Comic Review: Three

I love to explore the potential of comic books and graphic novels as a medium. Yes, note that I said medium, not genre. Comics are medium in the same way that television, movies and books are a medium. If I hear another person refer to comics as a genre I will be very tempted to scream my head off. Nine times out of ten, when people refer to comics as a genre what they're really talking about are superhero comics. I love superhero comics as much as the next guy, and I do plan on reviewing some here, but comics can be about more than just superheroes. They can tell a story in any genre you can imagine. Such as, for example, historical fiction. 

Case in point, the comic we're going to be taking a look at today. We're reviewing the comic Three by Kieron Gillen and Ryan Kelly. 

Three takes place in Ancient Sparta in the year 364 BC. It follows three helots names Klaros, Damar and Trepander. They manage to survive as well as three helots can; each day's being its own small blessing. One night, their master, Eurytos, forces them and their fellow helots to get drunk and dance for his amusement. The trio kill Eurytos and his Spartiates in revenge for massacring their fellow helots. Now the three helots are on the run. Danger lurks around every corner as they are pursued by their master's son, Nestos, and a band of 300 Spartan warriors.

So yeah, this comic is, in many ways, intended to be the antithesis to Frank Miller's (in)famous comic-turned-movie 300. Kieron Gillen said that he was inspired to write this comic because he found 300 to be hypocritical, with how the Spartans bragged about fighting for freedom, and yet kept slaves. From the very first pages we get a sense of this. We begin with some helots picking olives, but then they're massacred by Spartans as part of the Krypteia. Krypteia was an annual festival where Spartans were allowed to kill helots just for fun. The Spartans did this to cull the helots, and prevent and slave revolts or other uprisings. It also did a lovely job of keeping the helots in constant fear.

I suppose I ought to explain what helots are. Helots were slaves who did all of the agricultural work, and other undesirable jobs, in Sparta. To say that it sucked to be a helot would be a massive understatement. Besides the Krypteia, there were several other ways to be killed. For example, when young Spartans trained to be warriors they had a final exam to take. However, if they successfully murdered a helot they automatically passed the final exam. We'll talk more about the helots in just a minute, but for now, let's talk about the comics as a whole.

You don't really see many historical fiction comics, at least in America; it's a different story in France and Japan. So, this comic was quite a treat, and there's a very strong commitment to historical accuracy. At the end of the comic there are several pages devoted to explaining the reasoning behind different panels of the comic, and the historical research behind them. There's also an extended conversation with a professor of Classical Antiquity who specializes in the study of Sparta.

Even without all of that you can just feel that there was a lot of time, love and research put into this comic. For example, at one point our trio of helots stop by a statue of Aphrodite, who is carrying a spear, and Trepander remarks that even the gods follow the insane way of life in Sparta. The Spartans did indeed worship Aphrodite. Ares was, unsurprisingly, Sparta's favorite god, but they did worship other gods. Aphrodite is often depicted as Ares' lover, and you could make an argument that love and war spring from the same sorts of passions and emotions. Also, all of the statues are depicted as fully painted in full color, just as they would have been in Ancient Greece.

Another point of note is when we met Nestos' mother Gyrtias. She's shown to clearly be the one in charge of the family plantation, especially after Eurytos is killed. Women in Sparta enjoyed quite a bit more freedom than most of the other city-states of Ancient Greece. They managed the farms and estates while the men were off fighting wars and waging battles.

Then there's the armor the Spartans wear. Nine times out of ten, when you see Ancient Greek helmets they tend to be Corinthian helmets. Corinthian helmets were the ones that covered almost all of the face, and often had plumes on the top. Those appear here, but they're always shown to be older, more antiqued armor inherited from previous generations. The overwhelming majority of the Spartan warriors wear opened-face conical pilos helmets; which is what most Spartans wore at the time of the story.

Overall, the way that Sparta feels in this comic is a nation past its prime. It's been almost 100 years since the famous Battle of Thermopylae. Sparta's glory days are behind it, and everyone in positions of power are keenly aware of this. That's why 300 warriors are sent after the three helots. Even a rebellion that small could have major ramifications for Sparta's waning way of life.

The artwork is absolutely gorgeous; I could start at the drawings all days. It is exactly the kind of quality you would expect from something created by Image Comics. Three clocks in at a total of five issues, and that's one of the few criticisms I have with this comic. It's so good, and I wish there had been more. Now, don't get me wrong, those five issues tell are complete story, and a pretty much perfect just the way they are. Still, I would maybe have liked to spend slightly longer with these characters. Kieron Gillen really should write mor historical fiction comics. If this is what he can do with the history of Sparta, imagine what he could do with other eras of history.

Now, let's talk about the characters themselves. I should warn you that there will be a few spoilers as we continue on past this point. I may wish to turn away if you'd rather avoid those.

Klaros is stoical and reserved. He keeps his head down and does his best to be average in everything he does, at least at the start of the comic. He does this a survival tactic to avoid being killed during the Krypteia. The strongest helots are always killed during the Krypteia. He also pretends to be crippled as part of this, but it turns out there's another, darker reason he does this.

To talk about what that is, we have to discuss the Messenian Wars. Messene was a rival city-state to Sparta, and they got into a war in 743 BC. Sparta won the war, and the Messenians were forced to became helots. In 685 BC the helots attempted a revolt, but they were crushed by the Spartans. In 371 Sparta got into a war with the city-state of Thebes, and the helots of Messene revolted again. This time, however, Sparta was defeated and Thebes emerged victorious. Thebes liberated Messene from Spartan rule, and re-established it as a free city once more. As you can imagine, Messene became a very popular destination for runaway helots.

Alright, so what's this got to do with Klaros? Well, during the war with Thebes some Messenians took refuge in a sacred grove. The Spartans were afraid they'd anger the gods if they went in, so they had their helots burn it down. Klaros was one of the helots who set the grove on fire. Also, turns out Klaros isn't his real name. The grove was in Stenyklaros, so he took the name Klaros so that he would never forget what he did that day. Klaros feels deep shame for what he did, and he's spent his life looking for a way to atone for his actions.

Damar is somewhat similar to Klaros in terms of personality. She lost her husband to the Krypteia a few years before the comic begins. In fact, he's one of the helots we see get killed in the opening pages of the comic. The biggest difference between Damar and Klaros is that, where Klaros has resigned himself to death's eventual embrace, Damar is determined to live and survive. She shows Klaros that, despite the tragedy of his past, he still has things to live for in the present.

Trepander, unlike his comrades, is known for his wit and has a flair for the dramatic. Of course, his tongue is what kicks off the plot. Eurytos didn't like what Trepander had to say while drunk, and that led to the slaughterer of the helots. Still, he is shown to be a loyal friend, and sticks by Klaros and Damar even in the darkest of times. It's implied that his constant joking and sharp remarks is the way he copes with the harsh realities of life as a helot.

I think it's clear by now that I absolutely love Three. Not just one of the best historical comics, but one of the best comics out there in general. Do yourself a favor and pick up a copy today.

That should do it for now. I will see you guys next time.