The Audio File: Timestorm: Season 3

Sooner or later, every audio drama must come to an end. Not just the end of an episode, or the end of a season, but the end of the series. The sun must set at the end of every day. The curtain must fall at the end of every play. But that doesn't mean we can't have good times along the way. If nothing else, the shows you love will always live on in your heart. It helps that, in most cases, you can easily relisten to the series whenever you feel like it.

Why am I talking about all of this? Because it ties in with today's review. We're taking a look at season three of Timestorm.

Alexa and Beni Ventura are continuing their mission to witness, find, and remember events from throughout Puerto Rican history. They're aided by their cousin Horacio and his trusty AI Atabay. In the present day, they're assisted by their other cousin, Josie, and their mutual friend Janelly. Lately, the Ventura towns have been going on a lot of quests to retrieve guanín artifacts. Things have been going pretty well, but lately there is trouble on the horizon. A mysterious woman named Kaylee is also very interested in guanín, and believes the Ventura's can lead her to a great treasure. At the same time, Alexa and Beni begin to question the ethics of collecting artifacts. There are many questions to be asked, and many answers found, in the final season of Timestorm.

I can't believe the final season of Timestorm is here already. It seems like it was only yesterday that the adventure first began. I mean, I knew on some level that this day had to come eventually, but it's still kind of surreal that it's here already. Still, let's not dwell too much on the sad times. We still got a fantastic final season full of plenty of great moments and episodes.

Season three differs in a couple ways from its predecessors. For example, not counting bonus episodes, the previous two seasons had ten episodes each. Season three, by contrast, only has eight. I don't know if that was always planned, or if something happened behind the scenes. Season three also lacks an obvious theme. Season one was about women, especially teachers, in Puerto Rican History. Season two was about how Puerto Rican culture is the result of the blending of African, Indigenous, and European culture. Season three doesn't really have a central theme. The closest it comes is that it does touch on the question of who archeological artifacts ought to belong to.

The quests are also slightly different. They're carried out in two stages. For the first part, Alexa and Beni go to the past and locate the artifacts, and then return to the present day to retrieve the artifacts. At one point Janelly raises a really good question: why store the artifacts to the Artifact Cloud? What is Horacio and Atabay's long-term goal with that? You know, I'd never really thought of that before. I always just accepted it as part of the plot, and never really gave much thought. Well, your guess is as good as mine, as we never get an answer to that particular question.

One of the first missions takes the twins back to 1918, during the height of the Spanish Flu Pandemic. The name is more than a bit of a misnomer. Conventional wisdom is that the 1918 Flu originated in Kansas. However, recent evidence suggests that it may have actually originated in China. How did it become associated with Spain then? Well, it first began during the final years of World War I. Nations on both sides of the conflict censored mentions of the flu in their newspapers for fear that it might lower troop morale. Spain was a neutral nation, so their newspapers were uncensored, and reported on the flu. Thus, everyone wrongly associated the flu with Spain. Though, in the long run, the deaths caused by the 1918 Flu got overshadowed by all the deaths caused by World War I. Of course, the 1918 Flu is getting more attention now in large part due to the COVID-19 Pandemic.

The COVID-19 Pandemic happened while season three was being produced, and that particularly episode is clear meant to tie-in with the Pandemic. There's even a point where Beni says he can't imagine a pandemic in modern times. Oh, don't worry Beni. In a couple years you'll get to find out what that's like. As you might recall, Timestorm is set about three years in the past of when each season comes out. So, for the characters, the present day is 2018.

The series also continues its work in highlighting important, but often obscure, figures from Puerto Rican history. Another quest sees Alexa and Beni travel to 1980 to meet the archeologists Osvaldo Garcia and Ricardo Alegria. They both made major discoveries regarding the Taino people. Osvaldo and Ricardo proved that the Taino had a considerably advanced knowledge of astronomy, and played a ritual ballgame. I find that very interesting, as the peoples of Mesoamerica, especially the Maya, also had those traits. The Taino did have ocean-going canoes. However, this is no evidence that the Taino ever made it to Central America. It's fun to speculate about, but there isn't any evidence of trade or contact between the two cultures. On the other hand, countless Maya records were destroyed by the Spanish. Who knows what might have been recorded within those codices? Again, fun to speculate, but let's get back to the review.

So, what exactly is guanín? It is an alloy created my combining gold, silver, and copper. It was often used for the necklaces and medallions worn by caciques. Horacio's grandfather was a skilled guanín smith, and hoped to pass the skills on to Horacio someday. In fact, this season seemed to put a lot of emphasis on Horacio's family history, and his personal legacy. For example, we learn that his father Gael work in the Civilian Conservation Corp.

It was never established how exactly time works within the Timestorm, or how much subjective time Horacio has experienced. That being said, it is implied that he's experienced a few years, if not real time, in the Timestorm. Granted, he's got Atabay to keep him company, but it must get awfully boring and lonesome at times. It is implied that Horacio no longer needs to eat, sleep, drink, or use the bathroom. Frankly, it's a small miracle he has gone completely insane from being confined to his helicopter.

Like I said, we do get themes about legacy as it relates to Horacio and his side of the family. We also get some touching on themes of colonialism. Granted, we did get that in previous seasons with Idrissa's story, but this season touches on that in a lighter way. Kaylee wants to build a community center in San Juan. This isn't necessarily a bad thing, but she doesn't get any impute from any Puerto Rican people. You know, the very people she claims to want to help. She's also pretty clueless about Puerto Rican culture and history. It reminds me of what happened when the slums of London got torn down in the Edwardian era. The social reformers wanted to help the poor and destitute, but they didn't both talking to the poor, and finding out what they wanted/needed. As result, most of the former slum dwellers didn't meet the residency requirements for the new public housing that was built in place of the slums. Oh, they got monetary compensation, but only enough for a night or two in a boarding house.

Josie has an assistant in San Juan named Lalo. He runs ghost tours when he's not working at the comic shop. That's interesting because there was a bonus episode from last season where Alexa and Beni meet a ghost pirate. It was especially notable in that the supernatural never factored into the plot before. The time travel is explained as really advanced science. Said ghost pirate also mentions guanín as his treasure of choice. We got the guanín hunt, but no ghost pirates to be seen. I wonder if something happened behind the scenes necessitating a rewrite, and Lalo's side job was a vestige of the original plan.

We have all these elements that could make for a theme, but none of them quite hit the critical mass to become the overarching theme of the season. I also wonder why this season was only eight episodes, rather than the ten we got with the first two seasons. It further adds to speculations that something happened behind the scenes. Like many audio dramas, the COVID-19 Pandemic impacted the production of season three of Timestorm. I'm just not sure to exactly what degree it did.

We're about to get into the spoilers, but before we do, I want to take a moment to be clear. I did very much enjoy this season of Timestorm. The writing was still very much on-point. The acting was just as excellent as always. There was clearly a lot of love and dedication put into this season, as is to be expected from Timestorm.

But now we must get into the spoilers. So, if you don't want any of that, turn back now.

Last chance, you sure you want to continue?

Well, if everyone who wants out is gone, let's get into it.

So, how do Alexa and Beni resolve the question of who gets the guanín artifacts. Well, one of them is a container that belonged to Horacio's dad, so Horacio gets to keep that one. As for the rest, they decide that the artifacts belong to the land itself. With that in kind thy decide...to throw the artifacts into the sea. Um, what? I know they said it was about giving them back to the land and...wait, if they were giving them to the land, why did they throw them into the ocean? What was the thought process? If we can't figure out who can have it, then nobody can have it?

It feels like one of two things happened. One possibility is that Dania Ramos painted herself into a corner and couldn't think of a proper resolution. The other possibility is that the ending was going to be different, but then something happened behind the scenes, and it necessitated a rewrite. Tying into that is that the possibility that Timestorm had to end sooner than expected, and the ending got rushed. The pacing of the final episode did feel a bit rushed in places.

To be fair, the questions raised by this season of Timestorm aren't easy to answer. As the podcast itself notes, there aren't very many pure-blooded Tainos left; but there are many people who, to varying degrees, have Taino ancestry. But who, if any, should get the artifacts? How do you determine that? Moreover, sometimes the correct answer isn't clear cut. For example, many people believe that the Elgin Marbles should be returned to Greece. However, given how much economic and political turmoil Greece has been going through, a case can be made that it would be better for them to stay in the British Museum. During the Arab Spring, there was concern about archeological and historical artifacts in Egyptian Museum in Cairo being damaged or looted. Thankfully, baring a few minor incidents, this didn't happen. Ironically, it was the gift shops that got targeted by looters, such as they were.

Point is, sometimes there aren't any easy answers when it comes to who archeological artifacts belong to. But I still maintain that throwing the artifacts into the sea felt like a cop-out. There's also a point where Alexa and Beni briefly travel into the future. We see that a community center has been built by Josie and Lalo. It is the site of a protest about...well, actually, we don't find out what the people were protesting. In the grand scheme of things, it isn't important. Though the way the scene is written makes it look like the people are protesting the community center itself. This gives the unfortunate impression that Josie and Lalo screwed-up really badly, or possibly did something morally questionable, and the Ventura twins needed to set them straight.

It is too bad Mr. and Mrs. Ventura never found out about their children's time traveling adventures. It would make things easier for Alexa and Beni, not having to constantly make-up excuses and stories. Also, the family is planning a trip to Puerto Rico, and Josie's magic tapestry would be a great way to save on airfare. That, and you don't have to be stuck on a plane for hours on end.

I remember when my family went to Puerto Rico. We left from the Dallas Airport, since Shreveport only has a regional airport. It was a four-ish hour flight, possibly a bit longer. We were all in coach class, which meant cramped leg room, and no room to recline the seats. The food wasn't much better. The main offerings were sandwiches of questionable quality. Oh, and they weren't free; you had to pay for them on-top of your ticket price. Guess it was marginally better than my aunt, uncle, and cousins who started from San Diego. They live in Temecula, California. I really wished I could magically teleport to and from San Juan. I shudder to think how much time starting from New Jersey adds to the plane ride.

On that note, I think I visited the tower Alexa and Beni go to in this season...possibly. I'm not sure if it was the exact same one, but I remember it was a tower in the middle of the rainforest, and the view at the top was absolutely gorgeous. I also remember there were lots of signs that said "don't pet the mongooses, they will bite you. I'd always wanted to visit a tropical rainforest, so I had a good time.   

It's too bad that Sonia never got in on the fun. She was the only character, besides Mr. and Mrs. Ventura, not to know. Even Datu from the New Jersey branch of Taino comics found out, but not Sonia. Though I did like the song she sings for the radio contest. Also, season one set up Thad as a major recurring character, but he fell off the face of the Earth after season one. Not a complaint, just an observation. Perhaps his actor had other commitments, or there just wasn't much else to do with the character. And this is a random aside, but I love the new series title card we have for season three.

I realize I sounds like I'm being a bit negative. I just want to emphasize that, overall, I did very much enjoy season three of Timestorm. The writing was still, overall, strong. The cast also gave great performances as usual.  

I had a few theories on what would happen if Timestorm ever officially came to an end. I thought for sure that, somehow, Horacio would manage to free himself from the Timestorm, and move-in with the Ventura family. However, it appears I was wrong, and that never happened. But that does make sense. 

The series ends with Alexa and Beni being summoned to the Timestorm for another mission. I liked how they take a moment to revisit the artifacts they've collected over the course of the series. It is a reminder of how far they've come, and the lessons they've learned along the way.

There is a strong vibe of "And the adventure continues" with the ending. It felt less like "Goodbye forever" and more like "Goodbye for now." Dania has said it might be possible that Timestorm will return one day. However, if it does, and I must emphasize what a big if that is, it will be several years from now. For the moment, Dania and company are moving on to other things. Specifically, she and Timestorm's music producer and sound designer Michael J. Aquino are working season two of the audio drama Time Trip! As the name suggests, it is also a time travel audio drama, but takes a more comedic approach than Timestorm. Personally, I found Time Trip! a bit too silly for my liking, but perhaps I'll give it another chance. Fun fact, Time Trip! was one of the things Orlando Segarra was involved with before he was cast as Horacio in Timestorm.

I wish everyone involved in Timestorm the best in all their future endeavors. Thank you too all the actors who contributed their voices to the podcast. I hope to see you in many future audio dramas. Thank you to the writers, cultural consultants, sound designers and engineers, and the other behind the scenes heroes. And thank you for quoting my first review and linking to it on Cocotazo Media's page for Timestorm. I want you all to know that it really meant a lot to me to see my review quoted alongside many other top audio drama critics and reviewers.

And thank you to everyone who gave Timestorm a chance because of these reviews. I hope it taught you more about Puerto Rican history, and brought some entertainment into your life. Really, I hope all of my reviews help you find your next favorite listens.

Well, I think that should do it from me for now. I will see you guys next time.