The Audio File: Sorry About the Murder

What comes to mind when you think of Canada? Is it a moose munching on maple leaves? Is it a hearty plate of poutine at a cafe in Montreal? Is it a rowdy night at the local hockey arena? Perhaps is it the dark killing instinct that lurks within the hearts of all humans, no matter how polite? In case it wasn’t obvious already, we’re going with that last one for this audio drama. We’re taking a look at Sorry About the Murder. 

The sleepy little town of Beavermount, Ontario is one of those picturesque little slices of heaven. The sort of place where the women are strong, the men are good looking, and the children are above average. It is the last place you’d expect a murder to occur, but that’s precisely what has happened. Scott, Scotty, McDonald was the owner of the local hockey rink. He has been found murdered. Specifically, run-over by the Zamboni. Frenchie, the sole Quebecois in town, is the Zamboni driver. He’s just become the prime suspect in the investigation. Frenchie has to clear his Quebecois name, and get the ice ready in time for the night’s hockey game. It’s a story of small towns, hockey, Stubbies, smelts, and a very Canadian murder mystery.

Sorry About the Murder is created by Drew Frohmann. He is also the creator of Human B-Gon. Naturally, this means that Sorry About the Murder is a member of the Fable & Folly podcast network. As such, it is time for another podcast roll call. Other members of the Fable & Folly family include show such as Hannahpocalypse, Harlem Queen, We Fix Space Junk, Alba Salix, The Carlötta Beautox Chronicles, Spaceships, Modes of Thought in Anterran Literature, and Who is Cam Candor?

Sorry About the Murder is a loving spoof of True Crime podcasts. I also detect hints of Lake Wobegon from A Prairie Home Companion. Though, perhaps this could be incidental. Minnesota has always had a bit of a Canadian character to it. And this audio drama proudly wears its Canadian influences on its sleeve. It lovingly pokes fun at numerous Canadian stereotypes. Fear not, you don’t have to be Canadian to enjoy this audio drama. Sorry About the Murder does a good job of letting the listener in on all of the jokes in a way that feels organic. In fact, you might learn a thing or two about Canada. Or rather, how Canada makes fun of itself.

We learn that Scotty was holding his Stubby upright when he died. You know, just as any good Canadian would. Also, Stubby is slang for beer, because several Canadian beers come in stout bottles. Beavermount is also home to an annual smelt festival. Fried smelts are a popular dish in Atlantic Canada. Well, for the most part. I remember watching MasterChef Canada, and one of the contestants was excited to cook with smelts. Unfortunately, he made what amounted to smelt chicken nuggets. Alvin Leung really did not hold back with how disappointed he was.

In other references, McDonald and MacDonald are both considered stereotypically Canadian last names. Sir John Alexander MacDonald was Canada’s first prime minister. I do on occasion get mistaken for Canadian due to having some many friends in the Canadian audio drama scene. Though, my last name certainly doesn’t help dissuade that notion. Also, I won’t give it away, but the importance of politeness plays a major role in the plot. Specially, the importance of always saying sorry. And not just in the title of the audio drama.

However, I do have to ding Sorry About the Murder for some rather glaring omissions. Where were the ketchup chips? Why did nobody eat Kraft Dinner? And come to think of it, there wasn’t a single reference to Tim Horton’s. I mean, it seriously strains credibility that Beavermount would have at least one Tim Horton’s. This paragraph was a joke, in case it wasn’t obvious.

So, let's now talk aboot the colorful cast of characters. Frenchie is our main character, and is notable for being the only character not voiced by the narrator. Frenchie is voiced by Jeff Tremblay, who really is from Quebec. The narrator is voiced by Tom Goudie. I suppose they had the narrator voice everyone to really give it that Prairie Home Companion feel. I don’t know enough about True Crime to tell if that’s a trope.

Frenchie is quite possibly the most intelligent person in all of Beavermount. And by that, I mean that he actually has common sense. He often muses about the wise words of his grandfather from rural Quebec. It helps that Chieficer Dougie, the closest thing Beavermount has to law enforcement, is easily distracted by sweets. Dougie is cut from the same cloth as lawmen such as Barney Fife and Chief Wiggum. But hey, he’s still a pretty swell guy. In fact, he’s such a polite Canadian, he even takes Frenchie out for bear claws on the way to the station. And he’s more than willing to go on as many detours as Frenchie requests. At times it almost feels like a buddy cop show.

There’s plenty of quirky townsfolk. For example, there’s a group of sextuplets who are produce farms running a protection racket. Nobody sells produce in Beavermount without their approval. Oh, and they all have male names, despite all being women. Then there’s the members of the local Ojibwe tribe. They recently scored a major land settlement with the government. Thanks to reparations, each member of the tribe is a millionaire with plenty of dough to spend. And then there’s the annual smelt festival were…well, let’s just say that shooting fish in a barrel has some slightly different connotations in Beavermount

Honestly, with all of the quirky townsfolk, Sorry About the Murder feels kind of like a slice of life audio drama at times. It does have a cozy feeling, and the murder mystery doesn’t detract from that. It almost feels like a parody of one of those mystery movies from The Hallmark Channel. Well, maybe not quite like that. There’s not enough handsome salt-of-the-earth widower Christmas tree farmers.

It appears we will be getting a season two, and Frenchie will have another murder on his hands. I always wonder, in show like Grantchester and Murder, She Wrote, how the small towns maintain a stable population despite all the murders. To be fair, it does tend to be the come from aways who tend to get murdered in those shows. I suppose Sorry About the Murder will wrestle with this issue as well.

So, there you have it. Sorry About the Murder is farcical, cozy, and true crime inspired. But above all else, it is very Canadian. It is another great audio drama from the creator of Human B-Gon. You don’t have to be Canadian to enjoy it, but that certainly doesn’t hurt either.

Well, I think that should do it from me for now. I will see you guys next time. 

The Audio File: Yowie

As I'm sure I've said many times before, but there are a lot of hidden audio drama gems out there. They're just waiting to be discovered, but find them is another matter. That's a one of the reasons I created The Audio File. I like helping people find quality audio fiction. Am I going somewhere with this? Yes, I always like to add a little preamble before we get to the main event. We're taking a look at the audio drama Yowie.

Yowie takes place in Australia and follows a man named Ian Linville. The police believe that he murdered his wife and son, as well as a park ranger, on a camping trip in the Grampians National Park. However, they were never able to pin evidence on him, so he walked on a technicality. Now, Ian is conducting an interview with an investigative journalist to set the record straight. He says that he did not murder his family. Rather he claims they were kidnapped by Yowies.

As I've mentioned before, I'm more willing to take a gamble on podcasts that are shorter in length, which was a point in Yowie's favor. Personally, I think it was exactly as long as it needed to be for the story it was trying to tell. Also, I was very much intrigued by the Australian setting. I loved all things Australia when I was a kid. My dad got me a set of nightshirts that each had a different Australian animal on them. Kangaroo, koala, wallaby, wombat, kookaburra, I had them all. I even convinced by parents (or was it grandparents?) to buy me a didgeridoo; though I never really learned how to play it. I really wanted a boomerang, but I was always scared that I'd hurt myself. And yes, The Crocodile Hunter was one of my favorite television shows. When my first-grade class had a day where we all dressed up as people from different countries, which obviously meant I picked Australia.

Australia always seemed like a land of mystery and adventure. I've gotten a more nuanced view as I've gotten older, but I still have a soft spot for the land down under. I do hope I might get a chance to visit it someday. Now, let's address one bit of formation before we go forward: what is a Yowie? Basically, a Yowie is like the Australian version of Bigfoot/Sasquatch. Contrary to that time Scooby-Doo and the gang went to Australia, Yowies are not vampires, and have no connection to vampires. Well, now that we've got that cleared up, let's continue.

First of all, this is a very well-made audio drama. The voice acting, sound effects, and music and all very professional. I always appreciate when podcasters are willing to go the extra mile to create a truly great listening experience. I'm not the only one who thinks so. Yowie was a finalist in the 2019 Australian Podcast Awards. It was nominated in the Fiction and Outstanding Production categories. Though it might not have won, I'm sure Just Intertainment, the production company behind Yowie, was still very proud. 

Now let's discuss the story. Right from the start it is pretty clear that the Linville Family is incredibly dysfunctional. Ian and his wife Sarah frequently get into fights and arguments, while their son Aaron clearly doesn't want to be on the camping trip. Ian also clearly isn't pleased that Aaron doesn't like to do stereotypically manly things like hunting. So, from the start I suspected that something was up, and I kept waiting for the other shoe to drop. It also confused me that they were hunting deer, since deer are not native to Australia. However, I looked it up, and it turns out that deer were imported to Australia during the 19th and early 20th centuries. Yet another species the British brought over to remind them of home; and which then wreaked havoc on the local ecosystems.

Ian is also incredibly reckless with his guns, and has fairly lax attitudes towards gun safety. Admittedly, my knowledge of Australian gun law is fairly limited, so I don't know if that was meant to be social commentary or not. As much as I enjoyed Yowie, and did very much enjoy it, I couldn't shake the feeling that I might have gotten more out of it if I was Australian. That isn't to say that it is incomprehensible to non-Australians. Far from it, the plot is perfectly coherent. Still, I do wonder if Australians might pick-up on certain things that I may have missed.

The Yowie themselves are depicted as largely peaceful creatures who almost compelled eschew violence in favor of pacifism. I say almost because, if push comes to shove, they're more than capable of defending themselves. It actually takes a couple episodes before the Yowies make a proper onscreen appearance. Oh, but don't worry, there's still plenty of suspense to be had, especially after the Linvilles run-over a park ranger. It is while they're on the run, trying to avoid detection from the authorities or anyone else, that the Linvilles notice a strange creature following them. Well, Aaron had noticed a strange blue-eyed creature earlier, but that's when the Yowie really start playing a role in the story.

It would seem that the writing team took the approach you see in a lot of horror movies. You don't immediately reveal your monster; you give little hints and fleeting glimpses. This allows the audience to build-up the monster in their minds. There is no better special effects department than the human imagination. Of course, I wouldn't go as far as to call the Yowies monsters.

Okay, I've put it off for as long as I can. We've got to talk about the spoilers. I'm talking the big ones. So if you don't want any of that, turn back now.

This is your last chance. You sure you want to go forward?

Well, okay. If you're still here, let's begin.

Well, the second shoe finally dropped. The final episode changes just about everything about the series. Turns out Ian was indeed lying. There weren't any Yowies. Ian accidentally shot Aaron during their hunting trip. Then he killed a park ranger who came to investigate the noise. Finally, he killed Sarah when they got into an argument. Oh, but we aren't done yet, turns out Sarah was pregnant at the time because she'd been having an affair. The man she'd been sleeping with turns out to be the reporter interviewing Ian. He suspected the truth, and was just trying to get Ian to admit it.

Ah, but why was Ian so forthcoming? Because he doesn't intend for the truth to get out. He kills the man, switches their drivers licenses and IDs, and cuts off the man's fingertips and slashes his face so he can't be identified. When the police arrive, they assume Ian is the one who has been murdered. And thus, a serial killer evades capture.

I mean, damn, didn't see that coming. I mean, I suspected that Ian was lying, but I wasn't expecting him to murder the interviewer so brutally. I also didn't see the interviewer being Sarah's lover, and the father of her unborn child. Admittedly, I am a bit disappointed that the Yowies didn't turn out to be real after all. Still, I would say overall the podcast is good for what it is.

I almost wish we'd get a sequel series where he continues his killing spree across Australia. Maybe the twist could be that he's the reincarnation of notorious Australian serial killer Albert Fish. Or at least, thinks he's the reincarnation of Albert Fish. Wait, no, Albert Fish was American. Hmm, I’m sure there’s some Australian serial killer who could fill the role. 

Joking aside, I absolutely loved Yowie, and I'd love to see the team work on another project. Based on how Yowie turned out I expect nothing but the best from them. Well, I don't think there's much more that I can add. Yowie is a thrilling and suspenseful tale of secrets, lie, mysteries, and maybe a few cryptids. It might be only five episodes long, but it is lean and mean, and more than worthy of your time.

Well, I think that's enough from me for now. I will see you guys next time.

The Alt-Hist File: Prototype World of Tomorrow: Murder in Progress

I've always been fascinated by all of the artistry, creativity, and imagination that goes into Disney theme park attractions. That's especially true of ones that aren't tied to a preexisting franchise. There's a tons of attractions that were never built for various reasons. We have not but some very tantalizing concept art. There's plenty of fertile ground for alternate history fun and adventure among those ideas. Am I going somewhere with this? Yes indeed, it all ties into the podcast we're taking a look at today. We're taking a look at Prototype World of Tomorrow: Murder in Progress.

Prototype World of Tomorrow: Murder in Progress takes place in a world where Walt Disney's original plan to build an Experimental Prototype Community of Tomorrow became a reality. This great domed metropolis, known as Progress City, is home to over 50,000 temporary workers. It is a permanent showcase of American ingenuity and industry. Progress is home to super-science and fantastical inventions. Robots, shrink rays, and other futuristic inventions are all common sights. Recently, however, it's also become home to a homicide. Liam Crawford, the richest man in Progress, has been found murdered. Someone tossed him from his penthouse apartment, but who? Thankfully, Progress is home to a crack private detective named Tim who...well, actually, he's kind of an idiot. Still, Tim's going to do his best to solve the murder and bring the killer to justice. Though, if he wants to get by, he'll need a little help from his friends.

I first became aware of this audio drama while I was listening to a podcast by Defunctland, one of my favorite YouTube channels. It covers the history of defunct, or otherwise non-functioning, theme park attractions. Kevin Perjurer, Defunctland's creator and host, was interviewing Ben Lancaster about an indie film he made called The Further Adventures of Walt's Frozen Head. Towards the end of the podcast, Ben mentioned a future project he was working on called Murder in Progress. It would be an audio drama murder mystery set in a world where Walt Disney's dream of an experimental prototype community of tomorrow became a reality. Obviously, this was to be Prototype World of Tomorrow.

Time passed, and then one day I decided to search for Murder in Progress on the Apple podcast app. Lo and behold, I founded it, and it was absolutely amazing. I should also clarify some terminology. The show was originally called just World of Tomorrow, but then the team discovered that there is a Futurama fan cast, which hasn't been updated since 2018, that also has that name. So, after season one, they modified the name to Prototype World of Tomorrow. Murder in Progress is the name of the first five-part story of the series, which we will be discussing in this review.

 Now that we've got all that out of the way, let's begin. As a fan of alternate history, I do appreciate that this podcast took the path less traveled. Don't think I've seen too many works where Walt Disney successfully achieved his dream to make Progress City. The way it is presented sounds fun, if not necessarily realistic. Let me elaborate. Could Progress City have been made using 1960s tech, probably yes. Would it have functioned as intended, probably not. For example, the residents would constantly have their appliances switched out with the latest models as soon as they hit production. On paper, this sounds good, but it would be a logistical nightmare. Imagine having to have your refrigerator replaced every few months. You'd have to constantly unload and reload it, and what if the new model wasn't as good as the old, or removed some feature you really liked?

Then there's all the fantastical and otherwise super-science inventions. So, maybe not realistic, but I'm not complaining. Plus, we do get hints that Progress doesn't work quite as well as advertised. For example, Progress is enclosed by a giant concrete dome, as was the plan in real life. However, this causes quite a bit of noise whenever it rains. Given that Progress is in Florida, this happens fairly frequently.

 There's a ton of references to the history of Disney theme parks, especially never built attraction, scattered throughout the series. Progress is depicted, by and large, much as it was in Walt Disney's concept art and models for his planned Progress City. Yes, even the cable cars were part of the plan at various points. The center of Progress has a collection of ethnic neighbors called the International Tapestry. Yes, this was also a plan for Progress City, and it is what inspired the World Showcase section of EPCOT.

At one point, when describing the various nations represented, Tim specifically mentions Israel, Equatorial Africa, and Spain. These are the most famous never built World Showcase pavilions, because they came closest to actually getting built. Israel agreed to pay for a pavilion, but Disney got cold feet because they were afraid Palestinian terrorists would bomb the pavilion. Disney could never find any one African nation to sponsor Equatorial Africa, because every time they almost got a sponsor, there would be some political turmoil that sent them back to square one. South Africa offered to sponsor a pavilion, but they did so in the middle of Apartheid, so Disney said hell no. Though many design elements of Equatorial Africa got incorporated into the Africa section of Animal Kingdom. There's is a small stand called The Outpost that sells African themed souvenirs, and hosts African drum performances, at EPCOT. As for Spain...well, you got me there.

There's also a Persian section of the International Tapestry, where Tim's friend Bayan lives. Most residents of the International Tapestry live in Progress for a year, as ambassadors of their home nations. However, if their home country experiences any political turmoil while they're in Progress, they're allowed to stay indefinitely as part of the Progress Refugee Program. This first happened in 1979 during the Iranian/Islamic Revolution, and that's how Bayan and his family are in Progress. This is another sly reference to a never built pavilion. Disney planned for an Iran pavilion at EPCOT, but the revolution put the kibosh on that.

There's also plenty of references to attractions that actually did get built. For example, there's a popular bar in Progress called The Temple of Heaven. This is a nod to how the centerpiece of the China pavilion at EPCOT is a replica of the Temple of Heaven.  Many of the business tend to be nods to the various pavilions of Future World. For example, Tim's girlfriend Annie works for an agricultural company that offers behind the scenes tours. This is obviously a nod to Living with the Land, which these days is just called The Land.

As a fan of all the creativity and imagination that goes into Disney theme park attractions, I very much approve of all of these references. Though I do wonder how Progress effected the history of Disney World. I'm guessing that EPCOT never got built, but was some other park built in its place? If so, what is it like? For that matter, do Hollywood Studios and Animal Kingdom exist, or are other parks standing in their place? Also, what about the international Disney Theme Parks? It is interesting stuff to think about, and I hope it will be addressed in future seasons.

Now that we've got that out of the way, let's talk characters. Tim Less is our protagonist. He's a private investigator who is eager to prove himself. He's eager, but also kind of an idiot. Well, he does show a fair bit of cunning and initiative, and is willing to take several risks, as the series go on. All the same, he just as often stumbles into clues without intending to. Tim seems to believe he's a detective in a film noir, as opposed to the science fiction dramedy that he's actually in. Still, his eagerness coupled with his frequent ineptitude is what makes him enduring.

Tim soon finds himself entangled with his girlfriend's sister Eve Moore. Oh, less and more, I just realized that. Anyway, Eve used to work in robotics, but she was framed for the murder of her boss. I need to take a moment to discuss that. She and the boss were working on nanobots, but had trouble getting them small enough. So, they built the robots at standard size, and used a shrink ray to shrink the robots down to the proper size. Very creative solution, though not very applicable to the real world, as we have yet to invent shrink rays.

Eve suddenly becoming unemployed is a bit of an issue, as all residents of Progress are required to be employed. If you don't have a job within a set number of days, you are evicted from the city. Since she's already suspected of one murder, now two, Eve would draw the attention of the Orange County sheriff department if that were to happen. Though it is in Orange County, Progress is considered legally distinct, which the Orange County sheriff department is very resentful of. I actually thought that Tim had more chemistry with Eve than he did with Annie. Granted, Eve got a lot more screen time, for want of a better term. Still, I do wonder if this will become a plot point in future seasons. She compliments him well. Eve is smart, quick-witted, and more down-to-earth than Tim is.

I'll now take a moment to talk about the amazing cast of voice actors that were assembled for this podcast. Tim and Eve are voiced by BrIan Ballance and Callie Wills. I'm not previously familiar with either of them, but I see bright futures in the world of voice acting for both of them. That is, assuming they aren't already involved in other productions. Really the whole cast is incredibly talented, and top of the line. However, the biggest surprise among the cast is that Ron Schneider cameo's as the announcer for one of the companies. Ron played Dreamfinder in the original version of the ride Journey into Imagination. He also previously worked with Ben Lancaster on The Further Adventures of Walt's Frozen Head, where Ron played Walt Disney himself.

This is just the first season, and there's still many mysteries to solve in Progress. Chief among, just what was Liam Crawford secretly working on before his death? Also, I know Kevin Perjurer said he'd love to cameo in the podcast. Perhaps ought to take him up on that offer. Based on what we've seen in season one, there are great things in-store for Prototype World of Tomorrow in the coming seasons.

Well there you have it. Prototype World of Tomorrow: Murder in Progress is an alternate history murder mystery that you won't want to miss out on, especially if you love Disney Theme Parks. Go and listen to it today, you'll be glad that you did.

I think that should do it for now. I will see you guys next time.