There are some books that I put off reading for a
while, but when I finally do, I'm really glad that I did. It's not that I
didn't want to read these books, just that I've got other books and things
competing for my attention, so sometimes it takes time to get to them. Of
course, when I do get to these special books, I always wish I'd read them
sooner. One such book is the book that we're taking a look at today.
We're reviewing American Gods by Neil Gaiman.
American Gods follows a man named Shadow. He's
just gotten out of prison, and he's looking forward to reuniting with his wife
Laura. Unfortunately, she died in a car accident while he was locked up.
Shadow find himself lost and adrift in the world. That is, until he
meets that mysterious Mr. Wednesday. Wednesday reveals to Shadow that the
gods and goddesses of ancient mythology are very much alive in the modern-day
United States of America. There's a war coming, and Wednesday needs
Shadow to help him gather the Old Gods for a fight against the New Gods, the
gods of modern day life. Shadow's about to embark on a mythological
adventure through modern day America.
Like I said, it took a long time for me to get around
to this one, but it was well worth the wait. A lot of people say they
don't like this book because they think it's slow and meanders. I,
however, love it for exactly those reasons. American Gods is a meditation
on the nature of America, and on what it means to be American. I enjoyed
that the book took a laid-back and relaxed sort of way it. It added to
the overall meditative quality the book had for me.
To me, this is a very 1990s book. Not in the
sense that it constantly references 1990s pop culture, current events or
anything like that. The closest we get to that is a brief mention of Xena
the Warrior Princess and the Disney Hercules movie. No, what makes this a
1990s book is the way it captures the zeitgeist of the 1990s. During that
time, America had just won its decades long Cold War against the Soviet Union,
and now stood as the sole remaining superpower in the world. Everyone was
happy, but there was also the a linger feeling of "well, now what?"
American Gods really taps into that feeling of uncertainty, and uses that
as a springboard for the meditation on the nature of America.
Neil Gaiman himself notes this in the introduction to
the 10th Anniversary edition. He says that if he ever writes a sequel
it's going to be different just because of how much America has changed since
American Gods was first published. In particular, he notes about how
surreal it is to think that a bookstore in New York City where he promoted the
book was destroyed in the September 11th attacks less than a year later.
The novel is set almost entirely in Flyover Country.
There are a few brief scenes set in the coastal metropolises here and
there, but for the most part, the vast majority of the action takes place in
Middle America. The summer before I began Middle School I took a road
trip with my maternal grandparents and my sister across the Great Plains and
Rocky Mountain states. It was one of those trips I'll never forget.
As such, the setting of this book, and it's road trip plot, gave it a
nostalgic feel to me. I should point out that not all of the places
mentioned are real, though many of them are. For example, would you
believe me if I told you that The House on the Rock is a real place? It's
mentioned that a lot of the places in America where magic is strongest are
these out-of-the-way roadside attractions. Throughout the book you get a
sense that there's magic to be found even in mundane everyday life.
There are several instances where a god won't be
directly identified, but if you know your mythology, you'll be able to figure
out who they are. For example, at one point Shadow meets Whisky Jack,
better known as the Algonquin god Wisakedjak. During that scene we meet
Johnny Appleseed, but he's different than the historical John Chapman. I liked
the nod to Paul Bunyan probably being fakelore, as well as the importance of
mythology to a nation, during the at scene. There's also a cameo the
Welsh trickster god Gwydion fab Don; he works at a grocery store these days,
and could be doing better.
I enjoyed meeting all of the different gods and
spirits, and learning how they've adjusted to life in America. I should
clarify that these aren't the original versions of the gods. The original
versions are still in their home countries. It's explained that, whenever
someone who believes in a god goes to a new country for the first time, it
creates a new version of that god unique to that country. So, by
extension, this means all of these stories and hypotheses about various peoples
making it to the New World before Columbus are true. For example, the
Egyptian gods came over when Ancient Egypt sent a expedition to America in
ancient times.
I also loved the shear variety of gods. We have
gods from Norse Mythology, Slavic Mythology, Egyptian Mythology, West African
Mythology, and so much more. There is a rather notable absence of the
Greek and Roman gods. Well, Medusa had a brief cameo in Rhode Island, but
that's about it. Gaiman has stated that he couldn't find any evidence, however
sketchy, of the Greeks or Romans making it to the New World. That, and he
felt that Greco-Roman Mythology had been done to death, and he didn't think he
could add anything new.
If you're at all familiar with Norse Mythology, you'll
figure out quickly that Mr. Wednesday is the American version of Odin.
Wednesday is named after Woden, the Germanic version of Odin. Now,
some people might find the way Mr. Wednesday beds numerous women and is
generally a bit of a conman to be odd. However, that's actually very true
to the original myths. In Norse Mythology, Odin and Loki are actually
very similar to one another. Both were very crafty and very much
tricksters with a thing for bedding beautiful women. Odin frequently
disguised himself in a grey coat and hat and wandered around Midgard play
tricks on morals.
Chernobog pretty much stole every scene he was in.
He's just so loud, bombastic and over-the-top that he was hilariously
awesome. I also liked the way he adjusted to life in America. It's
repeatedly emphasized that the gods need sacrifices to maintain their strength,
and that there is power in blood. Chernobog maintained himself by working
in the Chicago stockyards and dedicating the killings of the livestock to
himself. There's also a nod to the theory that Chernobog and his brother,
the god Belobog, might have been the same god. Belobog was god of light,
and Chernobog get noticeably nicer during the spring, when light gives way to
dark, and he does mention he can't remember when he last saw Belobog.
Chernobog lives with the Zorya sisters, Slavic star
goddesses, which leads to a slight deviation in the mythology. In Slavic
Mythology there are two Zorya, Zorya Utrennyaya and Zorya Vechernyaya, the
morning and evening stars respectively. However, Gaiman adds a third Zorya
sister, Zorya Polunochnaya, the midnight star. Polunochnaya has no
counterpart in Slavic Mythology, and was completely created by Gaiman.
Still, for the brief scenes we get of her, she's a nice addition to the
story.
I enjoyed that the Egyptian gods played such a big
role in the story. I'm especially happy that Thoth and Anubis, my two
favorite Egyptian gods, played such an important role. They live in Cairo
(pronounced kay-roe) Illinois because that's where the Ancient Egyptians sent
their expeditions to all those years ago. It's a joke because that part
of Illinois is called Little Egypt. Fittingly enough, they run a funeral
parlor, and are referred to as Mr. Ibis and Mr. Jackal. Bast is there too,
as their pet cat, and Horus has gone a bit nutty due to spending too much time
as a hawk. Mr. Ibis mentions that there used to be more gods, but over
the years they disappear for various reasons. For example, Set took a
trip to San Francisco, and was never heard from again.
Yeah, even the gods can die, especially is they're low
on power from lack of worship and sacrifice. It's mentioned that there
used to be an American version of Thor, but he committed suicide in the 1930s.
That's particularly tragic because, had he held on for a few more
decades, he would have lived to see Marvel's Mighty Thor comics. Of
course, it's questionable if that would have helped.
There's a scene where Shadow and Wednesday are in San
Francisco trying to get the goddess Easter to join the coming battle.
Easter insist that people still love her, so Wednesday ask a neopagan
what she knows about the holiday Easter. The neopagan wrongly assumes
that it originated as a purely Christian holiday, and is shown to have very
hazy beliefs about gods and goddesses. The whole thing nearly gives
Easter a heart attack. The point being that, without traditional rituals
and well-defined beliefs, neopagans might as well be atheists or agnostics as
far as the Old Gods are concerned. Some of you might object to the way
the neopagans are presented, but I've known many of them that actually are kind
of like that.
Alright, so all of this is going on, but what about
Jesus? American Jesus never appears, and it's implied he considered
himself above the coming war, probably because of all the legitimate worship he
gets. Amusingly, there is a deleted scene where Shadow meets American
Jesus, and the way he's described sounds kind of like Steven Spielberg.
Wednesday mentions that he once met the Afghanistan Jesus, who is almost
completely powerless.
Throughout the books we also get flashbacks that
explain how the various gods got to America. We see the Norse gods come
over with Viking explorers. We see the Fair Folk thrive as people still
tell their stories and leave them offerings. The gods of West Africa come
over with slaves from Africa, and we even see a now forgotten Mammoth god cross
the Bering Strait with the ancestors of the Native Americans. We also get
brief vignettes of gods and spirits across America. We follow a jinn
working as a taxi driver in New York, and we briefly follow Bilquis, whom you
probably know better as the Queen of Sheba.
Now let's talk about Hinzelmann. I already knew
what the twist was with him, even before I read this book. Even then,
that arguably made the reveal even more effective. He comes across as one
of those jolly old men who tells funny stories; the kind you can find in most
small towns. Well, if you ignore the fact that he's a kobold who murders
children to sustain himself, and make the town such a nice place to live.
It feels like Gaiman was using Hinzelmann to make a commentary on
Americana. As though he was saying that a quintessential small town like
Lakeside, Wisconsin could only exist if something horrible was keeping it
floating.
There were occasionally mentions of gods and goddesses
I wished had been elaborated on. For example, we see that the Chinese and
Japanese gods are active in America. Do they get legitimate worship?
Maybe it would matter all that much. The American version of Kali
is joining the war because there aren't very many Hindus in America.
Now let's talk about the audiobook version that I
listened to. I listened to the 10th Anniversary full cast edition of the American Gods audiobook. A lot of people say they don't like, but
frankly, I can't understand why that is. All of the voice actors are very
talented, and they perfectly capture their characters. Even Neil Gaiman
gets in on the action, narrating the Coming to America sections. Full
cast narrations almost always have leg up on single narrations, and that is
certainly the case here. As far as I'm concerned, the 10th Anniversary
full cast edition is the definitive American Gods audiobook. About the
only negative is that, yet again, Audible changed the cover to the television
tie-in edition. They did that for both version of this audiobook, and I
really wish they wouldn't. Of course, the fear of this happening was the
fire under my ass that I needed to finally listen to this book, which I did
just in time.
Well, I think it's quite obvious by now that I love
this book very much. I can't believe that it took me this long to listen
to it, but I'm so glad that I finally did. Do yourself a favor and check
it out today. You'll be glad that you did.
Well, I think that should do it from me for now.
I will see you guys next time.
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