart of darkness.

I just didn’t enjoy this one as much as I thought that I would. Don’t get me wrong, book three had its moments, and it did have some interesting historical and literary influences. Still, I just feel like it never quite came together for me.

Let’s take a moment to talk about those influences. The main Lovecraft influence on book three is “The Shadow Over Innsmouth.” The big non-Lovecraft influence is Heart of Darkness by Joseph Conrad. Kirk Battle admits that he’s always had a certain fondness for that novel. Yeah, I guess I can see the influence. Our protagonist goes on a riverboat trip with a man who slowly looses his mind. Some people say that Heart of Darkness is racist. I wouldn’t say that, but I do feel it could have been a bit harsher towards the horrors of the Belgian Congo. On the other hand, it was one of the first novels to speak-out against the horrors of European colonialism in Africa. Ultimately, Heart of Darkness is a product of its time; take a bad with the good.

I did like the historical details. Many freed slaves did indeed join the Union army. Many slaves ran towards the Union army whenever they were nearby. However, many of these former slaves needed to be taught how things were going to work now. Many slaves developed several forms of passive resistance against overseers. They might pretend that they didn’t hear the instructions, or they might do their work as slowly as possible. However, once the slaves joined the Union army, they had to be taught that doing such things was now treason. The Harriet Tubman cameo was also fun. Still it just wasn’t enough to salvage book three for me.

So, unfortunately, book three was a bit of a misfire. Let’s see if Cthulhu in the Deep South can shake it off and recover.

Book four begins in the middle of the American Civil War, and ends not too long after Reconstruction begins. We follow a Christian missionary abolitionist from Arkham. She is heading to South Carolina as part of an effort to help newly freed slaves make better lives for themselves. She finds herself on Ryland and Carcosa, naturally. She becomes acquainted with a conjuring woman named Mam Ruth. Mam Ruth is the leader of the Black community on the isles. Mam Ruth is also privy to the many supernatural happenings on the isles.

Ah, it would seem that Cthulhu in the Deep South recovered quite well. Book four is our first introduction to Mam Ruth. She becomes a very important supporting character from this point forward. Mam Ruth is a root doctor, which were practitioners of folk magic common in Gullah communities. Kirk Battle said he wanted to take a root doctor character, and make her into a wise sorcerer type character, like Gandalf from Lord of the Rings. I liked that he drew from Gullah culture for inspiration. The Gullah are a very fascinating people group. They live in the Sea Isles, off the coast of South Carolina and Georgia. Unlike most other enslaved peoples, the Gullah managed to retain a fair bit of the ancestral African culture. They also have a very distinctive dialect.

Another fun bit of real history is one of the characters who is part of the main character’s group. He’s an anthropologist who is interviewing the newly freed slave about if their traditions have roots in African culture. He is heavily inspired by an actual anthropologist who did pretty much the same thing. This wasn’t necessarily bad in and of itself, but the Black people he interviewed wished that he would talk more about the racism and discrimination they were facing. The main character disparages him, but she’s not as different as she’d like to think. Sure, she is trying to give the former slaves an education, but she goes about it in a very White Man’s Burden kind of way. She tends to put most emphasis on teaching them the Bible, and her primary motivation for teaching them to read is so they can read the Bible.

Of course, later in the book, the protagonist runs into trouble trying to get charities in New England to help the former slaves. Most charities focus on helping Union soldiers and their families. Certainly an admirable cause, but it also highlights a major part of the North’s reaction to the Civil War. 

There are many reasons why Reconstruction failed. I would say the biggest was that the South was granted amnesty way sooner than it should have been. Thanks at lot, Andrew Johnson. Southerners, including several former Confederate generals, were able to fight Reconstruction from within Congress. That Confederate leaders never got hanged for treasons is, in my humble opinion, one of the biggest mistakes in American History.

All of that having been said, the second biggest reason Reconstruction failed was the apathy of Northerners. I would compare Reconstruction to the War in Afghanistan. It was a very controversial military operation, there were numerous calls to pull out, and everything went to hell when the troops actually did pull out. Northerners might have been willing to fight to end slavery, but weren’t necessarily going to invest in the Black community afterwards.

Cthulhu in the Deep South manages to dust itself off and stand proud once again with book four.

Book five is set in 1866. It follows a man from New England who has recently moved to Charleston. He’s a bit of a hustler and a conman, and is always looking for a get-rich-quick scheme. He has recently become part of a group of similar-minded men of fortune who are looking to strike it big by finding buried treasure.

I’m just going to be honest, this was probably the weakest book in the whole series. In fairness, Kirk Battle said that book five was where he struggled the most as a writer. He wanted to tell a story from the perspective of a Carpetbagger. Problem is, there aren’t really any primary sources to use. Carpetbagger was a pejorative used by Southerners against Northerners who moved to the South following Reconstruction. The Lost Cause Narrative painted Carpetbaggers as evil swindlers who swindled innocent Southerners. In reality, however, most “Carpetbaggers” were, basically, White Northerners who didn’t totally hate Black people. Same goes for Scalawags, who were viewed as basically like Carpetbaggers, but Southern rather than Northern in origin. Again, most “Scalawags” were simply White Southerners who didn’t totally hate Black people.

There were some fun ideas. I liked how book five drew parallels between the Plat-Eye of Gullah Folklore and the Shoggoth from the Lovecraft Mythos. And there’s a bit towards the end that draws upon “The Thing on the Doorstep” for inspiration. Unfortunately, on the whole, I just couldn’t get into book five. Oh well, maybe book six will improve things.

Book six takes place during the 1870s. We follow a young Black woman who managed to get sent up North to get an education. Unfortunately, the North didn’t prove to be the land of opportunity she was hoping for. So, she moved back to South Carolina to be with her sister. It is a very turbulent time for Charleston. There’s a lot of unrest and race riots. Still, our heroine has managed to land a job as a maid for a wealthy family. They’re very peculiar folks. In fact, at times they almost seem not quite human. Things only get strange when she discovers a mysterious metal box in the attic. The box introduces itself as Mam Ruth.

It has often been joked that the even number Star Trek movies tend to be better than the odd numbered ones. I’m not sure I’d agree with that; the only truly bad Star Trek movie was Final Frontier, though that was the fifth movie. I’m tempted to say that the same pattern holds true with Cthulhu in the Deep South. Book six was a significant improvement over book five.

Kirk Battle said that he wanted to write book six as maid fiction. Think like the parts of Downton Abby that focus on the servants. It is a genre that hasn’t been popular in decades, but I feel that Kirk Battle pulled it off pretty well. He also drew upon the novel Kindred by Octavia Butler. Well, not just in book six. Kindred informed Cthulhu in the Deep South in general. Kindred is a great book, so I’m glad to hear it was an inspiration. In terms of Lovecraftian influences, we’ve got “The Whisperer in Darkness.” The mi-go do appear, and their habit of putting brains into canisters plays a big role in the plot. We also get “The Thing on the Doorstep” once again.

We also get some insight into social dynamics. Our protagonist finds herself competing against another housekeeper named Maeve. Maeve is a recent immigrant from Ireland, and constantly tries to sabotage the protagonist. Maeve particularly resents that the protagonist got the coveted job of house cook, which pays better than being just a maid. Maeve can’t cook to save her life, but still resents loosing the position. Of course, our protagonist can give just as good as she gets. I’m reminded of something Chris Rock once said about how there’s nothing a White man who only has a penny hates more than a Black man who only has a nickel.

Our protagonist is presented with a tantalizing proposition. She could switch bodies with someone from 1968, and escape the horrors of her own time. Of course, to do that, she’d be condemning someone from 1968 to a life in the 1870s. And, as far as she knows, there’s no guarantee that 1968 will necessarily be much better. In fairness, while 1968 was better than Reconstruction, there was still plenty of racism and discrimination. Still, interesting plot to have someone from the past contemplate potentially escaping to a better future.

And with that, we’ve covered all six books that are part of Cthulhu in the Deep South. It is a series that combines Lovecraftian horrors with the real life historical horrors of the 19th Century South. There were a couple misfires along the way, but on the whole, it is an excellent series of novels. Kirk Battle is planning more entries in the series, however, he’s taking a break from Cthulhu in the Deep South. He’s currently working on a purely historical fiction novel set in the Reconstruction era South titled These Hallowed Halls. And yes, it is available both as an eBook and a podiobook. I wish Kirk Battle the best of luck with all his future endeavors. I’m sure they will be excellent.

Well, I think that should do it from me for now. I will see you guys next time.

The Alt-Hist File: Brave New Frontiersman

I’ve encountered a lot of very friendly and helpful people within the audio drama community. This has only increased since I have begun work on my own audio drama. So, with that in mind, I thought I’d give back to an audio drama that offered its help to me. And by give back, I mean write a review. We’re taking a look at Brave New Frontiersman. 

Brave New Frontiersman is set in an alternate version of 18th Century Colonial America. This version of North America is a land filled with magic and mythical creatures. You have creatures from the Old World, such as banshees and trolls, but also creatures from the New World, such as Sasquatch and Raven Mockers. Our hero is simply known as The Frontiersman. He travels across the frontier to aid those in need of help. He is joined by his old fur trapping companion Coyote. Along the way, they pick up a noble named Jame Byron, who has an aptitude for magic. Our three heroes will travel the frontier and encounter many strange creatures and strange magics.

I had known about Brave New Frontiersman for a while. Recently, however, I was contacted by the Brave New Frontiersman Twitter account. They had seen my casting call for my upcoming audio dram The Books of Thoth, and wanted to know if I needed people sent my way. I already cast the roles for the first three episodes, but I’ll certainly keep them in mind for future episodes. I also figured it would be nice if I gave them a review.

Now, normally I prefer an audio drama to have at least one complete season before I write a review. However, given that there tends to be a bit of a gap between episodes of Brave New Frontiersman, I am waving my usual requirement.

I’ve always found America to be a place with a look of potential to be a fantasy setting. I like to think that American folklore and history are just as rich and varied as the lore of any fantasy world. That our landscapes could rival any fantasy geography. I’m always happy to find more American-inspired fantasy. So, big point in Brave New Frontiersmen’s favor. Being set in the 18th Century, and dealing with the frontier, I was immediately reminded of the Leatherstocking Tales by James Fenimore Cooper. The most famous book in the series being The Last of the Mohicans.

The frontier has always had a special place in the mythology of America. I’m reminded of when Thomas Jefferson sent Lewis and Clark on their famous expedition. He asked them to bring back a wooly mammoth, as many people believed that mammoths still roamed the lands of the Louisiana Purchase. Well, obviously, they didn’t have much luck finding a live mammoth. However, they did find a fossilized mammoth tusk. Hmm, I wonder if there are mammoths in Brave New Frontiersman. None have appeared so far, but they could always pop-up later.

Point being, frontier has often been mythologized as a land of adventure and discovery. A land completely unknown, well, except for the numerous Indigenous tribes that were already living there. The point I’m trying to make is that Brave New Frontiersman taps into that mythologized notion of the frontier as “here be dragons” territory.

As previously mentioned, Brave New Frontiersman is alternate history. Obviously, there’s the magic and mythical creatures bit, but there’s other aspects as well. One episode begins with the characters reading a newspaper. From this, we learn that the Aztec Empire still fell to Spanish Conquest. However, it did so in the 18th Century, rather than the 16th Century, and rather recently in terms of when the story takes place. The Inca Empire remains independent, at least for the moment. Also, the mythical king Prester John is apparently real, and his kingdom has recently been discovered. 

We also learn that the Seven Years War, known to Americans as the French and Indian War, lasted twenty years in the world of Brave New Frontiersman. I guess it will be called the Twenty Years War instead. I do wonder what effect that will have on the American Revolution. We’re already getting hints of friction between the colonists and the British. It is mentioned that nobles have an affinity for magic, but what does that mean? Do nobles have a greater aptitude for magic? Or can anyone learn magic with enough time and practice, and nobles are just more likely to have better training? It is repeatedly mentioned that lead cancels out the effects of magic, so an anti-monarchist rebellion could still work.

Another interesting point is the depiction of religion. So far, we’ve only seen Catholic priests. Now, the first time was in a town populated by Irish settlers, so that was understandable. As for the second time, it made me wonder whether the Protestant Reformation still happened in the world of Brave New Frontiersman. Granted, settlements of English Catholics weren’t unheard of. Maryland was founded so that English Catholics would have somewhere to freely practice their religion. There is, eventually, mention of Martin Luther being viewed as a heretic by the Catholic Church. So, clearly there was a Reformation in this world. What the exact details were, however, remain to be seen. 

Now, let’s talk a bit about the voice acting. The first couple episodes were a bit rough at times. It was clear that the Brave New Frontiersman team hadn’t quite found their footing yet, and were still trying to figure out how the characters should sound. However, as the series progresses, the casts gets more of a handle on their characters, and the performances get stronger. I see more improvement with each new episode. I’ve also noticed that sometimes the sound levels will be a tad uneven. Again, this is improving, but it is important to make sure all the dialogue is equalized. That way, it helps create the illusion that everyone is together in the same place. Also, this is a minor point, the characters pronounce New Orleans as New Or-Leans. I’m from Louisiana, as many of you know, and we pronounce it as New Or-Lens. I realize this doesn’t make a lot of sense to people who aren’t from Louisiana. However, pronouncing it as Or-Leans is a goo way to mark yourself as someone who isn’t from Louisiana.

Let’s shift gears and talk about the bestiary. One episode had our heroes facing off against a dullahan, a type of headless horseman from Irish Folklore. It makes for a clever reference to “The Legend of Sleepy Hollow” by Washington Irving. In fact, one of the twists in the episodes has its roots in the twist of “Sleepy Hollow.” Very nice use of literary allusions. Another episode see the heroes deal with a Raven Mocker. It is a creature from Cherokee Mythology. They’re shapeshifting spirits who target the dead and dying, and eat their victims’ hearts to extend their own lives. They can only be seen by an experienced medicine man, and usually his presence will be enough to keep them at bay. I always enjoy when I get to learn about a new mythical creature.

There are only seven episodes of Brave New Frontiersman out so far. That means there’s still a lot of places for the story to go. Obviously, I’m very interested in the alternate history aspects of the setting. I’m also hoping that we’ll get to meet some Native Americans at some point. Native Americans aren’t very common in pop culture, which is a real shame. I did raise my eyebrow a bit when it was mentioned that all Indigenous spirits are vulnerable to tobacco. That felt like it was playing into the unfortunate trope where all Native American cultures are lumped together into a single category. Though, thankfully, the Raven Mocker was specifically identified as a creature from Cherokee Mythology. So, I have hope that Brave New Frontiersman will be able to handle Native Americans with tact.

I’m also hoping we learn a bit more about the backstories of the Frontiersman and Coyote. At the moment, we don’t know too much. Going by the cover art, the Frontiersman does look vaguely similar to Natty Bumppo, the protagonist of the Leatherstocking Tales. So, I wonder if he might have a similar backstory. The way Coyote talks kind of reminds me of Tonto from The Lone Ranger. Though, I don’t think Coyote is suppose to be Native American. On the other hand, the Coyote is a trickster spirit common to many Native American tribes. So, I guess we’ll have to wait and see.

The keyword with Brave New Frontiersman is potential. There is a lot of potential in the characters and the setting. We’ve got seven episodes so far, and I feel a clear sense of improvement and progress as the episodes go on. I feel confident that Brave New Frontiersman will be able to keep up the momentum, and spread its wings even further in the future. And I certainly can’t wait to see where the adventure takes us next.

So, there you have it. Brave New Frontiersman is an audio drama set upon the frontier of an 18th Century America filled with magic and mythical creatures. Only seven episodes out so far, but it improves with every episode, and has a lot of potential.

Well, I think that should do it from me for now. I will see you guys next time.

Flag of the Federation of Patagonia

This is the flag of the Federation of Patagonia. It comes from a world where Britain conquered Argentina and Uruguay in the early 19th Century. Patagonia is a highly developed nation, and is often referred to as the Canada of the Southern Hemisphere. Patagonia also includes part of southern Chile. Chile has never forgiven Patagonia for annexing this land. Though, this occurred during the days of direct British rule. The Falkland Islands are considered indisputably Patagonian territory. 

Like Canada, Patagonia is the result of the bending of two European peoples. In this case, British and Spanish. However, also like Canada, said people have historically had their tensions.

Northern Patagonia has historically been the heart of Hispanic culture. Meanwhile, Southern Patagonia has historically been majority Anglo. The name Patagonia used to refer to the region that became the southern provinces, but grew to refer to the nation as a whole. The ruling Anglos felt that Argentina and Plata were too Spanish for their taste. Hispanic Patagonians were pushed further and further north for much of the 19th Century. In fact, Buenos Aires and Montevideo used to be majority English-speaking cities. Though, Spanish speakers still accounted for a healthy forty percent of Buenos Aires and Montevideo’s population. Patagonia also experienced far less Italian immigration than Argentina did in our world. Catholic Italians weren’t eager to move to a colony of Protestant Britain. Subsequently, Patagonian Spanish has much less Italian influence than Argentina Spanish of our world. The northern provinces, initially, tended to be poorer than their southern counterparts.

Things would begin to shift starting in the 20th Century. Industry began to invest in the northern provinces of Patagonia. The influx of industry lead to an increase in wealth among Hispanic Patagonians. Several baby booms occurred during this time, ensuring that Hispanic culture would survive in Patagonia. Hispanic Patagonians made major political gains in the Patagonian parliament. Bilingualism became official government policy starting in the 1950s. Packaging is required to be printed in both English and Spanish, signs are printed in both languages, and all government documents are printed in both of the official languages. There are also numerous Spanish-language schools and universities, though most are located in the Hispanic-majority northern provinces.

Patagonia remains culturally divided among geographic lines. However, tensions have relaxed between Anglo Patagonians and Hispanic Patagonians. Patagonia is also home to immigrants from throughout the world, and prides itself on being a refuge for those seeking better lives. Patagonia has a friendly rivalry with Canada. Canada is referred to by Patagonians, with tongue planted firmly in cheek, as the Patagonia of the Northern Hemisphere.

The flag was officially adopted in the 1970s. Prior to that, Patagonia used a British Red Ensign. Care had to be taken, when designing the new flag, not to favor Anglos or Hispanics. The colors evoke the landscape of Patagonia. The white represents the snow-capped mountains, while the ice blue represents the glaciers. The shape is meant to evoke the textile work of Indigenous Patagonians. The three guanacos were chosen as a symbol beloved by Patagonians of all cultures. In fact, the guanaco is the official mammal of Patagonia.

The Audio File: The TEMP: Season 2

Welcome back to my review of The TEMP. We’re taking a look a season two this time. If you haven’t already checked out my review of season one, you can find it over here. With that out of the way, let’s get into season two.

Just a quick recap, The TEMP follows a man named Bernie Pfelger. He's a temporary worker, a temp if you will. He has worked many strange jobs, with many strange employers. We are joining him on all the wacky misadventures in his quest to find permanent employment. I realize that isn't much of a summary, but I promise that this is a good show. I was approached by series creator Michael Wilhelm to review this audio drama. He noticed my frequent posting of reviews in the Audio Drama Lovers Facebook group. I said yes, after I took care of a couple other reviews, and now here we are.

Episode Nine is titled "Mother's Nature." Bernie is having deal with a real mean girl at his latest office job. Her name is Maxine and she's got it out for temps, and Bernie is her latest target. Will Bernie innocence and charm win her over, or are more drastic measure required?

We have some new things this season. For example, the formerly instrumental theme song now has lyrics. It's a fun little ditty, as you might expect. Also, Bernie and Penny's daughter Menorah finally makes an on-screen appearance, for lack of a better way of putting it. She's dropped out of college...because she's making a six-figure salary reviewing stuff on YouTube. Bernie was worried that it involved nudity, but his fears are misplaced. Now, if it had been Twitch or OnlyFans, well, then he might have had a more legitimate concern.

Clearly, Menorah isn't reviewing audio fiction. You don't make...well, actually, I don't make any money doing this. It is a labor of love. Of course, that's partially on me. I don't run ads on this blog, because you guys have enough ads in your life, and I probably wouldn’t make much anyway. I don't have a Patreon, because I don't know what to give as rewards, and there are tons of audio dramas that deserve your money more than I do. I also take my reviews pro bono. I will never charge to review someone's show. Audio drama is expense enough as it is, and charging for reviews would be exploitative. Like I said, labor of love. But enough about me, back to the show.

So, Menorah is doing pretty well for herself. Though, I do understand Bernie's concern about her dropping out of college. I mean, imagine if her YouTube career fizzles out. She'd be wandering around aimlessly from temporary job to temporary job. Oh, everything would be fine for a bit, but then she'd inevitably get fired and have to find a new job. But what would Bernie possibly know about that?

Good thing The TEMP is a comedy. Bernie is a middle-aged white man being tormented by a young white woman. That sort of set-up, especially in the post-MeToo world, would not have ended well in a more serious show. Bernie would be at a serious disadvantage. Well, that and Bernie would have gotten into trouble for the scene where he wears a baseball cap backwards and goes "yo, yo, yo." In real life, somebody probably would have complained that he was being racist.

Still, I guess one of the upsides of Bernie constantly getting fired is that, no matter how terrible his job, it's only temporary. It's like Avenue Q says, everything in Bernie's life is only for now. Well, except for death and paying taxes, but hopefully he won't die anytime soon.

Episode Ten is called “Gumshoe.” Bernie gets a job working at the Marge in Charge Detective Agency. Despite the name, it’s actually Marge’s husband who is the head detective. Well, he’s kind of an idiot, and she does most of the work. But still, he’s still head detective on paper. Bernie mostly just holds down the fort while the detectives are away, but hey, he’s living his detective dream. What could possibly go wrong?

Well, there was a bit of unintentional bit of synergy in my life with this episode. I listened to it not long after beating all of the detective endings on Kyle is Famous. It is a Choose Your Own Adventure type game where you are a talk show host preparing for his latest episode. Well, that’s the basic plot. There are over 117 possible endings, and things can quickly go off the rails, and into complete insanity. You can become a ghost, time travel, or even show up to the interview totally naked. You can also have Kyle change jobs, one of which is being a detective. You’ll probably need a guide sooner or later, but it is worth it to experience Kyle is Famous in all its insane glory.

Anyway, back to The TEMP. Bernie mentions that it has been his lifelong dream to drive around in a van and solve mysteries. Does he also plan on adopting a Great Dane as part of this plan? Bernie, I really can’t sugarcoat this, so I’m going to give it to your straight: you’re simply too old to be a meddling kid. Also, I’m pretty sure meddling kids don’t get paid, and you can’t afford to be working pro bono. But hey, even if Bernie is too old to live out his Scooby-Doo fantasies, he’s still the right age to give us plenty of laughs and entertainment. I also realize that I’ve heard the theme music on certain commercials before, but nothing wrong with that. Audio drama is expensive, and royalty-free stock music is a good way to save on cost, while also utilizing a quality product.

This was, all things considered, another reasonably good episode.

Episode Eleven is “Meme, Myself, and I.” Bernie becomes a meme after accidentally eating some insanely spicy potato chips, and washing them down with copious amounts of milk. Bernie is suddenly inundated with job offers and opportunities. It’s almost too good to be true, but how long will it last?

This is another episode that shakes things up. Bernie gets fired halfway through the episode, but that’s when the real fun starts. We also see a different side of Menorah. When she first appeared, she seemed fairly sweet and kindhearted. Come this episode, I’m tempted to believe that Menorah is slightly evil. She’s the one who tricked Bernie into eating the spicy chips, and knew he’d make a fool of himself with the milk. I also appreciated the brief nod to Penny getting stuck in the mascot costume in episode two. Also, milk is indeed useful in combating spicy food. Water spreads the oils within chilis around your mouth, but milk bonds with the oils, and draws them away.

So, about the meme itself. The TEMP prides itself on being a family-friendly comedy audio drama. A bring this up because, in real life, I can see the memes getting very perverted very quickly. Given what milk looks like, it wouldn’t take long for places like 4chan, and the seedier parts of Reddit and Twitter, to take the meme in some very family-unfriendly directions.

I figured that Bernie’s meme would die fairly quickly. That’s just how it tends to go with the lifecycle of memes. Still, didn’t see him becoming a creepypasta. Well, it’s called Spooky Noodles, but it’s pretty clearly meant to be a parody of creepypastas. For those who don’t know, creepypastas are horror stories that are posted on the Internet. Bernie is reimagined as the Milky Man, which sounds vaguely similar to Slender Man. Maybe the company didn’t want to risk a repeat of the Slender Man Stabbings. Back in 2014, two girls attempted to murder their friend because they believed Slender Man want them to become his avatars. Before anyone clutches their pearls, I would point out the girls were determined to be suffering from mental illness, and were later committed to a psychiatric institute. Also, the creepypasta community held a fundraiser to raise money for the victim of the stabbings.

So, we’ve got another episode that decides to mix thing up, and I’m definitely here for it.

Episode Twelve is “Royal Flush.” Bernie decides that he’s stuck in a rut, and decides to shake things up. By that, I mean he tries out a different temp agency. He lands a pretty sweet position as a bathroom attendant at a very prestigious country club. The tips alone bring in quite a bit of money. It’s like a dream come true. But things rarely stay stable for long with Bernie.

There are indeed fancy places that have bathroom attendants. Said attendants offer visitors a variety of soaps, towels, cologne, and amenities. I suppose it seems kind of nice, but public restrooms always make me feel rather nervous, especially when there’s a lot of people in them.

Bernie is told that he cannot use the restroom himself. Employees have their own bathroom in the basement. It seemed like that was setting things up. I assumed Bernie would eat something that would disagree with him, and he would have no choice but to use the fancy toilets. That, or he’d try to hold it, but would wind up soiling himself. However, it seems that this was a red herring.

He does, however, find himself in the middle of a class war. Several of the other employees decide to revolt against the country club, and barricade the fancy bathroom. I guess you could say they were planning a shit-in. The leader speaks with a noticeable lisp, and he reminded me of Barry Kripke from The Big Bang Theory. He’s the one who says stuff like “Hewwo, Swelldon Cwoopa. It is me, Barwwie Kwipke.”

Well, Bernie learned a valuable lesson from all of this. If an offer seems too good to be true, chances are, it’s probably a load of shit.

Episode Thirteen is “Chemical Reaction.” He has been assigned to work at a toy factory. Bernie feels like he’s just gotten hired by Willy Wonka, and in a way he’s correct. That is, he’s not working in an office, but on the ground floor of the factory. So, he’s basically an Oompa Loompa. The toys are made using several highly toxic chemicals, and the factory is a very unsafe place in general. But hey, what’s the worst that could happen?

The episode description described the toy factory as progressive. I assumed this might mean that the episode would be poking fun at political correctness. This would be odd, as The TEMP is usually fairly apolitical. But this was not the case. The factory is a decidedly unsafe place to work, with numerous OSHA violations. I’d probably be just as nervous as Bernie was, if not more so. But hey, Bernie’s probably already been exposed to all sorts of horrible chemicals. Depending on how old Bernie is, his body is probably full of lead. It was used all the time in gasoline and paint back in the day. It’s just like how everyone in my generation are probably full of microplastics.

Usually, The TEMP is pretty episodic. However, this episode adds a bit of continuity. Bernie and his temp agent are still dealing with the consequences of the previous episode. In fact, Bernie thinks his agent set him up as revenge for going to a different temp agency. Oh, and in other Wonka references, Bernie calls his agent a Vermicious Knid. I guess we’ll have to see if this plot thread continues in future episodes.

So, Bernie has saved the day and stop a toxic factory. Well, there’s a decent chance the factory owners will regroup and move production somewhere else. Presumably, somewhere with fewer safety regulations, such as China or India. But hey, Bernie should count his wins no matter their size

Episode Fourteen is “Class Trip.” Bernie enrolls in a class that promises to help land him a permanent job. Bernie feels like he’s a kid in school again. The class covers things like rhymes, hopscotch, proper siting, and being efficient. Is this really going to help him be better? Does Bernie even need to be fixed?

This episode was deceptive. Well, to me it felt like it was. I have had many nightmares about having to repeat college and/or high school. I mean, overall I did enjoy my time in college, but I am glad to have finally put my formal education behind me. I’m still not entirely convinced that the teacher of the class wasn’t a cult leader. She takes away everyone’s cellphones, thereby limiting their contact with the outside world, constantly tries to shame and gaslight everyone, tries to get everyone to tie their self-worth to her approval, and she claims her method is the path to salvation. Sounds like a cult leader to me. When the teacher offers everyone juice boxes my first thought was “No, Bernie! Don’t drink the Kool-Aid!”

Speaking of our main man, we learn that he likes to watch the movie The Towering Inferno whenever he’s feeling down. Apparently, the sight of a skyscraper full of people burning to death calms him down. Well, now we know why Bernie has never been able to hold down a job. His agent did give him bad jobs, but with good reason. If Bernie stay in one place for too long, he might get bored, and give into his pyromaniac tendencies. Wait, a minute, Bernie is pretty heavily based upon Michael Wilhelm. Uh, will you please excuse me, I need to call the Fort Wayne, Indiana Police Department. That was a joke, just in case it wasn’t obvious.

This episode is probably the closest that The TEMP will come to a horror episode. I like the part where Bernie lists all of his accomplishments over the course of the series. It will be interesting to see where he goes from here.

Episode Fifteen and Episode Sixteen are a two-part episode. The first half is “Lost & Alone” and the second half is “Lost In Space.” Bernie Pfelger is missing! Well, not really. He’s actually been brought in for questioning by some government agents. But hey, Penny and Menorah don’t know that. They’re determined to find Bernie no matter what it takes. Meanwhile, Bernie recounts his latest misadventure. He got hired as the personal assistant to a very eccentric genius at a rocket company. Bernie’s new boss had some truly out of this world ideas. Like wanting to launch himself into orbit to defend the Earth from aliens.

This was a lot of firsts for The TEMP. We had our first two-part episode. We also got to see Penny and Menorah take the lead for a good chunk of the first half. That was a fun change of pace. It was interesting to witness Bernie’s escapades from the perspective of someone other than Bernie himself. I initially wondered if Bernie’s new boss was going to be a parody of Elon Musk. However, this was not the case. He was more of a generic mad scientist type.

I also liked how there were some real space facts slipped in with the comedy. For example, seven miles-per-second is indeed the escape velocity for launching into Earth orbit. Also, Earth orbit is indeed filled with all sorts of junk and debris. This is a major problem, and is known as Kessler Syndrome. Basically, the more debris in orbit, the more likely collisions are; and the more likely those collisions set off the chain reaction of collisions. I also liked the bit with the radio transmissions coming from all around the world.

This two-part episode certainly didn’t crash on the launch pad. It was truly out of this world, and a fitting note to end season two on. 

We had a great first season of The Temp. Our second season not only continues this quality, but manages to shake things up and try new things. I’m very much looking forward to season three. Especially because I acted as a consultant for one of the episodes. But, uh, more on that when season three gets here. 

Well, I think that should do it from me for now. I will see you guys next time.

The Audio File: Mija

I always found tales of immigrants to be fascinating. They offer a window into a world that I can only imagine. I often find myself pondering several questions. What would it be like to leave behind the land of my birth? What would it be like to try to assimilate into a totally different culture? What, if any, aspects of my own culture would I preserve and pass on. The audio drama we’re reviewing today deals with these questions, and a lot more. It is the tale of immigrants; their trials and tribulations, their triumphs and tragedies. We’re taking a look at Mija from Studio Ochenta. 

Mija is a story about families of immigrants. Those alive, those long gone, and those still dreaming. Each season is a self-contained story that follows a different family of immigrants. Season one follows a Colombian family in New York, season two follows a Chinese-Vietnamese family in Paris, and season three follows an Egyptian family in London. The story of each family is told by its own Mija, which means “my daughter” in Spanish.

As I said in the intro, stories of immigration have always fascinated me. The Italian part of my dad’s half of the family came to America via Ellis Island, and eventually found their way to New Orleans. We don’t know too much about the German and Irish parts. Meanwhile, my mom’s side of the family has been here since before the American Revolution. In fact, I had a few ancestors who were part of Jamestown. As is often repeated, all Americans, except for Indigenous people, have ancestors who came here from other lands. It was an interesting experience listening to Mija when I did. Immigration has become a hot-button issue as of late.

So, a bit of terminology before we got forwards. The narrators of season one and two are both called Mija. For the sake of convenience, we shall differentiate them as New York Mija and Paris Mija. Technically, the narrator of season three is also a Mija, but she’s more often referred to as Binty, which means roughly the same thing in Arabic. So, we shall call her Binty.

Season one is, in my opinion, the best of the three main Mija seasons. Season one is a very personal story for Studio Ochenta founder Lory Martinez. She drew upon her own experiences and the stories of her family, with some embellishments, to craft season one of Mija. Unsurprisingly, Lory also provides the voice of New York Mija. It was also from season one that I learned where Studio Ochenta got its name from. New York Mija grew up on Ochenta Street in Queens. I wasn’t familiar with that street. So, I looked it up, and realized that I actually did know it, because Ochenta means Eighty in Spanish. It was in that moment that I knew I had brought shame upon all of my Spanish teachers. And to my mom, who lived in the Panama Canal Zone for a few years during her childhood.

Getting back on topic, I could tell from the first episode that this was a very personal story for Lory Martinez. There was love and affection in every aspect of season one. The way she describes New York and Bogota paints such a vivid picture. I felt like I was there along with the characters. The story of season one is not only a tale about immigration, but also a tale about heritage and culture. We get the story of New York Mija’s parents, and how they made a new life in a new land. But we also get the story of her family members back in Colombia. In fact, even that ties into the theme of immigration. Several of Mija’s family members had to move from the Colombian countryside to Bogota as a result of violence from insurgency groups. It was scary, and hard at times, and certainly wasn’t what they planned for. And yet, they built new lives in a new home.

I often saw shades of my own family in New York Mija’s story. The scene where she reveals that she is part of a group text with several members of her extended family was super relatable. My aunt, uncle, and cousins all live in Temecula, which is a suburb of San Diego. So, naturally, we don’t get to see each other often. But we stay connected with the group text and phone calls. My parents are both from South Louisiana, but had to move to North Louisiana to find work as lawyers. For reference, North Louisiana and South Louisiana are basically two different states. My mom has talk about how hard it was for her to be away from her support network when I was first born. And yet, thirty years later, here we all still are. I also learned what a pollo chico is. It’s a chick that sticks very close to its mother hen. So, a mama’s boy, basically. Mija mentions that her dad and brother are both major pollo chicos. I guess I’m also a pollo chico.

Season one of Mija is a story of surviving and thriving, but there is also a strong undercurrent of melancholy throughout it all. For example, Mija’s maternal grandparents weren’t able to attend her parents’ wedding because the U.S. embassy rejected their visa applications. Then there’s also the reasons why the episodes tend to be ten minutes long. Mija’s father worked as a taxi driver, and often long hours at that. Oftentimes, Mija only had ten minutes each morning to really spend time with him. In the final episode, Mija talks about how her extended family doesn’t often get to be together because of how spread out everyone is, and how difficult travel can be. She also reiterates that many immigrant families face this problem as well.

But there is also hope. Throughout season one we are introduced to the concept of el cacumen. It’s kind of like good luck, but there’s more to it than just that. It's kind of like saying that things might be bad, but we’ll make it through somehow. Clearly, everyone who was part of season one of Mija had el cacumen on their side. The central question throughout Mija is, well, what is home? And where is home, for that matter? The answer that Mija goes with is that, where you have family and friends who love you, then that is your home.

I’m not the only person who thinks that season one of Mija is absolutely fantastic. Lory Martinez was interviewed on NPR’s All Things Considered. She discussed the origins of Mija, and various behind the scenes details. There is a slight irony that Lory Martinez has become an immigrant herself. She moved to Paris in 2015, and it is where Studio Ochenta is based. Apparently, her family didn’t take it well at first, but they came to terms with it once they got to listen to season one of Mija.

Mija is not just devoted to its global scope purely in terms of story. Mija is available in multiple languages. Currently, English and Spanish are the only languages that all four seasons are available in. Seasons one and two are available in French, season two is also available in Mandarin, and season three is available in Arabic. However, Studio Ochenta is working to translate all four seasons of Mija.

With the success of season one, there was the obvious question of what to do as a follow up. There could still be more stories from New York Mija, but that didn’t seem right. Though, Studio Ochenta did eventually release a series of short vignettes set in the life of New York Mija and her family. But no, everyone decided that the story of Mija wasn’t just limited to a Colombian family in New York. There are plenty of Mijas all over the world. The question, then, was where to go next?

Studio Ochenta teamed up with Melanie Hong to tell the story of a Chinese-Vietnamese family living in Paris. Season two had some good ideas, and it certainly meant well. However, it was also plagued by some serious growing pains. It was pretty clear that the Mija team were still trying to figure out exactly what the podcast would be going forward. One theme they wanted to emphasize was the common connections between the stories of immigrants. This is all well and good, but the execution left something to be desired. Several bits of Paris Mija’s dialog are copied almost word-for-word from New York Mjia. This is most apparent in the episode that focuses on Paris Mija herself, and in the final episode, especially the twist at the end. We also get an episode where Paris Mija takes us on a tour of Paris; much as New York Mija showed us around Queens. Good idea, but again, undercut by the self-plagiarized dialogue.

I also feel that season two bit off more than it could chew. In season one, there is certainly a feeling that there’s more to the story of New York Mija’s family than we see. However, with season two, it feels like the Mija team tried to squeeze too many ideas into only eight episodes. Paris Mija is unique in that she has a multiethnic background. However, given the limited scope of the season, I felt we didn’t get to explore the two sides of her heritage as much as we could have. Also, her parents are divorced and she has a stepfather, but this doesn’t factor into the plot as much as you might think. Now, as far as narration, Melanie Hong tried, she really did. Unfortunately, she just couldn’t compete with Lory Martinez’s performance in season one. Part of that was down to the lackluster script, but part of it was due to English not being Melanie‘s first language. There were a few times it was kind of hard to understand her, and I had to rewind the podcast a few times.

Now, I want to be clear here. I did not hate season two. It had it’s flaws, to be sure, but it also had plenty of moments where it shined, especially in the later episodes. That all being said, there was still a lot of room for improvement, and I consider it to be the weakest season of Mija.

It would seem that the Mija team were well aware of the need to iron our the kinks. I’m happy to report that season three saw a notable improvement in quality, and a welcome return to form. I’d also like to take a moment to say how grateful I am that the protagonist of season three had a name other than Mija. It makes writing this review that much easier. Season three is structurally inverted compared to its predecessors. The previous seasons start with Mija, then her brother, her parents, a cousin, her grandparents, and then a family reunion. In season three, we go in reverse order. Occasionally, I had trouble keeping track of who was who, but it didn’t take me long to get the hang of things. In other inversions, instead of a force of good fortune, like el cacumen in season one, we get the evil eye, the bringer of woe and misfortune. Binty’s family always tries to remain humble, and avoid boasting, for fear that they may attract the gaze of the evil eye.

The narration also saw a notable step-up compared to last season. Rana Abdelhamid overall does an excellent job with the narration. My only issues is that Binty has lived most of her life in London, but doesn’t have even the slightest trace of a British accent. It just seems a bit odd. Binty also differs in how her story came to be. Unlike the previous season, there’s not a single writer. Rana Abdelhamid and Mona Elboghdadi are the head writers, while Sadia Azmats and Alya Mooro acted as cultural consultants about the Arab/Egyptian-Londoner experience. So, I would assume that Binty contains elements of all four women, making her something of a Franken-Mija.

Binty and her brother move to New York towards the end of the season. I was wondering if New York Mija was going to make an appearance, but no, this never happens. I suppose that was for the best. Season three is supposed to be Binty’s story; there’s no reason to tie it into the stories of the other Mijas. On that topic, season three did a much better job of showing the common connection among the experiences of Mijas and their families. I felt that it did so in a far more organic way than season two did. There’s no repeated dialog to be found. The episodes are also slightly longer than in the first two seasons. This gives season three a bit more breathing room to tell its story.

Another difference I noticed is that we don’t get an episode where Binty takes us around London. In fact, Binty, and to a lesser extent her family, seems to have something of a disdain for London. We get plenty of loving descriptions of life in Alexandria, but not really any of London. In previous seasons, the Mijas and their families took great pride in their new homelands. The previous Mijas also embraced themselves as the blending of multiple cultures. Binty, by contrast, considers herself to be Egyptian first, and everything else second. Binty mentions that, when she was younger, she tried really hard to assimilate. Then, later in life, she really threw herself into her Egyptian heritage. Though, the impression I got was that she simply swung from one extreme to the other. Compared to the other Mijas, Binty seems to still be struggling to come to terms with her identity, and isn’t totally comfortable in her own skin.

Season three puts more of an emphasis on the bigotry and prejudice that Binty and her family had to overcome. We do get hints of this with the other Mijas, but its more of a background detail. This does add to season three having a more distinct tone compared to its predecessors. That said, I felt that it got laid on a bit thick at times, and occasionally things got a tad preachy. I would argue that season one worked in part because it took a somewhat understated approach when it tackled serious issues. I also have to ding one scene in the episode about Binty’s mom. She grew up in Alexandria, but moved to London to work in the egyptology department at the British Museum. One of the things that strikes her when she moves to London is that she see Muslim women wearing hijab outside of mosque and prayers. Uh, do what now? I find it hard to believe that she wouldn’t have seen that plenty of times in Egypt.

Honestly, though, those two points are really my only critiques of season three. It was a noticeable step up from season two. Season three didn’t quite reach the same heights as season one, but it got very close, and proved to be a worthy successor.

There’s also a spin-off miniseries called Mija Música. It is something of an unofficial fourth season of Mija. It is a notable departure from the main series in terms of style. It follows a young man named Gavilán. He lives in New York, but he is originally from Monterey, Mexico. He has found himself back in Monterey due to his grandfather’s Lolo’s funeral. Lolo was a musician who had a passion for Colombian vallenato music. Gavilán is determined to investigate his grandfather’s music career. Along the way, he’ll explore the history of vallenato, and discover some secrets about his grandfather.

Like I said, it's different, but that’s not a bad thing. I wasn’t familiar with vallenato music, but I had fun learning about it. The episodes are a bit shorter than in the main Mija seasons. Speaking of music, I also wanted to take a moment to discuss the use of music in the main Mija seasons. Each season uses music from its respective immigrant culture to help set the mood. It was one of those little touches I appreciated, and it helped give each season its own feeling. And that is most certainly true of Mija Música as well. You’ll be well acquainted with the many styles of vallenato by the time the miniseries is over.

We’ve had three seasons, and one miniseries, of Mija so far. I certainly hope that this is not the last we’ve heard from Mija. It tells the stories of families of immigrants. Those who leave the land of the birth to seek a better life, those who stay behind, and those with feet in both worlds. It is a celebration of community, culture, and the places we call home. It is absolutely fantastic, and I can’t recommend it enough. Give it a listen today.

Well, I think that should do it from me for now. I will see you guys next time.

The Audio File: Modes of Thought in Anterran Literature

The new year is here once again, and that means plenty more audio dramas to review. And I know precisely where to start. I’ve been wanting to review this one since last year. Without further delay, let’s get right into it. We’re taking a look at Modes of Thought in Anterran Literature. 

Modes of Thought in Anterran Literature is presented as a series of recordings from a second year Literature and Classics class at Harbridge University. Anterra is a civilization discovered only six or seven years prior to the recordings. It dates back to over 60,000 years ago. This makes Anterra significantly older than any previous known civilizations. It was discovered when rescue drones were sent to recover a sunken Chinese submarine. The Chinese government has been rather secretive about archeological finds from the ruins of Anterra. However, some discoveries have made their way to the West. In particular, quite a few discoveries relating to the mythology and literature of Anterra. These finds offer a tantalizing glimpse into a civilization unlike anything that came after it.

We follow the class as they explore the fascinating mythology and archeology of Anterra. However, there’s something sinister lurking in the background. Many strange occurrences happen throughout the course. Could these mysterious happenings have something to do with Anterra?

One day, for no particular reason, I found myself scrolling through the Realm Media website. I came across a show called Modes of Thought in Anterran Literature. It was made in association with Wolf at the Door Studios. They’ve been involved in several audio drama productions, such as season three of the DUST podcast and Batman Unburied.

The title sounded intriguing, and so did the premise. At first, I thought it would be like a fictional college course about xenoarcheology. That is, archeology applied to the past civilizations of alien planets. I assumed that Anterran referred to the Antares star system. But no, that wasn’t quite the case. Oh, it takes the form of a fictional college lecture, but Anterra is a purely terrestrial human civilization. I’d be lying if I said I wasn’t slightly disappointed by that initially. However, what I got instead was just as good, if not better. 

The sound-design is phenomenal. I loved the use of ambient background noise. Sometimes, whenever I’d hear a car driving by, or an ambulance siren, I’d pause the podcast to see if it was real or not. The audio is done in such a way as to give the impression that it is a recording. We can hear the professor fairly well, but sometimes he’ll move around and get fainter until he comes back. We also don’t always fully hear the students, depending on where they are seated. Thankfully, we can get the gist thanks to the professor’s responses. Though, some students are heard clearly if they’re close to the recording device. That, and if they happen to be an important character to the plot. The episode where a music professor comes and plays some recreations of Anterran music was a nice touch. It's one thing to talk about how unusual Anterran music was, but it is far more effective to actually hear how unusual it sounds.

Modes of Thought in Anterran Literature also has an amazing sense of atmosphere. Things start off normal, but there’s a sense that something is lurking in that background. That’s there something just a little off about everything. At first, it just seems like the usual incidental mishaps that might occur in a college classroom. A bit of water spilled on the floor, the lights going out, the professor having a sudden headache. But it all starts to add up after a while, and can’t just be dismissed as coincidence. There’s something going on, but what could it be? And what connection does it have to Anterra?

I have stated on a few previous occasions that I am a history major. As such, I can attest that the dialogue, and the general presentation of the class, is very true to real life. I was frequently reminded of my own time in college. Granted, nothing mysterious or supernatural ever happened during any of my history courses. The professor reminded me of several professors I had over the years. This is the first time I’ve encountered an audio drama that takes the form of a college lecture course. It certainly makes from a very fun change of pace, and I hope to see more show that use this format.

There’s a debate amongst the students of the class as to whether or not the professor is telling the truth, or if he made Anterra up. It was pretty clear to me that the professor was telling the truth. Still, even if he had been crazy, I’d probably have still signed up for his course if I could. Everything about Anterra and its culture is utterly fascinating. Everyone on the Modes of Thought in Anterran Literature team clearly put a lot of thought and dedication into crafting Anterran culture. In fact, they’ve included a small list of real world inspirations on the series website.

The general culture of Anterra appears to be vaguely Polynesian. The names all have a vaguely Polynesian feel to them. This does make sense, given where the ruins of Anterra are located. Anterran Mythology has a number of unusual features. For example, it was humanity who created the gods, not the other way around, in Anterra. The Anterran creation myth says that the first human was a woman named Teotia. She helped to shape the Earth, but her creation would reset itself if someone wasn’t observing it. She had children, the number nine is very important to Anterran culture, and they slept in shifts. But then Teotia decided they needed a more permeant solution. So, she created the 1000 eyed-god Ikopaa to always watch over the world. Thus, the world was preserved, and humanity could grow and multiply.

The first parallel that comes to mind is Argus Panoptes from Greek Mythology. Argus, much like Ikopaa, was covered in hundreds of eyes. Though, Argus was a fairly minor character, rather than a major world-preserving deity like Ikopaa. Very unusual that it was a human who created the gods. Gods are on a much higher power scale than humans. Some mythologies speak of humans who ascended to godhood, and ever gods who temporarily become human. But I can’t think of a single mythology that has humans creating the gods.

But you can also tell a lot about a civilization based on the monsters it imagines. This is true of Anterra as well. One Anterran myth tells of how a goddess of beauty fell in love with a mortal woman. They had five daughters together, but this angered the other gods. So, they drugged the goddess and ripped apart her children. The goddess decided to defy the other gods and bring her children back to life. She stitched them together into a Frankenstein-style monster, with nine arms and ten legs. Unfortunately, the monster still felt the pain and suffering of the daughters, and killed the goddess.

Apparently, this legend came from a time when Anterrans were placing a lot of emphasis on loyalty to the collective. That is, they expect everyone to be loyal to society as a whole above all else. Even loyalty to one’s family was discouraged in favor of loyalty to the collective. So, you can see that in the myth. The goddess defied the other gods in the name of her daughters, and she paid dearly for her transgression. There have been plenty of societies that prioritize the collective good, but few who do so at the expense of family units, especially in pre-industrial society.

But there’s more to Anterra than just myths and legends. There’s plenty of archeology and history to discover. One cultural institute of note was that of the Idiot King. Anterra culture has a reverence for darkness and the unknown. So, in the early days of Anterra, a child would be selected to be taken to an elaborate underground palace complex. The child would be fed and treated well, but it would never be taught anything. There was a group of diviners whose job it was to interpret the will of the Idiot King. Whenever there was a major problem, especially involving the unknown, the diviners got advice from the Idiot King.

This is very obviously a reference to Ursula K. Le Guin’s famous short story “The Ones Who Walk Away From Omelas.” It’s a little strange that none of the characters ever brought this up. “Omelas'' is frequently taught in philosophy and ethics courses. If nothing else, the professor should have been familiar with it. You can also see parallels to ancient oracles, such as the famous Oracle of Delphi. The general consensus is that such oracles would deliberately word their prophecies in ways that could have multiple meanings. That way, people saw what they wanted to see. And if the prophecy failed to come true, well, then you just picked the wrong interpretation. Perhaps the diviners of the Idiot King operated under a similar principle.

And yet the Anterrans were also strangely progressive in many ways. For example, everyone got to pick their own gender. Children were referred to with gender-neutral pronouns until their coming of age ceremony, which is when they got to pick their gender. Anterra did have a caste system, but this too was oddly progressive. The caste system was less of a tiered pyramid, and more of a pie chart. No one caste was necessarily better or worse than the other, and there was some degree of relative mobility within castes.

I could keep going, but I’ll leave some of the myths and culture of Anterra for you to discover on your own. Suffice it to say, the worldbuilding of Modes of Thought in Anterran Literature is top-of-the-line.

I liked the way that the professor handles the stranger aspects of Anterran culture. He presents them in a very matter-of-fact sort of way. It isn’t totally non-judgmental, but that’s understandable. We’re all human, and we all have our biases. Still, the way he approaches it is from a perspective of “What does this tell us about Anterran culture?” That is an excellent perspective, and probably the best to strive for. When you study ancient civilizations and/or non-Western cultures, you’ll often encounter things that don’t mesh well with modern sensibilities. However, the question to ask is not “How well does this jive with modern Western sensibilities?” but rather “What does this tell me about this civilization that I’m studying?”

My only real point of criticism would be that the Modes of Thought in Anterran Literature website hasn’t been very good about keeping up to date with the transcripts. Only transcripts for the first three episodes are available. It would have been nice to know how to spell the names of various Anterran gods and people for this review. Realm is usually pretty good about keeping up to date with the transcripts for it’s shows. As I have often reiterated in the past, transcripts are very important for listeners with hearing difficulties.

Now, it is time for some speculations. I’ve got a few theories about the mysterious happenings. One of the characters is Hai Rong, a foreign exchange student from Canada. Though, her parents were originally university professors in China. She makes a couple statements that suggest she’s quite familiar with Anterra. Almost on a personal level. Could it be that Anterra isn’t so dead after all? Could Anterran society have continued, somehow, in the shadows. Alternatively, Anterra is indeed gone, but what if the myths and legends of Anterra are more than just stories? Or here’s a thought, what if, somehow, Anterra discovered the secret to immortality, and Hai Rong is an Anterran? And on an unrelated note, is Harbridge is a fictional university, or did Harvard and Cambridge merge, and the series takes place in the near future?

I guess we’ll have to wait and see. And I certainly can’t wait to find out. I listened to several shows from Realm, but none of them really knocked my socks off. I’m pleased to say that Modes of Thought in Anterran Literature finally broke the streak. It has a great sense of atmosphere, amazing worldbuilding, and I love how it took the form of a college lecture. I strongly recommend giving it a listen as soon as possible.

Well, I think that should do it from me for now. I will see you guys next time.