The Alt-Hist File: Prototype World of Tomorrow: The Infinite Journey

I’ve been on a roll reviewing the latest seasons of several audio dramas. We find ourselves once again at Prototype World of Tomorrow, a show I utterly adore. Not much more to add, so let get on to the main event. We’ve taking a look at season three of Prototype World of Tomorrow: The Infinite Journey. 

Just to recap, Prototype World of Tomorrow is set in a world where Walt Disney’s dream to build an Experimental Prototype Community of Tomorrow became a reality. Everyone in Progress City is gearing up for the Eleusinian Tournament. It is a competitive video game tournament, and Tim E. Less is determined to win with a little help from his friends. This year, the players will be dematerialized, and reassembled within the game itself. It might seem like fun and games, but lurks around every corner within the digital world. Tim’s fellow private investigator, Eve R. Moore, wants him to help her investigate the companies behind the Eleusinian Tournament from within. Hold on tight, Tim and the gang are about to take a journey beyond their wildest imagination.

I think by know that it should be obvious that I absolutely adore Prototype World of Tomorrow. It started off strong with season one, and continued the momentum with season two. So, how does season three do? Quite well indeed. As usual, there are numerous references to Disney Park attractions. Specifically, there are numerous references to all three incarnations of Journey into Imagination. Contestants exit the game through a rainbow tunnel, as a nod to how Journey into Imagination featured a rainbow tunnel. Fun fact, the Journey into Imagination tunnel also appears in one of Michael Jackson’s music videos. At one point, Tim and company meet a computer program that takes the form of a purple dragon. Obviously, this is meant to be Figment, and I shall refer to him as such from here on out. Figment mentions that he used to have a friend, but hasn’t seen said friend in a while. This is a reference to Dreamfinder, and how he was absent from both the Journey into Your Imagination and Journey into Imagination with Figment incarnations of the ride. Speaking of which, Ron Schneider, who played Dreamfinder, once again returns as one of the computer voices.

This segue’s nice into my next point. The game for this years tournament is partially powered by the players’ own imaginations. Oh, there are servers, very powerful ones, but part of the computing power is offset by utilizing the players’ own minds. For example, when Tim and his teammates look at a berry, it looks different to all of them, because everyone has their own mental image of how a berry should look. Though as mentioned, the servers do play some role. For example, all of the trees share the exact same four designs. Honestly, using the contestants’ own minds to generate the game was actually kind of brilliant. I haven’t really seen anything quite like that in fiction about virtual reality. I especially liked some aspects of the game being subjective based on the players’ own imaginations. Let it never be said that Ben Lancaster is lacking in creativity and imagination. Also, the part where the announcer says “right now there’s not a whole lot going on in your imaginations” was a nod to Journey Into Your Imagination, when Eric Idle says the same thing.

Oh, and one more reference. In the first episode, Tim is excited that his friends got handwiches. Handwitches were a short lived Disney food item. They were billed as the sandwiches of the future by then Disney CEO Michael Eisner. Handwiches were bread cones which held a variety of both sweet and savory fillings. Unfortunately, pretty much only Michael Eisner thought they were a good idea. Even the people working the handwich stands were skeptical of them, and handwiches died a swift death. Still, handwiches developed a minor cult following. In fact, they became a minor meme after Defunctland made a video about them. It also occurs to me that Bonnie, the waitress at Tim’s favorite greasy spoon, might possibly be a reference to Bonnie Appetite from Kitchen Kabaret.

Now, lets talk about the new characters. Tim’s team is down a player, so they take on Pauline, who works at the same company as Tim’s girlfriend Annie. At first, Tim doesn’t want Pauline on the team, and it was at this point I worried that this season was going to become one of those preachy “gamers are sexists” stories. Thankfully, that turned out not to be the case. Tim just wants to have a chance to play alongside his buddies, and proudly admits to having lost to numerous all-female teams in the past. Pauline has a true passion for retrogames, but Tim and his team initially dismiss her because of this. And yet, not too long after this, they mention that past Eleusinian Tournaments have incorporated elements of retrogames. So, one would think that they wouldn’t be so quick to brush her off. Initially, Pauline comes across as introverted, shy, and slightly dorky. In fact, at first I wondered if perhaps she might have autism. You don’t often see women with autism depicted in fiction. However, once everyone gets into the game, she becomes far more confident and in her element.

I also really liked Tim’s friend Morris. He’s a huge paleontology nerd, and is very excited that this year’s game has a dinosaur theme. He can name all of the dinosaurs, and other prehistoric animals, and rattles of a list of facts about each of them. He must be really good at the game right? Yeah, no. He get’s killed in the tutorial of the game, but he emerges from the game with little more than a bruised ego. Yeah, that would be me in that scenario. I also have a deep love of prehistoric animals, and with my luck, I’d probably get killed in the tutorial as well.

There is an obvious comparison to TRON with this season taking place in the digital world. However, while the programs interact with humans, their appearance isn’t as anthropomorphized as programs are in TRON. It is explain that the processing power of the severs is far faster than that of a human mind. I looked it up, and that does check out. As such, a human mind can’t be plugged directly into the computer mainframe. Thus, programs are rendered as series of geometric shapes.

Well, mostly. We do meet a program who looks suspiciously similar to Eve’s supposedly dead fiancé. We don’t get confirmation as to whether or not it really was him. That having been said, many strange things have been shown to happen in Progress. Personally, if I was the gambling sort, I’d put money on it actually being him. I’ll be genuinely surprised if it turns out it wasn’t actually him. But I guess we’ll have to wait and see what future seasons have in store for us.

The virtual world setting does provide some humorous moments as well. At one point, Eve hacks into the game, and enters via the microphone she gave Tim. However, because Tim swallowed the mic, Tim winds-up vomiting Eve into the game. This is one of those time that it is good that Prototype World of Tomorrow has no visual component. That scene would probably be pretty terrifying in a visual medium. There were points were it seemed that something would go wrong, and the characters might get mutated or glitched somehow. My personal speculations was that somehow everyone would switch bodies. It would be interesting to see the actors portray each other’s characters. But it would seem that I was wrong.

I liked the part where Tim and company muse on the fact that the game contains temple ruins. Does this mean that humans and dinosaurs coexist in the game? Or did the dinosaurs develop their own religion? My take? Probably a nod to how early video games often featured ruins that often seemed to have no function beyond being ruins. There’s also a scene at a digital circus where Pauline eats some peanuts, and notes that she’s a allergic to peanuts in the real world. She finds them to be okay. 

Series creator Benjamin Lancaster has a deep love for the original EPCOT theme park. That loves really shines through in this season, even more so than usual. 

And so there you have it. The Infinite Journey, season three of Prototype World of Tomorrow, keeps up the momentum of its predecessors. Prototype World of Tomorrow has bowled a turkey; three-for-three for great seasons of alternate history science fiction goodness. I can’t wait to see what surprise season four will have for us. From the looks of it, some exciting stuff is on the way.

Speaking of exciting stuff, I’d like to take a moment to talk about one of the projects Brian Ballance, the voice of Tim, is up to. He has recently started a podcast called The Interesting Podcast. As the title says, he interviews people he thinks are interesting. For example, he interviewed, Callie Wills, the voice of Eve. I would encourage everyone to go checkout Brain’s podcast.

Well, I think that should do it from me for now. I will see you guys next time. 

The Alt-Hist File: Prototype World of Tomorrow: Fair Weather Foes

I've been tackling podcast by individual season lately. Well, unless they're an anthology, or something similar to an anthology. I've got a lot of season one reviews, but none for any seasons beyond that. Well, I'm happy to say that changes today. We're taking a look at season two of Prototype World of Tomorrow: Fair Weather Foes.

Just as a recap, Prototype World of Tomorrow takes place in a world where Walt Disney's dream to create an Experimental Prototype Community of Tomorrow became a reality. It has been a month since the events of Murder in Progress. In that time, Progress City's only private detectives Tim E. Less and Eve R. More have been...struggling to find work and a permanent office. Thankfully, they've recently gotten a case. The Progress City Weather Department has been subject a series of sabotage and trespassing attempts. It is believed that the protest group Spirit of Tomorrow is behind here attacks. The annual air show is due in a few days, and tensions are running high. Can Tim and Eve catch the perpetrators before it is too late?

Prototype World of Tomorrow wowed me with an excellent first season. If season two is anything to go by, the show stands to keep getting even better. First, let's talk about the newest additions to the cast. Remember last time when I suggested that Benjamin Lancaster ought to consider asking Kevin Perjurer, of Defunctland fame, to join the cast? Well, that wish has come true. Kevin joined the cast as Doug McDonald. He's a hotshot aeronautics engineer eager to unveil is latest prototype personal ornithopter. That is, it is a machine that flies by basing its wings on those of insects, such as dragonflies. Kevin is known for his excellent narration skilled over on Defucntland, but it is here that his acting skills get a chance to shine. Kevin really should consider taking more voice acting roles in the future. Also, you should check out the video he did about Walt Disney's plans for Progress City and...well, basically, just binge the whole channel after that. Seriously, it is great stuff, and he puts a lot of love and dedication into the videos.

But there is an even big surprise joining the cast this season: me! I am in this season of Prototype World of Tomorrow...sort of. There was a casting call, back when Fair Weather Foes was still in production, for fans of the show to submit audio samples of themselves performing a series of short lines. The goal was to get enough submissions to create the illusion of a large crowd for certain scene. Naturally I was more than willing to answer the call. Admittedly, I forgot about it until the last day, but I got my submission in on time. Most of you probably have no idea what I sound like. Even if you did, the voices are so mixed together you can't pick me out. Still, it is fun to know that I got to be part of one of my favorite podcasts, even if only in a small way.

The scene in question are when Tim receives an invitation to join the protest group Spirit of Tomorrow. They object to the residency laws in Progress City. The laws say that all residents may not stay in Progress as long as their work visas last, and there are no extensions. There used to be extensions on visas, but that got abolished awhile back. You can also be kicked out of Progress if you lose your job, or aren't attending a school or university. Spirit of Tomorrow believes that there should be no limits on visas. Furthermore, they also believe that everyone who wants to live in Progress should be allowed to stay, even if they don't have a job. I wasn't quite sure what Spirit of Tomorrow supported when I signed up to be an extra, but I suppose there are worse positions to take.

Spirit of Tomorrow also believes that the Chime network of Progress is leading to, paradoxically, both too much and too little connection, and should be done away with. Chimes are devices that all citizens of Progress use. They're pretty much smartphones in all but name. You can check the news feed, place calls, send text messages and more. They're treated as the height of technology, despite not appearing to do anything a smartphone couldn't. Were smartphones never invented in the world of Prototype World of Tomorrow? For that matter, when is it set? I always assumed it was supposed to be the present day, but I could be wrong.

When Tim first arrives at the Spirt of Tomorrow meeting, he his greeted by a presentation that explains the history of the Chimes Network. This includes a song, courtesy of the Progress City Municipal Virtual Choir. That was the other call that went out before this season premiered. Everyone auctioned based on their singing type, everyone was given lyrics to sing and record, and then the voices were blended together into a glorious whole. I passed on that one, as singing is a bit outside of my usual wheelhouse. I must say, I am amazed at how well it turned out. It sounds like one of those Sherman Brother's songs you'd see at early Magic Kingdom attraction. Most famously, they wrote "There's A Great Big Beautiful Tomorrow" and "The Best Time of Your Life" for The Carousel of Progress. Progress City Municipal Virtual Choir is astounding in its production values. I would never have guessed that it was all recorded remotely if I hadn't already known. I certainly hope this isn't the last we've seen of Progress City Municipal Virtual Choir.

As the name of the season suggests, the city weather department plays a major role in the plot. They have developed technology that allows them to manipulate the weather. At first, I was confused, as that seemed to imply that the dome covering Progress City was large enough to generate its own weather systems. That would imply that that Progress is awfully big, especially for a city of only 50,000 residents. Then it was clarified that the dome only covers about fifty-five percent of Progress. The weather department can even capture storms and other weather systems. They're most proud of having captured Hurricane Zeke. I saw from that start that it was going to get loose, it was only a matter of time. But really, did nobody question the wisdom of keeping a live hurricane stored in the middle of a heavy populated area? Of course, in Progress City, there seems to be more emphasis on if it is possible to do something, rather than if you should do something, or what the consequences will be.

One thing I noticed this season was that it kind of felt like Tim got dumber. In season one, while certainly not as smart he portrayed himself, and in way over his head, Tim did at least display reasonable competence at times. Here, however, it almost seems Eve's primary function is to be Tim's babysitter. Granted, this partially could be because Eve is there from the start this season, and thus serves as even more of a foil to Tim. A foil is band of metal put around a gem to emphasize the qualities of the gem by contrasting with it.

That having been said, I did still enjoy the dynamic that Tim and Eve had. It only just now occurred to me that their names are Timeless and Evermore. Sometimes I'm a bit slow on the uptake. One of their main goals this season, besides solving the case, is getting a permanent office. Eventually, they get an offer in the Switzerland section of the International Tapestry. Unfortunately, it is sandwiched between the Progress City Yodeling Conservator and a sauerkraut factory. I wasn't aware that the Swiss shared Germany's love of sauerkraut. Though more to the point, this is another reference to never built EPCOT attractions. For the longs while there were plans to build a Switzerland pavilion in the world showcase. It was often rumored that this would be where Disney World's version of the Matterhorn would be. The plans fell through, but we did get Expedition Everest over at Animal Kingdom, which features a yeti. So, in a roundabout away, I guess Disney World did get the Matterhorn.

Another little detail I enjoyed is that Tim's apartment building has a series of pneumatic tubes that transport food to the residents. He often uses it to grab a bagel with lax if he doesn't have time to great a proper breakfast. And yeah, lax not lox, because the company that makes them can't legally call them lox. It's amusing because the proposed plans for the city of EPCOT did indeed include pneumatic tubes. It's even more funny because of a video I saw on Voices of the Past, one of my favorite YouTube channels, which proves readings of primary historical sources. The video was about people in 1901 speculating on what 2001 would be like. Yes, they did predict we'd have pneumatic tubes delivering our food by now. It easy to laugh at them, but many of their predictions weren't too off the mark. If I haven't made it clear, you really should watch the excellent video.

Prototype World of Tomorrow also has a Christmas Special. It's an adaption of the Charles Dickens short story "The Signalman." Eve's aunt used to be the control of the Progress monorail system. It has since become automated, but she still keeps watch. Eve and Annie are both very concerned about her, as she's been even loonier than usual. This is particularly stressful as Christmas is fast approaching.

First of all, I'll give Ben Lancaster credit for not going with the typical choice of adapting A Christmas Carol. I think I listened to The Signalman at some point in the past. I remember not caring for it much. So, even more points for Prototype World of Tomorrow creating an adaptation that I genuinely enjoyed. You've got all the typical wackiness we've come to expect, but underneath it all there's a strong sense of creepiness and foreboding. There's a sense that there might be darker forces at work in Progress. Well, darker than usual. Hey, as the song goes, scary ghost stories and tales of the glories of Christmases long, long ago.

Ghost stories were once part of the Christmas season, but have largely fallen out of favor now that Halloween covers most of the spooky stuff. Only the Christmas tales of Charles Dickens survives as a remnant of this tradition. As such, it is nice to see a Christmas Special that evokes the spirit of those old tales. In fact, Dickens saved Christmas in the English-speaking world. A Christmas Carol almost single-handedly revived the Christmas, which was starting to fall out of fashion at the time. In fact, it almost didn't get published because Dickens' publishers thought Christmas was too niche of a holiday. Yes, you read that correctly. Thank you for saving Christmas, Mr. Dickens

This is also the first time we've had someone other than Tim act as narrator. I hope we get some more episodes with Eve as the narrator. Speaking of narration, I may say that Callie Wills and Isa Jones give exceptionally good performances as Eve and Annie. I could easily believe them being sisters.

Apparently, Progress has an annual Nativity pageant. You know, I always did wonder how religion worked in Progress. Granted, it is possible they do it out of tradition rather than religious conviction. Schools in Britain often have Nativity pageants because of tradition; despite the United Kingdom being fairly secular these days. Perhaps it is the same in Progress. And because irony is the unkindest god of all, Tim gets cast as one of the wise men.

It's a Christmas Special that goes against the usual grain, but one that works exactly because of that.

Fair Weather Foes was a worthy follow-up to Murder in Progress. From the sound of it, season three. From what hints we get towards the end, it sounds like it will involve genetically engineered monstrosities. That has a lot of potential, and I can't wait to see what Ben and the gang come up with. But enough from me, go and check out Fair Weather Foes, the latest season of Prototype World of Tomorrow. It is well worth your time.

Well, that's enough from me for now. I will see you guys next time

The Alt-Hist File: Prototype World of Tomorrow: Murder in Progress

I've always been fascinated by all of the artistry, creativity, and imagination that goes into Disney theme park attractions. That's especially true of ones that aren't tied to a preexisting franchise. There's a tons of attractions that were never built for various reasons. We have not but some very tantalizing concept art. There's plenty of fertile ground for alternate history fun and adventure among those ideas. Am I going somewhere with this? Yes indeed, it all ties into the podcast we're taking a look at today. We're taking a look at Prototype World of Tomorrow: Murder in Progress.

Prototype World of Tomorrow: Murder in Progress takes place in a world where Walt Disney's original plan to build an Experimental Prototype Community of Tomorrow became a reality. This great domed metropolis, known as Progress City, is home to over 50,000 temporary workers. It is a permanent showcase of American ingenuity and industry. Progress is home to super-science and fantastical inventions. Robots, shrink rays, and other futuristic inventions are all common sights. Recently, however, it's also become home to a homicide. Liam Crawford, the richest man in Progress, has been found murdered. Someone tossed him from his penthouse apartment, but who? Thankfully, Progress is home to a crack private detective named Tim who...well, actually, he's kind of an idiot. Still, Tim's going to do his best to solve the murder and bring the killer to justice. Though, if he wants to get by, he'll need a little help from his friends.

I first became aware of this audio drama while I was listening to a podcast by Defunctland, one of my favorite YouTube channels. It covers the history of defunct, or otherwise non-functioning, theme park attractions. Kevin Perjurer, Defunctland's creator and host, was interviewing Ben Lancaster about an indie film he made called The Further Adventures of Walt's Frozen Head. Towards the end of the podcast, Ben mentioned a future project he was working on called Murder in Progress. It would be an audio drama murder mystery set in a world where Walt Disney's dream of an experimental prototype community of tomorrow became a reality. Obviously, this was to be Prototype World of Tomorrow.

Time passed, and then one day I decided to search for Murder in Progress on the Apple podcast app. Lo and behold, I founded it, and it was absolutely amazing. I should also clarify some terminology. The show was originally called just World of Tomorrow, but then the team discovered that there is a Futurama fan cast, which hasn't been updated since 2018, that also has that name. So, after season one, they modified the name to Prototype World of Tomorrow. Murder in Progress is the name of the first five-part story of the series, which we will be discussing in this review.

 Now that we've got all that out of the way, let's begin. As a fan of alternate history, I do appreciate that this podcast took the path less traveled. Don't think I've seen too many works where Walt Disney successfully achieved his dream to make Progress City. The way it is presented sounds fun, if not necessarily realistic. Let me elaborate. Could Progress City have been made using 1960s tech, probably yes. Would it have functioned as intended, probably not. For example, the residents would constantly have their appliances switched out with the latest models as soon as they hit production. On paper, this sounds good, but it would be a logistical nightmare. Imagine having to have your refrigerator replaced every few months. You'd have to constantly unload and reload it, and what if the new model wasn't as good as the old, or removed some feature you really liked?

Then there's all the fantastical and otherwise super-science inventions. So, maybe not realistic, but I'm not complaining. Plus, we do get hints that Progress doesn't work quite as well as advertised. For example, Progress is enclosed by a giant concrete dome, as was the plan in real life. However, this causes quite a bit of noise whenever it rains. Given that Progress is in Florida, this happens fairly frequently.

 There's a ton of references to the history of Disney theme parks, especially never built attraction, scattered throughout the series. Progress is depicted, by and large, much as it was in Walt Disney's concept art and models for his planned Progress City. Yes, even the cable cars were part of the plan at various points. The center of Progress has a collection of ethnic neighbors called the International Tapestry. Yes, this was also a plan for Progress City, and it is what inspired the World Showcase section of EPCOT.

At one point, when describing the various nations represented, Tim specifically mentions Israel, Equatorial Africa, and Spain. These are the most famous never built World Showcase pavilions, because they came closest to actually getting built. Israel agreed to pay for a pavilion, but Disney got cold feet because they were afraid Palestinian terrorists would bomb the pavilion. Disney could never find any one African nation to sponsor Equatorial Africa, because every time they almost got a sponsor, there would be some political turmoil that sent them back to square one. South Africa offered to sponsor a pavilion, but they did so in the middle of Apartheid, so Disney said hell no. Though many design elements of Equatorial Africa got incorporated into the Africa section of Animal Kingdom. There's is a small stand called The Outpost that sells African themed souvenirs, and hosts African drum performances, at EPCOT. As for Spain...well, you got me there.

There's also a Persian section of the International Tapestry, where Tim's friend Bayan lives. Most residents of the International Tapestry live in Progress for a year, as ambassadors of their home nations. However, if their home country experiences any political turmoil while they're in Progress, they're allowed to stay indefinitely as part of the Progress Refugee Program. This first happened in 1979 during the Iranian/Islamic Revolution, and that's how Bayan and his family are in Progress. This is another sly reference to a never built pavilion. Disney planned for an Iran pavilion at EPCOT, but the revolution put the kibosh on that.

There's also plenty of references to attractions that actually did get built. For example, there's a popular bar in Progress called The Temple of Heaven. This is a nod to how the centerpiece of the China pavilion at EPCOT is a replica of the Temple of Heaven.  Many of the business tend to be nods to the various pavilions of Future World. For example, Tim's girlfriend Annie works for an agricultural company that offers behind the scenes tours. This is obviously a nod to Living with the Land, which these days is just called The Land.

As a fan of all the creativity and imagination that goes into Disney theme park attractions, I very much approve of all of these references. Though I do wonder how Progress effected the history of Disney World. I'm guessing that EPCOT never got built, but was some other park built in its place? If so, what is it like? For that matter, do Hollywood Studios and Animal Kingdom exist, or are other parks standing in their place? Also, what about the international Disney Theme Parks? It is interesting stuff to think about, and I hope it will be addressed in future seasons.

Now that we've got that out of the way, let's talk characters. Tim Less is our protagonist. He's a private investigator who is eager to prove himself. He's eager, but also kind of an idiot. Well, he does show a fair bit of cunning and initiative, and is willing to take several risks, as the series go on. All the same, he just as often stumbles into clues without intending to. Tim seems to believe he's a detective in a film noir, as opposed to the science fiction dramedy that he's actually in. Still, his eagerness coupled with his frequent ineptitude is what makes him enduring.

Tim soon finds himself entangled with his girlfriend's sister Eve Moore. Oh, less and more, I just realized that. Anyway, Eve used to work in robotics, but she was framed for the murder of her boss. I need to take a moment to discuss that. She and the boss were working on nanobots, but had trouble getting them small enough. So, they built the robots at standard size, and used a shrink ray to shrink the robots down to the proper size. Very creative solution, though not very applicable to the real world, as we have yet to invent shrink rays.

Eve suddenly becoming unemployed is a bit of an issue, as all residents of Progress are required to be employed. If you don't have a job within a set number of days, you are evicted from the city. Since she's already suspected of one murder, now two, Eve would draw the attention of the Orange County sheriff department if that were to happen. Though it is in Orange County, Progress is considered legally distinct, which the Orange County sheriff department is very resentful of. I actually thought that Tim had more chemistry with Eve than he did with Annie. Granted, Eve got a lot more screen time, for want of a better term. Still, I do wonder if this will become a plot point in future seasons. She compliments him well. Eve is smart, quick-witted, and more down-to-earth than Tim is.

I'll now take a moment to talk about the amazing cast of voice actors that were assembled for this podcast. Tim and Eve are voiced by BrIan Ballance and Callie Wills. I'm not previously familiar with either of them, but I see bright futures in the world of voice acting for both of them. That is, assuming they aren't already involved in other productions. Really the whole cast is incredibly talented, and top of the line. However, the biggest surprise among the cast is that Ron Schneider cameo's as the announcer for one of the companies. Ron played Dreamfinder in the original version of the ride Journey into Imagination. He also previously worked with Ben Lancaster on The Further Adventures of Walt's Frozen Head, where Ron played Walt Disney himself.

This is just the first season, and there's still many mysteries to solve in Progress. Chief among, just what was Liam Crawford secretly working on before his death? Also, I know Kevin Perjurer said he'd love to cameo in the podcast. Perhaps ought to take him up on that offer. Based on what we've seen in season one, there are great things in-store for Prototype World of Tomorrow in the coming seasons.

Well there you have it. Prototype World of Tomorrow: Murder in Progress is an alternate history murder mystery that you won't want to miss out on, especially if you love Disney Theme Parks. Go and listen to it today, you'll be glad that you did.

I think that should do it for now. I will see you guys next time.