The Audio File: Poe Theatre on the Air: Season 2

A new year means discovering new show, but that doesn’t mean we can’t revisit old friends. In fact, today we’re going to visit a friend from when I first started taking requests for audio drama reviews. So, without further ado, let’s get into it. We’re taking a look at season two of Poe Theatre on the Air.

We’ve had our fun at the asylum of Dr. Maillard, but it is time to move on. Specifically, we’re going to a delightful Parisian café. Our host is an American expat named Zach Yeager. He used to work the crime beat for a Parisian newspaper. Zach found himself in need of lodgings. As it so happened, C. Auguste Dupin was in need of a roommate. Dupin has an incredibly brilliant mind, and a true knack for solving mysteries. However, he has about as much common sense as a lemon. Thus, Zach found himself having to be Dupin’s babysitter. Still, Zach made the best of things, and even got to help Dupin solve some mysteries. Zach will regale us with three tales of mysteries he and Dupin investigated.

I had known that this is the direction Poe Theatre on the Air would be heading for a while. Alex Zavistovich allowed me to see the scripts before this season was recorded. I flipped through them, but I’m of the opinion that audio dramas are meant to be listened to, not read. So, I eagerly awaited the finished product.

Alex pitched this season to me by comparing it to the television shows Monk and Psyche. This got my attention immediately. Monk was one of my absolute favorite shows when I was growing up. I always found Mr. Monk’s struggles to be incredibly relatable. I also quite enjoyed Psyche. It helped that Monk and Psyche always played back-to-back every Friday.

I can certainly see the influence. This season had a humorous bent to it, but also knew when to take itself seriously. Dupin is clearly a brilliant detective, but he struggles with social situations. It’s not that he’s depressed or nervous. He has a surprisingly sunny and cheerful disposition. Rather, he seems to have absolutely no clue how to interact with other people. He frequently overshares information, he follows strict routines, he often misses when he has upset people or hurt their feelings. He also doesn’t understand why silly things like rules or laws should interfere with his investigations.

All of this makes him come across as though he is autistic. Which is interesting, because Adrian Monk also always struck me as autistic. I know he canonically has OCD, but that is often co-morbid with autism. And I don’t know if Alex Zavistovich intended for Dupin to come across was autistic, but it is an interesting parallel.

Complicating things further is the setting. Much like season 1, the exact time period is a bit ambiguous. It seems to be vaguely set in the past, but that’s about it. Interestingly, the original short stories were also vague about when they were set. So, perhaps the audio drama is set before autism was formally recognized. On an unrelated note, though this season is set in Paris, all the actors use their natural accents.

Another influence from Monk and Psyche is the way that Dupin solves the crimes. The original short stories, surprisingly, don’t really have Dupin finding that many clues. In fact, he usually doesn’t even mention clues until the denouement. By contrast, Poe Theatre on the Air makes a point of having Dupin uncover numerous clues. That way, you can follow his train of thought, and it doesn’t feel like he’s pulling things out of his ass.

Although, I do wonder when Dupin and Zach find time to sleep. They stay up till all hours of the night, but we clearly see them working during the day, and they aren’t sleep deprived. Eh, we can write it off as another of Dupin’s many quirks and idiosyncrasies. Dupin is a chevalier, which means knight in French. So, I suppose that makes him Sir Dupin, the eccentric rich detective who likes to slum it in the city.

There are some other slight changes compared to the original shot stories. For example, the narrator didn’t have a name in the short stories. Also, the police department includes far more women than the original stories did. For example, the police chief is named Honoré, and she is Zach’s love interest.

Also, “Murder in the Rue Morgue” features an orangutan. I bring this up because, apparently, the orangutan is a source of much contention among Poe scholars. Specifically, regarding what it is supposed to represent. Arguments have been known to get rather heated at Poe conferences when the orangutan is discussed. I found this amusing.

The Dupin short stories proved quite influential on numerous fictional detectives. Before there was Sherlock Holmes or Hercule Poirot, there was C. Auguste Dupin. However, despite creating the template for the detective story, Poe only ever wrote three short stories starring Dupin.

However, Poe Theatre on the Air has been keeping busy. In fact, they’ve expanded their adaptations beyond just Edgar Allan Poe stories. They adapted the short story “The Eye That Saw Death” as part of a festival dedicated to the works of Tennessee Williams. The story follows a rich person who lost their sight, but received an eye transplant. However, they soon become haunted by specters and visions from the donor’s life.

I can see why Poe Theatre went with this one. The plot won’t be out of place in a Poe short story. For example, invokes optography, which shows up in a couple of Poe’s short stories. Optography was a, since discredited, scientific theory that the last image the eye witness before death becomes recorded onto the retina. The general tone and atmosphere is also reminiscent of one of Poe’s horror stories. Interestingly, “The Eye That Saw Death” was almost lost to history. Tennessee Williams never published the story in his lifetime, but it was rediscovered by chance in 2015. Hopefully, this will help it get known to a wider audience.

But that’s not the only non-Poe story that Poe Theatre has adapted. They’ve also done adaptations of “The Terror of Blue John Gap” by Sir Arthur Conan Doyle. It is titled “The Beast in the Caves.” This one features our good friend Zach Jaeger traveling to Britain to investigate rumors of a fearsome beast inhabiting an abandoned mine. Ah, but all is not necessarily as it seems.

Sir Arthur Conan Doyle wrote more than just Sherlock Holmes. He penned several horror and science fiction stories. Personally, my favorite are his Professor Challenger stories. Poe Theatre put their own flourish on this story. In the original, the monster turns out to be a giant bear that has evolved to live underground. Poe Theatre on the Air goes with a different monster, but I’ll let you discover what the surprise is. Admittedly, I did kind of see the twist coming, but it was very well done. I felt it maintained the feel of growing suspense and dread; just like the original story did. Arthur Conan Doyle stories are very hit or miss for me, but this was a good adaption. It is nice to see Poe Theatre occasionally trying new things, and expanding beyond Edgar Allan Poe. 

Well, there you have it. Season 2 of Poe Theatre on the Air brings some great adaptions of the C. Auguste Dupin short stories. We also get a couple adaptions that expand beyond the works of Poe. I don’t know where this audio drama is going next, but I can’t wait to find out.

I think that should do it from me for now. I will see you guys next time.

The Audio File: Blum

Audio dramas can be found all over the world. I’ve always been particularly interested in what the audio drama community outside the Anglosphere is like. Unfortunately, the only language I speak is English, and this can be a major stumbling block. However, sometimes I get lucky, and the stars align just right. And by that, I mean a non-English audio drama gets re-released in English. Such was the case with the audio drama we’ll be reviewing today. We’re taking a look at Blum. 

Blum follows a university student named Emma Clark. She has traveled to Switzerland to research an artist named Ursula Blum. Ursula Blum was a painter who lived during the early 20th Century. However, she was also a composer, and dedicated her life to researching the possibility of using music for healing. She was involved in a lot of esoteric groups and secret societies. In particular, Blum was intrigued by the concept of the Music of the Spheres. Emma isn’t the first person to research Ursula Blum. Five years ago, another student named Clara Torres disappeared while researching Blum. Emma is determined to find out what happened to Clara. She’ll also do whatever it takes to discover Ursula Blum’s secrets.

I had known about Blum for quite some time. As is often the case, it first got on my radar when I was pursuing the r/audiodrama subreddit. I was intrigued, but then I saw that it was only available in Spanish. Blum is produced by the Spanish audio drama production company El Extraordinario. However, there was a potential silver lining. If it made the weekly roundup list, then maybe, just maybe, an English version might arrive someday. Time passed, but eventually my faith was rewarded. However, I got tied up with requested reviews, so I couldn’t listen right away. But then I finally got a gap in my schedule.

I share what I’ve been listening to every other Sunday on the Twitter feed for my own audio drama, The Books of Thoth. Naturally, one Sunday I mentioned I had listened to Blum. El Extraordinario was happy to hear this, and I promised them I would give a full-length proper review of Blum when I have a chance. And so, here we are now.

I have a degree in history. I spent my freshman year at a liberal arts college. It didn’t work out, but eventually I found myself at LSUS, where things turned out better. I bring this up, because Blum really tapped into that feeling of being a liberal arts major. The liberal arts are fairly interdisciplinary. History, music, art, literature, philosophy; no matter your major, you’ll get a bit of everything eventually. So, like the protagonist of a Marcel Proust novel, I felt enveloped by a strong sense of remembrance for my own days in university.

The scenes at St. Gallen’s Monastery were particularly fun. Learning about the musical notions that medieval monks used took me back to my days in Music Appreciation and Music Theory. Though, I also admit I got excited because one of the segments in Agent of Byzantium took place at St. Gallen.

Blum is quite possibly one of the best tourist ads for Switzerland I have ever encountered. I really wanted to go visit Switzerland after I listened to Blum. This, of course, is very much by design. Blum was commissioned by Switzerland Tourism in hopes of attracting more visitors for Switzerland. However, it never felt like I was listening to an ad, or any sort of product placement. It is very clear to me that series creators Manuel Bartual and Carmen Pacheco have a deep, and genuine, love for Switzerland and Swiss culture. That love is stitched into every aspect of Blum, and the audio drama is all the better for it.

But that’s not the only area where love shines through. This is, ironically, felt the most in scenes where sounds are absent. There was clearly a great amount of care put into the sound design of Blum. Emma often finds herself in various museum galleries. There is a certain ambiance to these scenes in how they are quiet in a specific way. I have spent much of my life exploring museums and art galleries. As such, I’m well acquainted with the sounds of such buildings. These scenes were recorded in actual galleries to properly capture this ambiance.

But, of course, Blum is certainly no slouch on the other end of the spectrum. One of my favorite scenes is in the first episode. Emma talks about how music and religion have been intertwined for centuries. We get a montage of music being using in religious ceremonies from around the world. It was a very well crafted sequence; felt like something out of a non-fiction podcast. On that note, Blum really nailed the true crime investigation vibe. Each episode opens and closes with a bit of classical piano music. There’s also a few more bit of classical music liberally sprinkled through the audio drama.

I must also take a moment to praise the voice acting. Emma’s voice actress did an especially good job. There were a couple time she pounced certain words more along the lines of British English, even though Emma is supposed to be American. Make me wonder if the voice actress might not be American. But if that is the case, she did an absolutely amazing job of maintaining the accent. Come to think of it, Clara was pretty much the only Spanish character in the entire podcast. I wonder if, perhaps, Emma was from Spain in the original Spanish version of Blum. Whatever the case, it never felt like anything had be lost in translation. There was clearly effort put in to ensure the English version of Blum would live up to its Spanish predecessor.

Okay, I want to choose my words carefully for this next part. I want to make sure nobody misconstrues what I’m saying here. Blum reminds me very much of a Dan Brown novel, and I absolutely mean that as a compliment. Look, I’m aware that Dan Brown has a bit of a bad reputation. Yes, he often gets pretty significant facts wrong in his novels, and maybe his novel aren’t exactly high literature. But that man knows how to write a page-turner. If nothing else, he got me interested in the various artists he mentions in his books. Another big appeal of his books is that, for lack of a better way of putting it, they are travel porn. They are often filled with loving descriptions of various European cities. I always wanted to travel and see the world, and Dan Brown’s novel let me indulge those fantasies. Thankfully, I did eventually get to visit Italy, and I even got to see all the places mentioned in Angels & Demons when I was in Rome.

Blum evokes that same sense of wanderlust with its lovingly detailed descriptions of Swiss cities. It also incorporates art and classical music into a plot about solving a mystery. However, unlike Mr. Brown, the writers stayed true to actual facts and history. So, you get all the good parts of a Dan Brown novel, in audio format, but none of the downsides. For example, Ursula Blum is an entirely fictional character. However, she was inspired by several real life artists and musicians.

Speaking of the mystery, just what is the Music of the Spheres? We have known since Ancient Greece that all music can be converted into mathematics. But what about the reverse? Can math be turned into music? There have been attempts to translate the orbits of the planets into music. Under the Ptolemaic Model, the planets were believed to occupy different celestial spheres, hence the name Music of the Spheres. But what if it goes deeper than that. What if there is a music written into reality itself? This appears to have been the opinion of Ursula Blum and the various esoteric groups she belonged to.

Okay, now comes the part where we have to get into spoilers. So, turn back now if you don’t want any of that.

Last chance, you sure you want to continue?

If everyone who wants out is gone, let’s get into it.

So, as Blum progressed there were hints dropped that Emma was poking into things better left alone. I got some cosmic horror vibes. Perhaps there was something Lovecraftian afoot? Would it turn out to be something that mortal minds weren’t meant to comprehend? Something that would drive Emma into madness?

Well, I suppose that it is a matter of perspective.

You see, Emma does uncover the music Ursula Blum had been researching. It turns out to be incredibly beautiful. So beautiful that it makes Emma feel as though she is flying. So beautiful she can see the connection that binds everything together. So beautiful that she completely fails to notice that she jumped out a window.

I was reminded of my own short story “Chain Reaction.” It is about a man who goes crazy and starts a religion based around rollercoasters. He has a very similar experience where the rollercoaster god shows him the connections that bind all things together. The rollercoaster explains that it can’t show him this too long, or he might forget to eat and drink.

Well, as they say, great minds think alike. I thought the big reveal was very well executed. I liked the way it explored that concept of pantheism. It is the idea that everything within the universe contains a spark of divinity. Or, to put it another way, that the universe itself is God.

Blum was an absolute joy to listen to from start to finish. It appealed to my inner liberal arts major. It was like taking an auditory vacation to Switzerland. It was a great introduction to the world of Spanish audio drama. I cannot recommend it enough. You should listen to it as soon as possible.

I certainly hope this means we might see more El Extraordinario audio dramas getting translated into English. I also hope we might see audio dramas from other parts of the world getting translated. Perhaps, even some English audio dramas getting translated into foreign languages. But whatever the future holds, I’m glad that the world of audio drama is ever expanding. It is great to see more countries joining the party.

Well, I think that should do it from me for now. I will see you guys next time.

The Audio File: Regina Prime

I have said, on many occasions, that sometimes it takes me a bit before I get to certain audio dramas. Other times, I make a point of listening and reviewing as quickly as possible. Today, we are taking a look at an example of the second scenario. Without further preamble, here is my review of Regina Prime.

Regina Prime begins in the form of an urban exploration vlog. We follow a woman named Regina who is exploring an abandoned research laboratory. Everyone starts of pretty normal, but then strange things begin to happen. It also becomes clear that Regina is hiding something. Or perhaps she’s being forced to hide something. Oh, but we aren’t done yet. Each episode is split between Regina’s adventures, and the happenings of another woman. Well, multiple women, and they all have very similar voices to Regina. These women have been kidnapped by a shadow organization that is seeking Regina Prime. Just what is going on here?

Regina Prime is created by Jessica Berson, who also created the audio drama Echoes (in) Between. It was an audio drama that was very much about slowly peeling back the layers of the central mystery like an onion. Regina Prime is very much cut from the same cloth. In fact, I’d argue that it is even more so. Most episodes of Regina Prime are only about half the length of a typical Echoes (in) Between episode. So, I had to be a bit coy with the summary. I will do my best to keep things spoiler-free for as long as I can.

Now, back to the subject of Echoes (in) Between. Those of you who read my review will know that I felt immense guilt for putting off reviewing Echoes (in) Between. This is due to the tragic way in which the show came to an end. To make a long story short, Jessica Berson had a pretty nasty falling-out with her production partner. It is highly doubtful a review from me could have prevented this. All the same, I felt bad after I learned about what happened. However, towards the end of my review, I also expressed confidence that Jessica would one day rise from the ashes like a phoenix.

My confidence was certainly not misplaced. Jessica has, in addition to Regina Prime, also started an anthology audio drama called Blue Rose Stories. I’m waiting til it has a few more episodes before I review that one. I will say that the episodes that Blue Rose Stories has out so far are really great.

I first became aware of Regina Prime when I got followed by the show’s Twitter account. I was very pleased to see that Jessica was making another serialized audio drama. I made a note that I was going to be proactive and not drag my feet this time round. I had to take care of a few personal matters first, but here we are now. It seems that Jessica is taking a back to basics approach with Regina Prime. As I have previously noted, the episodes are about half the length of a typical Echoes (in) Between episode. Jessica also provides the voices for all of the characters. She manages to give them all distinct personalities, and that’s no small task, given how similar most of the characters sound. As for why that is, well, that’s something for the spoilers section. One of the characters is a computer AI. Jessica considered using an AI voice for the role, but ultimately decided against it. She felt it wouldn’t be the right thing to do. And speaking of AI…but that’s another thing for the spoilers section.

I hadn’t really given urban exploration much thought before listening to Regina Prime. I’ve seen a couple YouTube videos, and of course I remember when the Tomb of the Burger King was discovered. Easily the greatest archeological discoveries of our times. That was a joke about some urban explorers who discovered an almost perfectly preserved Burger King from the 1980s. I know urban exploration isn’t the main point of Regina Prime, but it still made me want to learn more about it.

Okay, I’ve put it off for as long as possible. It is time to get into the spoilers section. So, if you don’t want any of that, turn back now.

Last chance, you sure you want to continue?

If everyone who wants out is gone, let’s get into it.

I’m going to go on a slight tangent for a moment, but just bare with me here. There was this show I remember briefly watching once called New Amsterdam. It was about this guy, named John Amsterdam, who was an immortal living in New York City. Oh, and it was also a detective show. As the title suggests, John’s been around since when the Dutch owned Manhattan. They had another show called Forever, which had basically the same premise, but I personally liked Forever better of the two. Ironically, both shows got canceled after only one season. Quite a shame really.

I bring this up because of something I found interesting about New Amsterdam. John has to keep a detailed list of all his descendants so that he doesn’t accidentally wind-up committing incest. I should probably mention that he’s looking for his true love, who will be the one to cure his immortality.

I’d never really considered it, but that would be a concern for someone who is immortal. But what happens when you have multiple immortals running around? And let’s assume these immortals can reproduce. Oh, nothing too bad would happen at first. Slowly but surly, however, the gene pool would start to get shallower and shallower. Iceland has had to deal with a variation of this problem. They’ve had little to no immigration over the years. Most Icelanders are descended from the original handful of Viking settlers. So, accidentally hooking up with a distant cousin is a reasonably legitimate concern. In fact, there’s an app that cross references two people’s family trees using government records. The app works when two people bump their phones together, and its slogan is “bump this app before you bump in bed.”

Okay, where am I going with all of this? Well, Regina Prime takes into consideration the ramifications of having a bunch of immortals running around and having kids. Well, that, and the effects of widespread cloning. Remember that part about the people being held captive? I initially believed it to be concurrent with Regina’s own adventures. As it turns out, I was wrong. The second segment actually takes place hundreds of years after Regina’s adventures. In that time, cloning has become very wide spread. Many people choose to have their kids cloned from donated tissue cultures. Regina’s sample proved very popular, but she had a genetic mutation that made her biologically immortal. All of her clones share this mutation, but they can still be murdered.

Hmm, a sample of immortal cellular tissue? Could that be a reference to the HeLa cells? They are a sample of cancer cells that have continued to divide long after the point they should have died. They were controversially harvested from Henrietta Lacks, who died of cervical cancer. The HeLa cells proved invaluable in numerous cancer treatment studies. However, the Lacks family didn’t learn about this until many years later.

People turning to cloning to ensure their kids are smarter, faster, stronger, and better might seem far fetched to some. However, I’d argue it isn’t too different to what is going on in the here and now. Think about all those people who pursue artificial insemination. Oh, they might claim to be opposed to things like eugenics. But when you get down to it, they’d probably prefer a tall, blonde hair, blue-eye, athletic college professor as their donor. They probably aren’t going to go for a short, flat-footed, perpetually anxious, autistic guy who writes audio drama reviews.

Obviously, all of the prisoners are clones of Regina. But why have they been captured? More importantly, who has captured them? I’ll leave all of that for you to discover. I will, however, reiterate that Jessica does a great job of giving the clones all distinct personalities. I helped that Epsilon, the clones are all referred to by Greek letters, has a British accent. Jessica does refer to herself as a committed Anglophile on her Twitter account. Hmm, going by that, I wonder if we’ll eventually see a clones who is obsessed with baseball?

I think we’ll wrap it up here. Season one of Regina Prime was really great. It is excellent to see Jessica Berson making audio dramas again. I can’t wait for season two to come out. And I have full confidence that there will indeed be a season two. If you enjoyed Echoes (in) Between, you won’t want to miss out on Regina Prime.

Well, I think that should do it from me for now. I will see you guys next time.

The Audio File: Echoes (in) Between

I have often spoken about how sometimes it takes me a bit to get around to certain audio dramas. I’ve also spoken about those unfortunate audio dramas that die after only one season, despite their high quality. Well, today’s review covers an audio drama that ticks off both boxes. It was an excellent show, it only lasted one season, and I took way too long to listen to it. So, without further ado, onto the main event. We’re taking a look at Echoes (in) Between.

Echoes (in) Between starts with an in-universe podcast of the same name. It is hosted by Gemma Avots and Thomas Fonte. They are exploring the concept of memory. More importantly, how we might retrieve memories. They are assisted by Dr. Adrian Thorne. The good doctor has developed a series of sound waves capable of stimulating people’s memory. At first, it seems to work remarkably well. Gemma, Thomas, and their listeners all begin to recall memories that were either hazy or completely lost. Then strange things begin to happen. Gemma and Thomas start remembering each other’s memories, and they begin to hear voices. Gemma and Thomas are going to do whatever it takes to uncover the truth behind the recordings. But what they will discover is beyond anything they could have imagined.

I’d known about Echoes (in) Between since before the first episode even came out. The show’s Twitter account followed me, and they were always really good about liking my posts for Audio Drama Sunday. I wasn’t really sure what to expect based on the description and the trailer. There were mentions of things such as past life memories and parasitic twins, but where was this all going. Well, time went on, and I got sidetracked. Several people requested that I review their shows. I also took time for myself. Sometimes, I need to be able to just listen to a show without taking mental notes, or immediately reviewing it after I finish it. Of course, I usually wind-up reviewing such shows later on, but I digress.

Eventually, much as I did with The Call of the Void, I decided that it was time for me to review Echoes (in) Between. Series creator Jessica Berson followed me on Twitter, and I took that as a hint. Probably should have taken the hint back when Echoes (in) Between first followed me. It was around this time that I learned some troubling news. There had been issues behind the scenes, and Jessica had a falling out with her partner Bronson Metcalfe. Bronson decided to leave Echoes (in) Between, which was a bit of a problem given that he voices Thomas. Ultimately, Jessica decided to end Echoes (in) Between after only a single season.

I doubt it would have made any difference if I hadn’t dragged my feet. Still, hearing how hard all of that was for Jessica made me feeling incredibly guilty. So, here we are; too little, too late. I’m not going to say that we should be thankful for what we got. I’m not going to say that at least Echoes (in) Between will lead to new opportunities for Jessica. Though I have no doubt that this is far from the end of her audio drama journey.

You know what? Screw it all. Sometimes life is unfair. Bad things happen to good people. A good audio drama dies a bad audio drama’s death. You do everything right, and things totally beyond your control prove to be your downfall.

I will now get into my formal review of Echoes (in) Between. I’m just going to warn you that there will be some pretty serious spoilers later on. It will be a bit like the review I did of season one of SINKHOLE. For now, however, I will stick to the non-spoiler stuff.

Echoes (in) Between starts off with an interesting question. What if you could enhance any of your memories? Be able to perfectly recall anything you wished? We all have at least a few things we desperately wish we could remember. What were the lyrics to that one song? What was that interning TV show you randomly came across? What color was the neighbor kid’s dog again? Seems harmless enough. Still, I don’t know if I’d do it if I could.

Autistic people are often noted for having exceptional memories. I bring this up because I’m on the autism spectrum, and that’s certainly true for me. I am noted to have exceptionally good recall. It is certainly helpful when writing audio drama reviews, or remembering random tidbits. I still haven’t full grasped the notion that normal people have trouble recalling events from only a few years ago. But I can’t really control my recall. So, for example, I still had to study for tests. And having such good recall also makes it even harder to forget bad things. My parents have remarked that, at times, it seems like I only remember bad things. There are times I’ll be minding my own business then something, a sound, a taste, a random thought, will summon a bad memory.

Maybe it was a time my parents screamed at me, or a time I did something embarrassing, or a million other things. And it will be just as sharp and painful as when it first happened. Sometimes, I just want to scream for the bad memories to shut up already. As you can imagine, this has caused anxiety and depression to be my constant companions. As screwed up as I am, I’m not sure I’d want to mess with something that could affect my brain.

I wondered if this might be the big twist. That is, that the recordings would give everyone perfect memory, and it would slowly drive them insane. But no, that wasn’t it. As for what it actually was, well, we’ll get into that in the spoilers section. I will say that Echoes (in) Between was one of the scariest audio dramas I’ve listened to in a while. I knew, intellectually, that it was all just a fictional show. All the same, I’d still sometimes get nervous and tense-up whenever the sound tapes were played. I know that probably sounds stupid, but I guess that makes Echoes (in) Between effectively scary.

Though, speaking of bad memories, I was initially wary when I listened to the first couple episodes of Echoes (in) Between. I’ve gotten burned by one too many bad Parcast podcasts, and the banter between Gemma and Thomas reminded me of that. Granted, I’m pretty sure that this was done deliberately. And I will say that it didn’t last long, and I found Gemma and Thomas’ non-podcast host dialog to be well-written and enjoyable to listen to. I got a better feel for the sort of audio drama that Echoes (in) Between was trying to be as I continued listening. I found it to be a very enjoyable audio drama.

So, let’s now talk about our characters. Gemma and Thomas met when they were in college. Gemma was an upperclassmen assigned to show Thomas the ropes. They developed a reputation for investigative journalism. In particular, they managed to bust a professor for forging his credentials. As a result, they refer to each other as Woods and Burnsy, in reference to Woodward and Bernstein, the reporters who broke the Watergate scandal.

Gemma is snarky, driven, and outspoken. Also, her real name is Gemini, but she thinks that sounds too much like a hippie name. Hey, at least it was better than the alternative. Gemma’s mom wanted to name her Tamzin. She and Mr. Avots did a coin toss to pick their daughter’s name, and Mr. Avots won. I looked it up, and apparently Tamzin means twin in Aramaic. So, I guess that kind of makes it an equivalent of the name Gemini. Gemma had been living in New York, with dreams of becoming a hotshot journalist, but she had to moved back to Minneapolis to take care of her father. Still, she’s making the best of things. Gemma is voiced by series creator Jessica Berson.

Thomas, by contrast, has always been soft-spoken, cautious, and a bit reserved. Thomas freely describes himself as bland, but he has his moments of spice. He’s been in therapy for the last few years, but he’s working through his problems. Thomas is voiced by Bronson Metcalfe.

The dialog is edited so that it often slightly overlaps. Jessica says that this is so that it mimics natural speaking. That is true, people often interrupt each other, or talk over each other, in real life. I also really love the intro and outro music for the in-universe podcast, which also serves the same function for the out of universe Echoes (in) Between audio drama. The audio drama does a good job of building a growing sense of mystery and creating an atmosphere of suspense.

Okay, I’ve put it off for as long as I could, but we have to talk about spoilers now. So, if you don’t want any of that, turn back now.

Last chance, you sure you want to continue?

If everyone who wants out is gone, let’s get into it.

There’s one very crucial bit of information I’ve been leaving out until now. You see, the universe of Echoes (in) Between isn’t quite our own universe. There was an event that occurred many years ago, back when Gemma and Thomas were just kids. It involved all adults basically turning into zombies for a day. It was like their brains ran on autopilot; they went about their normal routines, but with no obvious signs of emotion or consciousness. Thankfully, the adults were back to normal by the next day, but it severely traumatized all of the kids. This event became known as The Blackout, and nobody knows what caused it. Though, several hypotheses cropped up over the years.

Dr. Thorne had his own take on the matter. He called it the Chimera Universe Hypothesis. Dr. Thorne proposed that The Blackout was caused when a parallel universe got absorbed by our own universe. The other universe got destroyed, but the consciousnesses from that universe got thrust into our own, and took up residence in the brains of their counterparts in our universe. Children’s minds are yet fully developed, so they were better able to accommodate the other consciousnesses. Adults weren’t able to assimilate the consciousnesses so easily, hence why they blacked out for a bit. If you’re wondering, chimera refers to how, sometimes, one twin will absorb the other in-utero. The surviving twin develops normally, but will now have two sets of DNA.

Okay, so now all the pieces of the puzzle fall into place. The words from the teaser trailer suddenly make sense. I did not see that coming, but that was the point where Echoes (in) Between set itself apart from that crowd. Oh, I was enjoying it before that, and it certainly managed to hold my attention. But this was the point where Echoes (in) Between proved that it was something truly special.

Believe it or not, there is a grain of truth to the idea of a Chimera Universe. Some scientists believe that parallel universes travel around the multiverse. Occasionally, they will bump into each other. Some scientists believe that the Big Bang might have resulted from the collision of two universes. It is theorized that sometimes the universes bounce off each other. However, other times, one subsumes the other, or they merge into a composite universe. These reactions can become especially volatile if the universes have different laws of physics. Though, given that the mind is a byproduct of the brain, I doubt consciousness could survive a universe collision. Still, it does make for an intriguing premise for an audio drama.

I see a lot of interesting implications in the scenes where Gemma and Thomas finally contact the alternate versions of themselves. I see a lot of Jungian shades. In particular, the confrontation with the Shadow. The Shadow is the aspects of ourselves that we like to deny, particularly negative emotions, and project onto others. According to Jungian Psychology, denying your Shadow leads to your mind becoming unaligned. Therefore, you must confront your Shadow, and accept/embrace those suppressed aspects of yourself. Some Jungians believe that it is possible to encounter your Shadow via a dream or vision. In other words, not too dissimilar to the trance that the later recordings are capable of putting people in.

Thomas has a pleasant experience when he confronts who doppelgänger, who he names Tom. So, you could see them as an example of someone who has made peace with their Shadow, and is in a state of alignment. Gemma also confronts her counterpart, who is known as Tamzin. Apparently, their mom won the coin toss in the other universe. This suggests the other universe was very similar, but not completely identical, to our universe. Hmm, Gemini and Tamzin both mean twin, and Echoes (in) Between is set in Minneapolis/St. Paul, which are known as the Twin Cities. Huh, the foreshadow was there from the start.

Well, anyway, Gemma’s encounter with Tamzin is far less cordial. I saw that coming; things with Thomas and Tom seem to go a little too smoothly. I wondered if another shoe was about to drop. Of course, the result was still incredibly chilling, and quite effective. Tamzin makes several sharp remarks claiming that Gemma is selfish, hurts Thomas, and is wasting her life. Gemma denies this, of course, but you get the feeling that she worries that this is all true on some level. However, it is often said that we ourselves are our harshest critics. For example, Gemma could have thrown her dad in an assisted care facility, but she moved back to Minneapolis to help take care of him. She did this even if it meant having to make sacrifices in her own life. Of course, Tamzin would say this was a bad thing. 

I must say that Tamzin is a well-written villain. She’s clearly in the wrong, but a lot of what she says has a grain of truth to it. It is unfair that she, and everyone else from the other universe, had to be trapped in the minds of their doppelgängers. What she went through was horrifying beyond comparison. However, that doesn’t give her the right to take over Gemma’s life. Who is she to pass judgment on Gemma’s choices? I suppose it shows that you can be a victim, and still be a horrible person.

Or here’s a thought. Tamzin was a child when she got stuck in Gemma’s head, and was only recently awakened. She has access to all of Gemma’s memories, but still pretty much only has the lived experience of a child. So, mentally, Tamzin might still essentially be a child, albeit, more akin to a child prodigy. Or maybe she aged, but at a slower rate? That does raise the question of how a mind would develop with the input of hormones. Of course, a mind can’t exist without a brain, and yet here we are…hmm, I’m probably overthinking it.

Getting back on track, I liked the way Jessica voiced Tamzin. In particular, the parts where Tamzin pretends to be Gemma. Tamzin gets ballpark correct, but is off just enough to come across as creepy and disconcerting. Almost a vocal equivalent of the uncanny valley. Tamzin is too cold, too reserved, and a bit too formal to pass as Gemma.

And then there was that ending, after the final tape was played. Just who, or what, were all of those voices? Well, going back to Jungianism, Carl Jung believed that humanity has a collective subconscious. Might the final tape allow listeners to access the collective subconscious? But here’s another thought. We know that the other universe was very similar, but not totally identical, to our own. What if there were people in that universe who lacked counterparts in our universe? What would happen to their minds? Or what if that wasn’t the only universe that got merged into ours?

All are interesting ideas, but sadly, it seems they shall remain unanswered. It is certainly unfortunate that Echoes (in) Between had to end as it did. But there is a light in the darkness. When Jessica Berson next commits to making an audio drama, and I have no doubt that she will, I know it will be absolutely fantastic. Jessica has proven to be a very talented writer, and an excellent voice actress. This isn’t the end for her, it is only the beginning. I look forward to what she will bring us in the future.

My only regret is that I didn’t get to Echoes (in) Between sooner. It is a fantastic science horror audio drama with some strong psychological themes. It joins the ranks of Lights Out and The Hermes & Hekate Road Show as an audio drama that was tragically slain well before its time. Don’t make the same mistake that I did. I strongly encourage all of you to give Echoes (in) Between a listen as soon as possible. And best of luck to Jessica in all her future endeavors. I’ll try not to wait so long next time.

Well, I think that should do it from me for now. I will see you guys next time.

The Alt-Hist File: Prototype World of Tomorrow: The Infinite Journey

I’ve been on a roll reviewing the latest seasons of several audio dramas. We find ourselves once again at Prototype World of Tomorrow, a show I utterly adore. Not much more to add, so let get on to the main event. We’ve taking a look at season three of Prototype World of Tomorrow: The Infinite Journey. 

Just to recap, Prototype World of Tomorrow is set in a world where Walt Disney’s dream to build an Experimental Prototype Community of Tomorrow became a reality. Everyone in Progress City is gearing up for the Eleusinian Tournament. It is a competitive video game tournament, and Tim E. Less is determined to win with a little help from his friends. This year, the players will be dematerialized, and reassembled within the game itself. It might seem like fun and games, but lurks around every corner within the digital world. Tim’s fellow private investigator, Eve R. Moore, wants him to help her investigate the companies behind the Eleusinian Tournament from within. Hold on tight, Tim and the gang are about to take a journey beyond their wildest imagination.

I think by know that it should be obvious that I absolutely adore Prototype World of Tomorrow. It started off strong with season one, and continued the momentum with season two. So, how does season three do? Quite well indeed. As usual, there are numerous references to Disney Park attractions. Specifically, there are numerous references to all three incarnations of Journey into Imagination. Contestants exit the game through a rainbow tunnel, as a nod to how Journey into Imagination featured a rainbow tunnel. Fun fact, the Journey into Imagination tunnel also appears in one of Michael Jackson’s music videos. At one point, Tim and company meet a computer program that takes the form of a purple dragon. Obviously, this is meant to be Figment, and I shall refer to him as such from here on out. Figment mentions that he used to have a friend, but hasn’t seen said friend in a while. This is a reference to Dreamfinder, and how he was absent from both the Journey into Your Imagination and Journey into Imagination with Figment incarnations of the ride. Speaking of which, Ron Schneider, who played Dreamfinder, once again returns as one of the computer voices.

This segue’s nice into my next point. The game for this years tournament is partially powered by the players’ own imaginations. Oh, there are servers, very powerful ones, but part of the computing power is offset by utilizing the players’ own minds. For example, when Tim and his teammates look at a berry, it looks different to all of them, because everyone has their own mental image of how a berry should look. Though as mentioned, the servers do play some role. For example, all of the trees share the exact same four designs. Honestly, using the contestants’ own minds to generate the game was actually kind of brilliant. I haven’t really seen anything quite like that in fiction about virtual reality. I especially liked some aspects of the game being subjective based on the players’ own imaginations. Let it never be said that Ben Lancaster is lacking in creativity and imagination. Also, the part where the announcer says “right now there’s not a whole lot going on in your imaginations” was a nod to Journey Into Your Imagination, when Eric Idle says the same thing.

Oh, and one more reference. In the first episode, Tim is excited that his friends got handwiches. Handwitches were a short lived Disney food item. They were billed as the sandwiches of the future by then Disney CEO Michael Eisner. Handwiches were bread cones which held a variety of both sweet and savory fillings. Unfortunately, pretty much only Michael Eisner thought they were a good idea. Even the people working the handwich stands were skeptical of them, and handwiches died a swift death. Still, handwiches developed a minor cult following. In fact, they became a minor meme after Defunctland made a video about them. It also occurs to me that Bonnie, the waitress at Tim’s favorite greasy spoon, might possibly be a reference to Bonnie Appetite from Kitchen Kabaret.

Now, lets talk about the new characters. Tim’s team is down a player, so they take on Pauline, who works at the same company as Tim’s girlfriend Annie. At first, Tim doesn’t want Pauline on the team, and it was at this point I worried that this season was going to become one of those preachy “gamers are sexists” stories. Thankfully, that turned out not to be the case. Tim just wants to have a chance to play alongside his buddies, and proudly admits to having lost to numerous all-female teams in the past. Pauline has a true passion for retrogames, but Tim and his team initially dismiss her because of this. And yet, not too long after this, they mention that past Eleusinian Tournaments have incorporated elements of retrogames. So, one would think that they wouldn’t be so quick to brush her off. Initially, Pauline comes across as introverted, shy, and slightly dorky. In fact, at first I wondered if perhaps she might have autism. You don’t often see women with autism depicted in fiction. However, once everyone gets into the game, she becomes far more confident and in her element.

I also really liked Tim’s friend Morris. He’s a huge paleontology nerd, and is very excited that this year’s game has a dinosaur theme. He can name all of the dinosaurs, and other prehistoric animals, and rattles of a list of facts about each of them. He must be really good at the game right? Yeah, no. He get’s killed in the tutorial of the game, but he emerges from the game with little more than a bruised ego. Yeah, that would be me in that scenario. I also have a deep love of prehistoric animals, and with my luck, I’d probably get killed in the tutorial as well.

There is an obvious comparison to TRON with this season taking place in the digital world. However, while the programs interact with humans, their appearance isn’t as anthropomorphized as programs are in TRON. It is explain that the processing power of the severs is far faster than that of a human mind. I looked it up, and that does check out. As such, a human mind can’t be plugged directly into the computer mainframe. Thus, programs are rendered as series of geometric shapes.

Well, mostly. We do meet a program who looks suspiciously similar to Eve’s supposedly dead fiancé. We don’t get confirmation as to whether or not it really was him. That having been said, many strange things have been shown to happen in Progress. Personally, if I was the gambling sort, I’d put money on it actually being him. I’ll be genuinely surprised if it turns out it wasn’t actually him. But I guess we’ll have to wait and see what future seasons have in store for us.

The virtual world setting does provide some humorous moments as well. At one point, Eve hacks into the game, and enters via the microphone she gave Tim. However, because Tim swallowed the mic, Tim winds-up vomiting Eve into the game. This is one of those time that it is good that Prototype World of Tomorrow has no visual component. That scene would probably be pretty terrifying in a visual medium. There were points were it seemed that something would go wrong, and the characters might get mutated or glitched somehow. My personal speculations was that somehow everyone would switch bodies. It would be interesting to see the actors portray each other’s characters. But it would seem that I was wrong.

I liked the part where Tim and company muse on the fact that the game contains temple ruins. Does this mean that humans and dinosaurs coexist in the game? Or did the dinosaurs develop their own religion? My take? Probably a nod to how early video games often featured ruins that often seemed to have no function beyond being ruins. There’s also a scene at a digital circus where Pauline eats some peanuts, and notes that she’s a allergic to peanuts in the real world. She finds them to be okay. 

Series creator Benjamin Lancaster has a deep love for the original EPCOT theme park. That loves really shines through in this season, even more so than usual. 

And so there you have it. The Infinite Journey, season three of Prototype World of Tomorrow, keeps up the momentum of its predecessors. Prototype World of Tomorrow has bowled a turkey; three-for-three for great seasons of alternate history science fiction goodness. I can’t wait to see what surprise season four will have for us. From the looks of it, some exciting stuff is on the way.

Speaking of exciting stuff, I’d like to take a moment to talk about one of the projects Brian Ballance, the voice of Tim, is up to. He has recently started a podcast called The Interesting Podcast. As the title says, he interviews people he thinks are interesting. For example, he interviewed, Callie Wills, the voice of Eve. I would encourage everyone to go checkout Brain’s podcast.

Well, I think that should do it from me for now. I will see you guys next time. 

The Alt-Hist File: Prototype World of Tomorrow: Fair Weather Foes

I've been tackling podcast by individual season lately. Well, unless they're an anthology, or something similar to an anthology. I've got a lot of season one reviews, but none for any seasons beyond that. Well, I'm happy to say that changes today. We're taking a look at season two of Prototype World of Tomorrow: Fair Weather Foes.

Just as a recap, Prototype World of Tomorrow takes place in a world where Walt Disney's dream to create an Experimental Prototype Community of Tomorrow became a reality. It has been a month since the events of Murder in Progress. In that time, Progress City's only private detectives Tim E. Less and Eve R. More have been...struggling to find work and a permanent office. Thankfully, they've recently gotten a case. The Progress City Weather Department has been subject a series of sabotage and trespassing attempts. It is believed that the protest group Spirit of Tomorrow is behind here attacks. The annual air show is due in a few days, and tensions are running high. Can Tim and Eve catch the perpetrators before it is too late?

Prototype World of Tomorrow wowed me with an excellent first season. If season two is anything to go by, the show stands to keep getting even better. First, let's talk about the newest additions to the cast. Remember last time when I suggested that Benjamin Lancaster ought to consider asking Kevin Perjurer, of Defunctland fame, to join the cast? Well, that wish has come true. Kevin joined the cast as Doug McDonald. He's a hotshot aeronautics engineer eager to unveil is latest prototype personal ornithopter. That is, it is a machine that flies by basing its wings on those of insects, such as dragonflies. Kevin is known for his excellent narration skilled over on Defucntland, but it is here that his acting skills get a chance to shine. Kevin really should consider taking more voice acting roles in the future. Also, you should check out the video he did about Walt Disney's plans for Progress City and...well, basically, just binge the whole channel after that. Seriously, it is great stuff, and he puts a lot of love and dedication into the videos.

But there is an even big surprise joining the cast this season: me! I am in this season of Prototype World of Tomorrow...sort of. There was a casting call, back when Fair Weather Foes was still in production, for fans of the show to submit audio samples of themselves performing a series of short lines. The goal was to get enough submissions to create the illusion of a large crowd for certain scene. Naturally I was more than willing to answer the call. Admittedly, I forgot about it until the last day, but I got my submission in on time. Most of you probably have no idea what I sound like. Even if you did, the voices are so mixed together you can't pick me out. Still, it is fun to know that I got to be part of one of my favorite podcasts, even if only in a small way.

The scene in question are when Tim receives an invitation to join the protest group Spirit of Tomorrow. They object to the residency laws in Progress City. The laws say that all residents may not stay in Progress as long as their work visas last, and there are no extensions. There used to be extensions on visas, but that got abolished awhile back. You can also be kicked out of Progress if you lose your job, or aren't attending a school or university. Spirit of Tomorrow believes that there should be no limits on visas. Furthermore, they also believe that everyone who wants to live in Progress should be allowed to stay, even if they don't have a job. I wasn't quite sure what Spirit of Tomorrow supported when I signed up to be an extra, but I suppose there are worse positions to take.

Spirit of Tomorrow also believes that the Chime network of Progress is leading to, paradoxically, both too much and too little connection, and should be done away with. Chimes are devices that all citizens of Progress use. They're pretty much smartphones in all but name. You can check the news feed, place calls, send text messages and more. They're treated as the height of technology, despite not appearing to do anything a smartphone couldn't. Were smartphones never invented in the world of Prototype World of Tomorrow? For that matter, when is it set? I always assumed it was supposed to be the present day, but I could be wrong.

When Tim first arrives at the Spirt of Tomorrow meeting, he his greeted by a presentation that explains the history of the Chimes Network. This includes a song, courtesy of the Progress City Municipal Virtual Choir. That was the other call that went out before this season premiered. Everyone auctioned based on their singing type, everyone was given lyrics to sing and record, and then the voices were blended together into a glorious whole. I passed on that one, as singing is a bit outside of my usual wheelhouse. I must say, I am amazed at how well it turned out. It sounds like one of those Sherman Brother's songs you'd see at early Magic Kingdom attraction. Most famously, they wrote "There's A Great Big Beautiful Tomorrow" and "The Best Time of Your Life" for The Carousel of Progress. Progress City Municipal Virtual Choir is astounding in its production values. I would never have guessed that it was all recorded remotely if I hadn't already known. I certainly hope this isn't the last we've seen of Progress City Municipal Virtual Choir.

As the name of the season suggests, the city weather department plays a major role in the plot. They have developed technology that allows them to manipulate the weather. At first, I was confused, as that seemed to imply that the dome covering Progress City was large enough to generate its own weather systems. That would imply that that Progress is awfully big, especially for a city of only 50,000 residents. Then it was clarified that the dome only covers about fifty-five percent of Progress. The weather department can even capture storms and other weather systems. They're most proud of having captured Hurricane Zeke. I saw from that start that it was going to get loose, it was only a matter of time. But really, did nobody question the wisdom of keeping a live hurricane stored in the middle of a heavy populated area? Of course, in Progress City, there seems to be more emphasis on if it is possible to do something, rather than if you should do something, or what the consequences will be.

One thing I noticed this season was that it kind of felt like Tim got dumber. In season one, while certainly not as smart he portrayed himself, and in way over his head, Tim did at least display reasonable competence at times. Here, however, it almost seems Eve's primary function is to be Tim's babysitter. Granted, this partially could be because Eve is there from the start this season, and thus serves as even more of a foil to Tim. A foil is band of metal put around a gem to emphasize the qualities of the gem by contrasting with it.

That having been said, I did still enjoy the dynamic that Tim and Eve had. It only just now occurred to me that their names are Timeless and Evermore. Sometimes I'm a bit slow on the uptake. One of their main goals this season, besides solving the case, is getting a permanent office. Eventually, they get an offer in the Switzerland section of the International Tapestry. Unfortunately, it is sandwiched between the Progress City Yodeling Conservator and a sauerkraut factory. I wasn't aware that the Swiss shared Germany's love of sauerkraut. Though more to the point, this is another reference to never built EPCOT attractions. For the longs while there were plans to build a Switzerland pavilion in the world showcase. It was often rumored that this would be where Disney World's version of the Matterhorn would be. The plans fell through, but we did get Expedition Everest over at Animal Kingdom, which features a yeti. So, in a roundabout away, I guess Disney World did get the Matterhorn.

Another little detail I enjoyed is that Tim's apartment building has a series of pneumatic tubes that transport food to the residents. He often uses it to grab a bagel with lax if he doesn't have time to great a proper breakfast. And yeah, lax not lox, because the company that makes them can't legally call them lox. It's amusing because the proposed plans for the city of EPCOT did indeed include pneumatic tubes. It's even more funny because of a video I saw on Voices of the Past, one of my favorite YouTube channels, which proves readings of primary historical sources. The video was about people in 1901 speculating on what 2001 would be like. Yes, they did predict we'd have pneumatic tubes delivering our food by now. It easy to laugh at them, but many of their predictions weren't too off the mark. If I haven't made it clear, you really should watch the excellent video.

Prototype World of Tomorrow also has a Christmas Special. It's an adaption of the Charles Dickens short story "The Signalman." Eve's aunt used to be the control of the Progress monorail system. It has since become automated, but she still keeps watch. Eve and Annie are both very concerned about her, as she's been even loonier than usual. This is particularly stressful as Christmas is fast approaching.

First of all, I'll give Ben Lancaster credit for not going with the typical choice of adapting A Christmas Carol. I think I listened to The Signalman at some point in the past. I remember not caring for it much. So, even more points for Prototype World of Tomorrow creating an adaptation that I genuinely enjoyed. You've got all the typical wackiness we've come to expect, but underneath it all there's a strong sense of creepiness and foreboding. There's a sense that there might be darker forces at work in Progress. Well, darker than usual. Hey, as the song goes, scary ghost stories and tales of the glories of Christmases long, long ago.

Ghost stories were once part of the Christmas season, but have largely fallen out of favor now that Halloween covers most of the spooky stuff. Only the Christmas tales of Charles Dickens survives as a remnant of this tradition. As such, it is nice to see a Christmas Special that evokes the spirit of those old tales. In fact, Dickens saved Christmas in the English-speaking world. A Christmas Carol almost single-handedly revived the Christmas, which was starting to fall out of fashion at the time. In fact, it almost didn't get published because Dickens' publishers thought Christmas was too niche of a holiday. Yes, you read that correctly. Thank you for saving Christmas, Mr. Dickens

This is also the first time we've had someone other than Tim act as narrator. I hope we get some more episodes with Eve as the narrator. Speaking of narration, I may say that Callie Wills and Isa Jones give exceptionally good performances as Eve and Annie. I could easily believe them being sisters.

Apparently, Progress has an annual Nativity pageant. You know, I always did wonder how religion worked in Progress. Granted, it is possible they do it out of tradition rather than religious conviction. Schools in Britain often have Nativity pageants because of tradition; despite the United Kingdom being fairly secular these days. Perhaps it is the same in Progress. And because irony is the unkindest god of all, Tim gets cast as one of the wise men.

It's a Christmas Special that goes against the usual grain, but one that works exactly because of that.

Fair Weather Foes was a worthy follow-up to Murder in Progress. From the sound of it, season three. From what hints we get towards the end, it sounds like it will involve genetically engineered monstrosities. That has a lot of potential, and I can't wait to see what Ben and the gang come up with. But enough from me, go and check out Fair Weather Foes, the latest season of Prototype World of Tomorrow. It is well worth your time.

Well, that's enough from me for now. I will see you guys next time

The Audio File: Yowie

As I'm sure I've said many times before, but there are a lot of hidden audio drama gems out there. They're just waiting to be discovered, but find them is another matter. That's a one of the reasons I created The Audio File. I like helping people find quality audio fiction. Am I going somewhere with this? Yes, I always like to add a little preamble before we get to the main event. We're taking a look at the audio drama Yowie.

Yowie takes place in Australia and follows a man named Ian Linville. The police believe that he murdered his wife and son, as well as a park ranger, on a camping trip in the Grampians National Park. However, they were never able to pin evidence on him, so he walked on a technicality. Now, Ian is conducting an interview with an investigative journalist to set the record straight. He says that he did not murder his family. Rather he claims they were kidnapped by Yowies.

As I've mentioned before, I'm more willing to take a gamble on podcasts that are shorter in length, which was a point in Yowie's favor. Personally, I think it was exactly as long as it needed to be for the story it was trying to tell. Also, I was very much intrigued by the Australian setting. I loved all things Australia when I was a kid. My dad got me a set of nightshirts that each had a different Australian animal on them. Kangaroo, koala, wallaby, wombat, kookaburra, I had them all. I even convinced by parents (or was it grandparents?) to buy me a didgeridoo; though I never really learned how to play it. I really wanted a boomerang, but I was always scared that I'd hurt myself. And yes, The Crocodile Hunter was one of my favorite television shows. When my first-grade class had a day where we all dressed up as people from different countries, which obviously meant I picked Australia.

Australia always seemed like a land of mystery and adventure. I've gotten a more nuanced view as I've gotten older, but I still have a soft spot for the land down under. I do hope I might get a chance to visit it someday. Now, let's address one bit of formation before we go forward: what is a Yowie? Basically, a Yowie is like the Australian version of Bigfoot/Sasquatch. Contrary to that time Scooby-Doo and the gang went to Australia, Yowies are not vampires, and have no connection to vampires. Well, now that we've got that cleared up, let's continue.

First of all, this is a very well-made audio drama. The voice acting, sound effects, and music and all very professional. I always appreciate when podcasters are willing to go the extra mile to create a truly great listening experience. I'm not the only one who thinks so. Yowie was a finalist in the 2019 Australian Podcast Awards. It was nominated in the Fiction and Outstanding Production categories. Though it might not have won, I'm sure Just Intertainment, the production company behind Yowie, was still very proud. 

Now let's discuss the story. Right from the start it is pretty clear that the Linville Family is incredibly dysfunctional. Ian and his wife Sarah frequently get into fights and arguments, while their son Aaron clearly doesn't want to be on the camping trip. Ian also clearly isn't pleased that Aaron doesn't like to do stereotypically manly things like hunting. So, from the start I suspected that something was up, and I kept waiting for the other shoe to drop. It also confused me that they were hunting deer, since deer are not native to Australia. However, I looked it up, and it turns out that deer were imported to Australia during the 19th and early 20th centuries. Yet another species the British brought over to remind them of home; and which then wreaked havoc on the local ecosystems.

Ian is also incredibly reckless with his guns, and has fairly lax attitudes towards gun safety. Admittedly, my knowledge of Australian gun law is fairly limited, so I don't know if that was meant to be social commentary or not. As much as I enjoyed Yowie, and did very much enjoy it, I couldn't shake the feeling that I might have gotten more out of it if I was Australian. That isn't to say that it is incomprehensible to non-Australians. Far from it, the plot is perfectly coherent. Still, I do wonder if Australians might pick-up on certain things that I may have missed.

The Yowie themselves are depicted as largely peaceful creatures who almost compelled eschew violence in favor of pacifism. I say almost because, if push comes to shove, they're more than capable of defending themselves. It actually takes a couple episodes before the Yowies make a proper onscreen appearance. Oh, but don't worry, there's still plenty of suspense to be had, especially after the Linvilles run-over a park ranger. It is while they're on the run, trying to avoid detection from the authorities or anyone else, that the Linvilles notice a strange creature following them. Well, Aaron had noticed a strange blue-eyed creature earlier, but that's when the Yowie really start playing a role in the story.

It would seem that the writing team took the approach you see in a lot of horror movies. You don't immediately reveal your monster; you give little hints and fleeting glimpses. This allows the audience to build-up the monster in their minds. There is no better special effects department than the human imagination. Of course, I wouldn't go as far as to call the Yowies monsters.

Okay, I've put it off for as long as I can. We've got to talk about the spoilers. I'm talking the big ones. So if you don't want any of that, turn back now.

This is your last chance. You sure you want to go forward?

Well, okay. If you're still here, let's begin.

Well, the second shoe finally dropped. The final episode changes just about everything about the series. Turns out Ian was indeed lying. There weren't any Yowies. Ian accidentally shot Aaron during their hunting trip. Then he killed a park ranger who came to investigate the noise. Finally, he killed Sarah when they got into an argument. Oh, but we aren't done yet, turns out Sarah was pregnant at the time because she'd been having an affair. The man she'd been sleeping with turns out to be the reporter interviewing Ian. He suspected the truth, and was just trying to get Ian to admit it.

Ah, but why was Ian so forthcoming? Because he doesn't intend for the truth to get out. He kills the man, switches their drivers licenses and IDs, and cuts off the man's fingertips and slashes his face so he can't be identified. When the police arrive, they assume Ian is the one who has been murdered. And thus, a serial killer evades capture.

I mean, damn, didn't see that coming. I mean, I suspected that Ian was lying, but I wasn't expecting him to murder the interviewer so brutally. I also didn't see the interviewer being Sarah's lover, and the father of her unborn child. Admittedly, I am a bit disappointed that the Yowies didn't turn out to be real after all. Still, I would say overall the podcast is good for what it is.

I almost wish we'd get a sequel series where he continues his killing spree across Australia. Maybe the twist could be that he's the reincarnation of notorious Australian serial killer Albert Fish. Or at least, thinks he's the reincarnation of Albert Fish. Wait, no, Albert Fish was American. Hmm, I’m sure there’s some Australian serial killer who could fill the role. 

Joking aside, I absolutely loved Yowie, and I'd love to see the team work on another project. Based on how Yowie turned out I expect nothing but the best from them. Well, I don't think there's much more that I can add. Yowie is a thrilling and suspenseful tale of secrets, lie, mysteries, and maybe a few cryptids. It might be only five episodes long, but it is lean and mean, and more than worthy of your time.

Well, I think that's enough from me for now. I will see you guys next time.

The Alt-Hist File: Prototype World of Tomorrow: Murder in Progress

I've always been fascinated by all of the artistry, creativity, and imagination that goes into Disney theme park attractions. That's especially true of ones that aren't tied to a preexisting franchise. There's a tons of attractions that were never built for various reasons. We have not but some very tantalizing concept art. There's plenty of fertile ground for alternate history fun and adventure among those ideas. Am I going somewhere with this? Yes indeed, it all ties into the podcast we're taking a look at today. We're taking a look at Prototype World of Tomorrow: Murder in Progress.

Prototype World of Tomorrow: Murder in Progress takes place in a world where Walt Disney's original plan to build an Experimental Prototype Community of Tomorrow became a reality. This great domed metropolis, known as Progress City, is home to over 50,000 temporary workers. It is a permanent showcase of American ingenuity and industry. Progress is home to super-science and fantastical inventions. Robots, shrink rays, and other futuristic inventions are all common sights. Recently, however, it's also become home to a homicide. Liam Crawford, the richest man in Progress, has been found murdered. Someone tossed him from his penthouse apartment, but who? Thankfully, Progress is home to a crack private detective named Tim who...well, actually, he's kind of an idiot. Still, Tim's going to do his best to solve the murder and bring the killer to justice. Though, if he wants to get by, he'll need a little help from his friends.

I first became aware of this audio drama while I was listening to a podcast by Defunctland, one of my favorite YouTube channels. It covers the history of defunct, or otherwise non-functioning, theme park attractions. Kevin Perjurer, Defunctland's creator and host, was interviewing Ben Lancaster about an indie film he made called The Further Adventures of Walt's Frozen Head. Towards the end of the podcast, Ben mentioned a future project he was working on called Murder in Progress. It would be an audio drama murder mystery set in a world where Walt Disney's dream of an experimental prototype community of tomorrow became a reality. Obviously, this was to be Prototype World of Tomorrow.

Time passed, and then one day I decided to search for Murder in Progress on the Apple podcast app. Lo and behold, I founded it, and it was absolutely amazing. I should also clarify some terminology. The show was originally called just World of Tomorrow, but then the team discovered that there is a Futurama fan cast, which hasn't been updated since 2018, that also has that name. So, after season one, they modified the name to Prototype World of Tomorrow. Murder in Progress is the name of the first five-part story of the series, which we will be discussing in this review.

 Now that we've got all that out of the way, let's begin. As a fan of alternate history, I do appreciate that this podcast took the path less traveled. Don't think I've seen too many works where Walt Disney successfully achieved his dream to make Progress City. The way it is presented sounds fun, if not necessarily realistic. Let me elaborate. Could Progress City have been made using 1960s tech, probably yes. Would it have functioned as intended, probably not. For example, the residents would constantly have their appliances switched out with the latest models as soon as they hit production. On paper, this sounds good, but it would be a logistical nightmare. Imagine having to have your refrigerator replaced every few months. You'd have to constantly unload and reload it, and what if the new model wasn't as good as the old, or removed some feature you really liked?

Then there's all the fantastical and otherwise super-science inventions. So, maybe not realistic, but I'm not complaining. Plus, we do get hints that Progress doesn't work quite as well as advertised. For example, Progress is enclosed by a giant concrete dome, as was the plan in real life. However, this causes quite a bit of noise whenever it rains. Given that Progress is in Florida, this happens fairly frequently.

 There's a ton of references to the history of Disney theme parks, especially never built attraction, scattered throughout the series. Progress is depicted, by and large, much as it was in Walt Disney's concept art and models for his planned Progress City. Yes, even the cable cars were part of the plan at various points. The center of Progress has a collection of ethnic neighbors called the International Tapestry. Yes, this was also a plan for Progress City, and it is what inspired the World Showcase section of EPCOT.

At one point, when describing the various nations represented, Tim specifically mentions Israel, Equatorial Africa, and Spain. These are the most famous never built World Showcase pavilions, because they came closest to actually getting built. Israel agreed to pay for a pavilion, but Disney got cold feet because they were afraid Palestinian terrorists would bomb the pavilion. Disney could never find any one African nation to sponsor Equatorial Africa, because every time they almost got a sponsor, there would be some political turmoil that sent them back to square one. South Africa offered to sponsor a pavilion, but they did so in the middle of Apartheid, so Disney said hell no. Though many design elements of Equatorial Africa got incorporated into the Africa section of Animal Kingdom. There's is a small stand called The Outpost that sells African themed souvenirs, and hosts African drum performances, at EPCOT. As for Spain...well, you got me there.

There's also a Persian section of the International Tapestry, where Tim's friend Bayan lives. Most residents of the International Tapestry live in Progress for a year, as ambassadors of their home nations. However, if their home country experiences any political turmoil while they're in Progress, they're allowed to stay indefinitely as part of the Progress Refugee Program. This first happened in 1979 during the Iranian/Islamic Revolution, and that's how Bayan and his family are in Progress. This is another sly reference to a never built pavilion. Disney planned for an Iran pavilion at EPCOT, but the revolution put the kibosh on that.

There's also plenty of references to attractions that actually did get built. For example, there's a popular bar in Progress called The Temple of Heaven. This is a nod to how the centerpiece of the China pavilion at EPCOT is a replica of the Temple of Heaven.  Many of the business tend to be nods to the various pavilions of Future World. For example, Tim's girlfriend Annie works for an agricultural company that offers behind the scenes tours. This is obviously a nod to Living with the Land, which these days is just called The Land.

As a fan of all the creativity and imagination that goes into Disney theme park attractions, I very much approve of all of these references. Though I do wonder how Progress effected the history of Disney World. I'm guessing that EPCOT never got built, but was some other park built in its place? If so, what is it like? For that matter, do Hollywood Studios and Animal Kingdom exist, or are other parks standing in their place? Also, what about the international Disney Theme Parks? It is interesting stuff to think about, and I hope it will be addressed in future seasons.

Now that we've got that out of the way, let's talk characters. Tim Less is our protagonist. He's a private investigator who is eager to prove himself. He's eager, but also kind of an idiot. Well, he does show a fair bit of cunning and initiative, and is willing to take several risks, as the series go on. All the same, he just as often stumbles into clues without intending to. Tim seems to believe he's a detective in a film noir, as opposed to the science fiction dramedy that he's actually in. Still, his eagerness coupled with his frequent ineptitude is what makes him enduring.

Tim soon finds himself entangled with his girlfriend's sister Eve Moore. Oh, less and more, I just realized that. Anyway, Eve used to work in robotics, but she was framed for the murder of her boss. I need to take a moment to discuss that. She and the boss were working on nanobots, but had trouble getting them small enough. So, they built the robots at standard size, and used a shrink ray to shrink the robots down to the proper size. Very creative solution, though not very applicable to the real world, as we have yet to invent shrink rays.

Eve suddenly becoming unemployed is a bit of an issue, as all residents of Progress are required to be employed. If you don't have a job within a set number of days, you are evicted from the city. Since she's already suspected of one murder, now two, Eve would draw the attention of the Orange County sheriff department if that were to happen. Though it is in Orange County, Progress is considered legally distinct, which the Orange County sheriff department is very resentful of. I actually thought that Tim had more chemistry with Eve than he did with Annie. Granted, Eve got a lot more screen time, for want of a better term. Still, I do wonder if this will become a plot point in future seasons. She compliments him well. Eve is smart, quick-witted, and more down-to-earth than Tim is.

I'll now take a moment to talk about the amazing cast of voice actors that were assembled for this podcast. Tim and Eve are voiced by BrIan Ballance and Callie Wills. I'm not previously familiar with either of them, but I see bright futures in the world of voice acting for both of them. That is, assuming they aren't already involved in other productions. Really the whole cast is incredibly talented, and top of the line. However, the biggest surprise among the cast is that Ron Schneider cameo's as the announcer for one of the companies. Ron played Dreamfinder in the original version of the ride Journey into Imagination. He also previously worked with Ben Lancaster on The Further Adventures of Walt's Frozen Head, where Ron played Walt Disney himself.

This is just the first season, and there's still many mysteries to solve in Progress. Chief among, just what was Liam Crawford secretly working on before his death? Also, I know Kevin Perjurer said he'd love to cameo in the podcast. Perhaps ought to take him up on that offer. Based on what we've seen in season one, there are great things in-store for Prototype World of Tomorrow in the coming seasons.

Well there you have it. Prototype World of Tomorrow: Murder in Progress is an alternate history murder mystery that you won't want to miss out on, especially if you love Disney Theme Parks. Go and listen to it today, you'll be glad that you did.

I think that should do it for now. I will see you guys next time.