The Audio File: Live From Mount Olympus: Pandora

Even the best of audio dramas can have slip-ups. Past success doesn’t make one immune to the occasional hiccup, or lapse in judgement. A certain amount of slack is certainly due, but that doesn’t mean we ought to omit any criticism. Without further ado, onto the main event. We’re taking a look at season five of Live From Mount Olympus. 

You might know the story of Pandora. The curious woman who opened a box and let all of the evils into the world. But it wasn’t a box, it was actually a jar called a pithos. And maybe the story you think you know isn’t really what happened. Hermes and Athena are going to work together to weave a new story of Pandora.

We have had many successful seasons of Live From Mount Olympus at this point. Season one retold the story of Perseus and Andromeda, season two retold the story of Persephone and Demeter, season three the story of Atalanta, and season four the story of Prometheus.

Season six is a mere three episodes long. I wasn’t bothered by this. Perhaps it would serve as a coda to the story of Prometheus? Or perhaps the show runners were experimenting with a new format? The story of Pandora doesn’t have enough material to sustain a full season. So, perhaps the shorter format would work?

So, the first episode follows the story of Pandora as written by the poet Hesiod. The gods create Pandora with traits to punish humanity for stealing fire. Traits such as the ability to deceive men and lead them astray. She is given as a wife to Epimetheus, the brother of Prometheus. Pandora immediately falls in love…with cooking, cleaning, and looking pretty for Epimetheus. And, of course, curiosity gets the better of her, and she opens the lid of the jar. The jar the gods specifically told her not to open. And thus, evil enters the world, but hope remains in the pithos. Obviously, we’re playing up the sexism inherent in the original. Hesiod believed that women were inherently evil, and only lived to deceive and hurt men. Sadly, this wasn’t exactly an uncommon belief in Ancient Greece. If anything, this retelling is being slightly nicer. In Hesiod’s version, Pandora opened the jar…just because, really. Athena isn’t having it, and that sets in motion us learning the “real” version of Pandora’s story.

Now, admittedly, there are some details of Pandora’s story that retellings often get wrong. As you may have noticed, she did not have a box, but a jar. A pithos was a type of large jar used for storing things like olive oil or wine. They were also sometimes used to store dead bodies for burial. The common confusion is due to a mistranslation. As for hope, there are multiple interpretations. Some say that hope was a good thing, as it can get us through hard times. Others, however, feel that hope was a dangerous thing. Sometimes, it can be a bad thing to put your faith in a better tomorrow that isn’t coming.

The second episode retells the story, but form a different perspective. We follow Athena and Hephaestus as the work together to craft Pandora. There’s some cute moments where they bond over how much Zeus makes them frustrated. There was a myth where Athena, Hera, Apollo, and Poseidon all teamed up to try to overthrow Zeus while he was taking a nap. But they are stopped by one of the Hecatoncheires; also known as the Hundred-Handed Ones. Hephaestus was thrown off of Mount Olympus by either Zeus or Hera, depending on the version of the myth, when he was a baby. So, I can definitely see them having such a conversation.

Anyway, this time around, Pandora has more agency. The traits the gods gift her allow her to think for herself, and navigate the world. She is constantly curious, but that’s because she literally was born yesterday. In fact, her curiosity is portrayed as a good thing. Pandora is driven by her desire to gain more knowledge and experience. She’s not some bimbo who exists only for Epimetheus’ pleasure. However, just like the first time around, Pandora winds-up opening the pithos and releasing all of the evils into the world.

So, we come to the final story. The “true” story of what happened. Pandora is telling the story to all of her granddaughters. She learned that the world needs both darkness and light. For example, lying can be a good thing if it keeps someone’s feelings from being hurt. So, Pandora reasoned that maybe the so-called evil isn’t so evil after all. That humanity needs to know how to deal with darker feelings and emotions if it is ever to achieve its true potential. Epimetheus felt this way also, and so he and Pandora opened the pithos together. So, the pithos was actually a secret test from the gods all along. At least, that’s Pandora’s take on the matter.

This actually wasn’t a bad idea in theory. It was a unique take on the story of Pandora, and I might have enjoyed it under other circumstances. However, Live From Mount Olympus is supposed to be educational as well as entertaining. Presenting your reimagining as the “true” version of the story is only going to confuse kids. Suggesting that the evils in the pithos might not have been so bad is a very modern concept. The Ancient Greeks would certainly not have viewed things that way.

Live From Mount Olympus has always been about filling in the gaps of the myths. What was going through Perseus’ head during his quest? Did he ever struggle with self-doubt? What was Demeter and Persephone’s relationship like? What was it like for Atalanta to try to balance her wild nature and the civilized world? However, this season didn’t do any of that. Instead, it just made things up out of whole cloth to tell any entirely different story.

But what really irks me is why this all happened in the first place. The creators of Live From Mount Olympus have admitted that they found Pandora’s story to be incredibly sexist. As such, they felt that they had to change the story to better fit modern sensibilities. And to that I have to ask, well, why? There was no reason they absolutely had to adapt Pandora’s story. Wouldn’t it have been better to adapt a more agreeable myth?

In fact, I know just such a myth. You could even keep this season’s Rashomon style that this season was aiming for. I’m talking, of course, about the story of Arachne. There’s a lot of different angles you can take with Arachne’s story. The original version of the story portrays her as a victim of her own hubris. She arrogantly thought she could challenge Athena, the goddess weaving, to a weaving contest. Not only that, but Arachne also depicted the gods behaving badly in her tapestries. Then you have Ovid’s version. According to Ovid, Arachne genuinely was better, and Athena unjustly slew her out of petty jealousy. Ovid had a habit of getting on the bad side of Roman authority figures, and perhaps his writing reflects this.

So, you could do a season asking who Arachne really was. Was she an arrogant braggart who was rightly knocked off her high horse? Was she a brilliant artist who was unjustly persecuted? Was the truth some combination, or was it neither? You could have the season end on an inconclusive note. Rashomon did this for its ending. You could have the moral be that sometimes there just aren’t definitive answers, and we must choose what to believe. Hey, if Live From Mount Olympus wants to hire me as an idea guy, I’m ready and willing.

I would like to think that season five will serve as a lesson on how no to adapt stories from Greek Mythology. I would like to think that Live From Mount Olympus would know better. However, I do worry that this season is a sign of things to come. I suppose it is possible that things could course correct, but that remains to be seen.

As it stands, season five of Live From Mount Olympus was incredibly disappointing. A perfect streak of outstanding Greek Mythology adaptations was finally broken. The creators prioritized inserting their own views and messages over being true to the mythology. Next time, they really ought to pick a myth that is more agreeable to their sensibilities.

Well, I think that should do it from me for now. I will see you guys next time. 

The Audio File: Live From Mount Olympus: Prometheus

I’ve been on a bit of a review hiatus, but I’m officially back in the saddle. To start, we’re going to revisit an audio drama that has appeared on this blog several times in the past. Without further ado, let’s get right to it. We’re going to be taking a look at season four of Live From Mount Olympus. 

Prometheus, titan of foresight, is chained high in the Caucasus Mountains. He always has an eye towards the future. Yet now he looks back at his past, and what lead him to be chained. We follow him as defies his fellow titans in order to aid the Olympians. We watch as he forms a budding friendship with Zeus, the future king of the gods. We also witness his famous theft of fire for the sake of humanity. Prometheus, titan of foresight, adviser to Zeus, friend to humanity. This is his story.

Live From Mount Olympus is doing something a little different this time. Season four is a mere five episodes long. It seems that season five, which will focus on Pandora, will be about the same length. From what I understand, this was done to get new episodes out faster. And hey, we get two seasons for the price of one.

Season four is easily the best season of Live From Mount Olympus to date. We get a real sense of what a tragic hero Prometheus was. He constantly gets visions of the future. From the start, he knows that his journey will lead him to those chains, and having his liver ripped out each morning. And yet, he doesn’t try to fight it, nor does he protest his fate. For his visions also show him the heights that humanity will achieve once they harness the gift of fire. Knowing this is enough for Prometheus.

We see these even before the big heist. Prometheus begins his journey by openly defying Kronos and the other titans. He and his brother Epimetheus are some of the only titans to do so. This is no small feat, but Prometheus has seen the glories that the Olympians are destined to achieve.

I liked how this season handled Zeus. He and Prometheus start off as the best of friends. This makes it all the more tragic when Prometheus must betray Zeus. It would have been easy to portray Zeus as a tyrant, or a one-note villain. However, Live From Mount Olympus takes a nuanced approach. Zeus is clearly depicted as being in the wrong, but you can understand why he is so hesitant to share fire with humanity. Zeus rightly points out that humans are already fairly destructive and naïve. Giving them a new tool, especially such an inherently destructive one, could potentially make things worse.

I also really like how the actual theft of the fire is portrayed. It plays out almost like a heist movie. I thought that was a very fun touch. I also enjoyed seeing Hestia become a fairly prominent supporting character this season. I always kind of felt bad for her. She was the stalwart and steadfast one. She didn’t get involved in the shenanigans that the other Olympians did. Consequently, she doesn’t really feature in many myths. In fact, some lists of the Twelve Olympians even replace her with Dionysus.

Now, all of that being said, I also feel there were some areas that could have been better. I know that this season is shorter by design, but I felt that worked against it at times. Having more episodes to really develop Prometheus and Zeus’ friendship would make Prometheus’ betrayal carry more weight. We’d also get to see Zeus transition from an idealistic rebel to a flawed, but ultimately good at heart, king of the gods. It was necessary for the Titanomachy to be part of this season. Having the season start after the Titanomachy wouldn’t work. There just wouldn’t be enough material to sustain a full season, even a truncated one. Still, I feel that the Titanomachy could have made for an interesting full season in and of itself.

So, now for a bit of mythological musings. You would think that Prometheus, being a friend to humanity, would be a pretty popular guy in Ancient Greece. However, from what archeology can tell, this doesn’t appear to have been the case. Oh, he had some cults, but they were fairly minor. In fact, the earliest account of Prometheus, written by the poet Hesiod, depict him in an unflattering light. Hesiod portrays Prometheus as a self-righteous trickster who ended the Golden Age of humanity. Though, Hesiod is a bit mum about how not having fire, and having to sacrifice most of our food to the gods, was beneficial to humanity. To be fair, Zeus was considered the god of law and order. The Ancient Greeks viewed the world less as good vs evil, and more order vs chaos. So, Prometheus defying Zeus, and in such a chaotic way, would have potentially rubbed the Ancient Greeks the wrong way.

We do get to see a more sympathetic Prometheus in the play Prometheus Bound by Aeschylus. Here, Prometheus is a tragic hero and friend to humanity. Though, at the same time, the playwright Aristophanes depicts Prometheus as almost comically sneaky and devious. Interestingly, the bit about Prometheus creating humanity doesn’t show up until much later. The story of Prometheus, as we know it, really solidified during the Hellenistic era.

Where am I going with this? Well, the point is, Prometheus has always been more of a literary character than a mythological character. Often, ancient playwright and storytellers weren’t focused on replicating old stories, but rather, on exploring new themes and ideas. There was no strict canon in Greek Mythology. The stories varied from city-state to city-state. Prometheus has inspired artists from the Renascence to the Present Day. Live From Mount Olympus follows in that tradition, while also being faithful to the ancient sources.

Once again, let’s take a moment to thank the cast for the wonderful performances. Ato Blankson-Wood gives a very layered performance as Prometheus. He makes Prometheus sound very world-weary, and perhaps a bit resigned as well. Yet he also carefully drapes a thin layer of hope over everything that Prometheus does. Ian Lassiter, meanwhile, shows as more vulnerable side of Zeus as a younger god trying to make his mark on the world. Andres De Shields recently promoted Live From Mount Olympus when he was interviewed on The Today Show. I also love the title card this season. The orange and black evoke Ancient Greek pottery. Thought, really, all the title cards have been great. 

Season four is dedicated in loving memory of Vinie Burrows. She passed away last year and played many characters on Live From Mount Olympus. She always brought such power and grace to her roles. She will be missed by listeners and cast alike. 

The season ends on a bittersweet note. Prometheus is still chained, but he knows that one day he shall be free. Specifically, he shall be freed by Heracles, a son of Zeus. And though our time with Prometheus has come to an end, our time with Pandora will soon begin.

So, there you have it. Season four of Live From Mount Olympus is easily our best season to date. We explore the tragic story of Prometheus, the fire-bringer and friend to humanity. We’re going to be picking back up with the story of Pandora in season five, and I can’t wait to listen to it.

Well, that should do it from me for now. I will see you guys next time.

The Audio File: The Truth: Part 2

Well, it seems that Part 2 of my review of The Truth came sooner than expected. If you’re looking for Part 1, you can find it over here. Now, before we dive on in, I wanted to address something. There were a couple times in the last review I came across as a tad harsh. I intended for these reviews to be a warts and all look at The Truth. Where there is good, it shall be given due praise. Where there is lacking, this will be duly noted. Personally, I think, when you look at it as a whole, The Truth got more right than it got wrong. Every ax has a few speckles, as Benjamin Franklin famously said. 

So, with all of that out of the way, let us continue our review of The Truth.

The first episode we’ll be looking at in this part of the review is “They’re Made Out of Meat.” It is adapted from the short story of the same name by Terry Bisson. It follows two aliens who…well, actually, we don’t get any physical description of them. The only thing we know for sure is that they definitely don’t look human. You see, they have discovered a mysterious planet known as Earth. The local intelligent life isn’t made out of energy, or plasma, or gas, or anything sensible like that. No, Earthlings are made out of meat! And they stay meat their entire lives!

I was familiar with the original short story, but this episode was still a lot of fun. When you think about it, it is kind of amazing that a lump of meat and fat can produce our complex minds. Oh, and just so you know, you probably used that lump of fat and meat just then. I suppose this is a humor solution to the Fermi Paradox. Just where are all the aliens? Well, we do tend to be biased towards ourselves. We assume that E.T. and company will be carbon-based meat sacks like us. But what if they turn out to be different? Perhaps we’ve been looking in all the wrong places.

This episode also includes an interview between Terry Bisson and Jonathan Mitchell. Terry said that this episode was probably one of the best adaptations of the story. I agree; this story doesn’t lend itself well to the visual mediums. Though, he did mention a short play a university did. The aliens were represented by lights on a stage curtain. That sounds kind of fun and unique. Also, apparently Steven Pinker and Sam Harris have used this story in their university classes. There was the part where Terry apparently didn’t know audio dramas are a thing, and Jonathan tried to politely correct him. I thought “Mr. Bisson, I’d love to give you some recommendations!”

All in all, an excellent adaptation, and an excellent interview. Two great episodes for the price of one.

Our second episode will be “Possible Side Effects.” This episode follows a guy named Joel. He’s been having stomach pain, but his doctor has put him on a wonderful drug called Intestilax. It has helped it, but it does come with a few side effects. Chief among them is that Joel is hallucinating the disembodied voices of three women named Kimmy, Tina, and Scarlet. Kimmy is the sweet and cutesy one, Tina is the sensible one, and Scarlet is the sexy one. They all love Joel, and want him to be the best version of himself possible. And Joel is equally fond of his special ladies. Unfortunately, Joel no longer needs to take Intestilax. Long term use can result in kidney failure, and his doctor isn’t keen on the whole hearing voices thing. Joel refuses to be without his girls, and will do whatever it takes to get a supply of Intestilax.

There have been times in my life where I would have loved something like this. Well, maybe not the parts where Intestilax turns out to be detrimental to Joel’s health. Still, having some voices that only I can hear, and who like me for who I am, might be fun. Though, as I type this, I realize that this all sound kind of like schizophrenia, which is a decidedly not fun disorder. I’m also reminded of how Son of Sam claimed to hear his dog talking to him, and then he killed all those women. So, uh, yeah, maybe I should think twice before indulging in the fantasies of this episode.

On a lighter note, Kimmy, Tina, and Scarlet were a lot of fun. I find it interesting that they reminded me a bit of the three personalities from The Three Faces of Eve. It could have been coincide, and it probably was, but it was just something I noticed. I suppose there’s an anti-escapism moral in this episode. Escapism can be a good and even necessary thing, but eventually we must face our problems head-on. Retreating too far into our fantasies can have negative results.

Possible side effects of this episode include: laughing, smiling, and listening to another excellent episode of The Truth.

Our next episode is “Sleep Some More.” It follows a college student named Dan. He is taking a literature class, and is really struggling. Then, one night, he hears his roommate Tom talking in his sleep. Tom’s sleep talking provides deep and insightful literary analysis about the various works that Dan has to write essays about. The only catch is that Tom bleeds when this happens. The more Dan exploits Tom’s sleep talking, the more Tom bleeds, and the weaker he gets. How far will Dan go to maintain his grades?

I admit I always kind of struggled with literature class. There were some bright spots during middle school. I had a good English teacher. What finally clicked was eleventh grade American Literature class. I had an excellent teacher, and I really loved how she incorporated history into what we were learning. It made me interested in learning more about the various great novels. Naturally, I became a bit of a popular resource among other students. Though, nobody ever tried to pick my brain while I was sleeping. Well, to my knowledge, anyway.

It is interesting how the action of the episode paralleled Tom’s insights into Dan’s assignments. Like Macbeth, Dan is conflicted towards the start of the episode, but he quickly made his choice. Like Dr. Faustus, that choice is an, albeit metaphorical, deal with the devil. Like Victor Frankenstein, he is more concerned with whether or not he can do something morally questionable, rather than if he should. Like Dorian Gray, he wears a mask of civility in public, and uses it to hide a rotten soul. Like Rodin Rashkolnikov, he is laser-focused on his life’s goal. Dan’s only concern about Tom’s failing health is how it will impact his dream of becoming Secretary of Commerce. 

The parallel with Gregor Samsa is especially interesting. Tom is Gregor, and Dan is Gregor’s family. Tom, albeit unknowingly, sacrifices himself for Dan. And yet, Dan is completely ungrateful. He never even considers stopping for Tom’s sake. He never thinks of revealing the truth to Tom, and perhaps getting his permission to continue. No, all Dan cares about is what’s in it for him.

But this brings us to the most important question of all: how far are you willing to go to listen to this episode of The Truth? To your podcast app of choice, that’s how far!

For our forth offering we have “Salamanca.” Our protagonist reminisces about a trip he took to Spain back in the 1980s. He had a wonderful time in Salamanca, especially when he met a beautiful woman named Emilia. An old legend says that if he can find the frog carved into the Cathedral of Salamanca, you will have good luck all year. Our protagonist certainly felt quite lucky in those gentle summer days. A dream come true, you might say. But a dream, no matter how beautiful, must come to an end eventually.

I have never been to Spain. However, I really wanted to visit Salamanca after I listened to this episode. I never felt like a travel ad. Although, Spain's Ministry of Industry and Tourism probably should have commissioned The Truth. Audio dramas can do wonders for the tourism sector; just ask Blum. Anyway, this felt like a sincere love letter to Salamanca.

The legend about the frog is indeed a real legend. It is also not the only notable site at Salamanca. There’s also a carving of an astronaut. Contrary to what the loonies on Ancient Aliens would have you believe, there’s a mundane explanation for this. The cathedral underwent renovations in 1992, and the astronaut was added as part of that. Along with other additions, such as a dragon eating ice cream.

This episode reminded me of a trip I took to Italy the summer before junior year of high school. I saw many wonderful things, but I also met Rebecca. She was another student on the trip, and we really hit it off with each other. We remained friends, and kept in touch. We thought about maybe being something more, but she had personal demons to sort out. In all honesty, so did I. Eventually, we got our shit together, but then she came out as lesbian. We still remained friends, and I did my best to be supportive, but things were always kind of awkward between us after that. Honestly, part of me wished we could be more than friends, even if I knew that could never happen.

Still, despite everything that happened, I’m grateful that I got to know Rebecca. I still treasure all the good times we had together. I’m reminded of what the protagonist’s Spanish papá says about the song at the end of the episode. I loved the bird, but if it was caged, it would not be a bird.

Come and take a wistful, slightly melancholy, auditory journey to Salamanca.

We’ll be changing gears as we take a look at “Justice Battalion.” Holy Silver Age, Truthman! This episode is an homage to Super Friends. We follow a noble group of heroes called the Justice Battalion. They are: Bright Star, Night Wolf, Captain Kilowatt, and Silicone Savior. The President is giving the State of the Union address. Among other things, he plans to ramp up the War on Drugs, repeal climate change legislation, and will increase production of fossil fuels. Bright Star has had enough, and murders the President on live television. The remaining members of the Justice Battalion must find a way to bring Bright Star to justice. But what does justice even mean in the modern world?

When I listened to this episode, I immediately thought of Batman vs Superman: Dawn of Justice. The first thing I thought after finish this episode was “Wow, The Truth told a better story in thirty minutes than Zach Snyder did in two and half hours.” I don’t think this was necessarily meant as a response to Batman vs Superman. I detected the DNA of quite a few comics. The idea of the Superman analog going rouge, and embracing vigilante justice, brings to mind Injustice: Gods Among Us. However, the bit about a superhero killing the President, and the question of how far is too far in the pursuit of justice, brings to mind Black Summer by Warren Ellis.

So, now let’s sort out who is who. Bright Star is Superman, Night Wolf is Batman, Captain Kilowatt is Wonder Woman, Crying Clown is Joker, and Silicone Savior…hmm, I guess he’s vaguely similar to Red Tornado. This also extends to the performances the actors gave. Erica Schroeder sounded almost exactly like the Super Friends version of Wonder Woman. Billy Bob Thompson was channeling Mark Hamill’s iconic take on Joker. Marc Thompson was going for Christian Bale’s raspy Batman voice. And, of course, Graham Rowat nailed the announcer role.

Look, up in the sky! It’s a bird! It’s a plane! It’s another excellent episode of The Truth!

Our next port of call is “Mark the Creep.” We follow a man named Mark who has been dealing with some intrusive thoughts. He frequently has hallucinations about people getting angry at him over the slightest mistakes. He also occasionally has fantasies about intimacy, but he worries that this means he’s secretly a pervert. We follow Mark as he tries to navigate life and come to terms with his intrusive thoughts, and gain a sense of self-worth.

This was one of those episodes from the final season of The Truth. It was the worst of times, but it was also the best of times. There were increasingly more misses, but when The Truth managed to land a hit, they really knew how to knock it out of the park. Case in point, this episode. It is rare to see a work of fiction that captures my own struggles so clearly. Like Mark, I also frequently deal with intrusive thoughts, and fear that everyone secretly hates me and resents me. I have a tendency to assume the worst about interactions if I’m uncertain. Such tend to be the case when you’re on the autism spectrum. And yet there are plenty of times, probably most of the times, in all honesty, when things turn out perfectly fine. The other person isn’t angry or appalled at me, and I simply catastrophized things in my head. It’s probably the result of my anxiety and low self-esteem. I sometimes wonder if I might have undiagnosed OCD. I’ve got pretty much every other mental disorder.

This episode was a surpassingly realistic take on someone with OCD. Contrary to popular depiction, OCD isn’t about obsessively ordering everything. Rather, it is dealing with repeated unwarned intrusive thoughts. Basically, you fear that if you think about something bad for too long, you’ll eventually do that bad thing for real. This often leads to various coping methods. You know they’re irrational, but they’re the only thing that feels like it brings relief. Perhaps I need to be more like Mark, and learn some more self-compassion, and to cut myself more slack.

Like I said, this episode was a bright star during a turbulent time for The Truth. Keep that in mind as we get into the next review.

Speaking of which, we will now turn our attention to “Journey into Kalanu.” It follows a man named Richard. He has a strained relationship with his sons Brian and Zach. Still, he’s trying his best. He has taken them to a theme park centered around Kalanu. It is a science fiction franchise that…well, it’s basically Star Wars, with a smidge of He-Man thrown in. The author of the Kalanu book is pretty clearly George R.R. Martin. Anyway, Brian and Zach are big fans, but Richard just doesn’t get it. Richard decides to try out the park’s latest dark ride, and has a surpassingly good time. Little does he know he’s going to uncover the dark underbelly of the Kalanu fandom.

You know, I actually had hopes for this one initially. At the start, it seemed like the episode was going to be about Richard coming to appreciate Kalanu. He enjoys his trip on the dark ride, gets to know a Kalanu fan named Christine, and perhaps even becomes a fan himself. Now, doesn’t that sound like a great episode?

Unfortunately, that’s now how things played out. You see, Christine does not like the recent changes that have been made to the Kalanu franchise. She especially isn’t fond of the new character Rey Palpatine…okay, that’s not really her name, but she’s clearly meant to be Rey. Also, the company that bought Kalanu is pretty clearly Disney. Christine belongs to a conspiracy theory group that claims that the creator of Kalanu is being held hostage, and is being forced to make these changes. And what do they decide to do about this? Why, to set fires across the park, and commit other acts of domestic terrorism. Also, Richard’s sons support the arson.

I mean, wow, where do I even begin? What we have here is a massive strawman argument. Basically, you can either blindly consume everything in a franchise without any criticism, or you can be a domestic terrorist. We never see a character who doesn’t like the current direction of Kalanu, but expresses it in a sensible way. Given the lack of nuance, it’s pretty clear what the message is here. Especially given the connection between Kalanu and Star Wars.

There’s certainly a double standard whenever fandoms do stupid shit. If it’s a fandom that skews male, the media immediately pounces on it, and declares a moral panic. If it is a fandom that skews female, completely crickets from the media. True, this episode does has Christine as the main fanatic. But just ask any woman who openly admits to not liking the Star Wars sequel trilogy about their experiences. Odds are, they’ve been called a pick-me, or get accused of having internalized misogyny. So, no, this episode ain’t off the hook.

So, what do I mean about the double standard? Well, there was that fan artist who got harassed by the Steven Universe fandom because she, supposedly, drew some characters too light-skinned and a smidge too thin. Poor girl tried to take her own life, and thankfully failed. Hell, even the Steven Universe creators had to step in, and tell people to knock it off. And what was the response from the media? Silence, complete and utter silence.

There was also the shipping wars within the Voltron fandom. Further proof about how hardcore shippers really need to get a life, and maybe some meds. Death threats being sent left and right, the creators having to tell everyone to knock it off. And then there was that one person who threatened to link storyboards of the new episodes unless their favorite ship became canon. Naturally, Studio Mir quit giving out tours of the studio after that stunt. But once again, nary a word from the media.

I could go on, but I’m sure you get the point. The message of this episode might as well be “Don’t ask questions, just consume product. And then get excited for next product.”

It isn’t like we can’t poke fun at fandom excess. William Shatner’s “Please Get a Life” sketch is one of my favorite Saturday Night Live sketches. The Animaniacs also had a similar sketch that I enjoyed. But both of those felt like they were coming from a place of good faith. It also help that they weren’t trying to lecture their audience. Both traits being something this episode sorely lacked.

What else can I say? Two thumbs way down. Easily one of the worst, if not the worst, episode of The Truth.

We shift gears slightly to have “Breakfast in Wartime.” We follow a struggling comedian named Liz. She’s been trying to break into the big times, but her fellow artists are being unsupportive. Liz wants to be apolitical, and just have a good time. However, the other artists think are should have important messages, and speak truth to power. In fact, they’re all involved in a protest for…well, actually, the episode never says why they’re protesting. So, Liz brushes them off, and lands a gig as a comedian for Fox News/The Daily Wire. She has to decide how long she’s willing to ignore the events around her.

There was an idea here, but it just never came together. I feel that this episode got yanked out of the oven too early, and didn’t have chance to bake properly. The biggest problem is that we never find out why exactly Liz’s friends are protesting. Now, granted, as we saw with “Journey into Kalanu” this could easily go rather poorly. On the other hand, it is very hard to care about them if we don’t know what they’re fighting for. I also felt Liz got a bit of an unfair shake. Not all art needs to have a profound message. Even the most seemingly trivial piece of art can have significance to everyone. It is easy to get emotionally burned out, and sometimes you just need an escape. There is nothing wrong or evil about that. It is important to have an emotional release valve. Doing that could be Liz’s supporting her friends in her own way.

So, while this episode had potential to be good, it just never came together. Perhaps another round of revisions was in order.

We’ll finish this installment with “Naughty or Nice.” It follows an elf named Spark. He works at the Naughty and Nice division of Santa's workshop. He and his coworkers sort all children onto either the Naughty or Nice list. Lately, however, more and more children are winding up on the Naughty list for misdemeanors. Something's going on, and Spark is going to get to the bottom of it.

This was a really fun episode. Of course, in order to discuss it we're going to have to talk about the twist. Why are so many children getting coal? Santa is in bed with the coal industry, that's why! You'd think he'd be concerned about global warming, due to living in the Arctic and all. Maybe he has enough magic where it wouldn't be a problem? In any event, Santa was well-written, and seemed believably nice before the big reveal. I love these stories that give a more technological edge to Santa's workshop and its employees. Also, great sound editing to make the actors playing elves sound convincing.

A fun, slightly satirical tale that I'm sure you'll enjoy. This one is on the nice list.

And with that, we wrap up Part 2 of our look at The Truth. Don’t worry, this is not the end of my review of The Truth. I fully intend to make a Part 3 at some point. I’ve got a feeling that there will also be a Part 4 sooner or later. So, be on the look out for both of those.

Well, I think that should do it from me for now. I will see you guys next time.

The Audio File: The Truth: Part 1

Where do I even start with this one? This is another review that has been long overdue. Perhaps a bit too overdue. This one was a true cornerstone of the audio drama community. Doubly so for those of us on the anthology side of things. It is still kind of surreal that they are actually gone. But we aren’t here to mourn their passing, but to celebrate their life. What else is there for me to say? I’m Sam McDonald, and today we’re taking a look at The Truth. 

The Truth is an anthology of nearly 200 episodes spanning a wide variety of genres. It billed itself as movies for the ears, and it certainly lived up to that description. Now, it is true that quite a few audio dramas fit that description, but you have to consider the context that The Truth occurred in. The first episode of The Truth premiered way back in 2011. The indie audio drama community was still very much in its infancy. Fiction podcasts tended to be short story readings like StarShipSofa or Lightspeed Magazine. If you were lucky, you might get something like The Drabblecast, with music and sound-effects added to the mix. The Truth was a full-cast show, performed rather than read, and with immersive sound-effects and music.

The Truth was an anthology in the purest sense of the word. Each episode was a new present to unwrap. It spanned multiple genres and styles. The early years did tend to be a bit more experimental in terms of material. I had the opportunity to chat with series creator Jonathan Mitchell. Jonathan described these early episodes as scenes rather than stories. True, they are certainly shorter than later episodes, but that’s hardly a bad thing. Each of them was like a snapshot into a different life, and they were certainly memorable snapshots. I’m not the only one who is of this opinion. Many episodes from this era of The Truth were featured on various programs such as All Things Considered, Weekend America, Planet Money, This American Life, and Studio 360. Eventually, the need to pay the bills came knocking. So, the episodes began to favor longer stories in order to provide more space for ad breaks. Now, some people say this was the era when The Truth went into decline. Personally, I strongly disagree. There were still many quality episodes being produced.

The real decline, ironically, was around the time The Truth celebrated its tenth anniversary. Well, maybe not entirely ironically. I have noticed that many anthology podcasts tend to start going stale around the ten year mark. It was at this point the misses started to outnumber the hit. Now, to be fair, there were still a few diamonds in the rough. That being said, it was clear that the writers’ well of inspiration was starting to run dry. The episodes also increasingly had the same feel to them. The decline of The Truth didn’t come with a bang, but with a whimper.

It is certainly sad that the curtain has finally fallen on The Truth. No show can last forever. Eventually, if you smolder well past your time, you will see a steady decline in quality. In the immortal words of Harvey Dent, you either die a hero, or you live long enough to see yourself become the villain. I certainly hope that The Truth is always remember for what it was, rather than the decline it saw during its final season.

And that, my friends, is what this review is all about. We are going to celebrate The Truth in all its myriad ways. From those early “snapshots of a life” episodes, to the more full-length episodes. We will also look at a few less than stellar episodes. They can make for a good teaching moment about what not to do.

Now, a bit of clarification before we move forwards. I’m doing what I did with my review of Campfire Radio Theatre. I’m going to give it a good start, and then periodically update it with more reviews. Anthologies always take more out of me than serialized shows do. I have to analyze and weigh the merits of each individual episode. This can take a fair bit of time, and you might imagine. I will also not be reviewing the episodes in chronological order. One of the beauties of anthologies is that you can listen to the episodes in any order that you please. As such, I apply the same principle to this review.

With all of that being said, I’m Sam McDonald, and this is The Audiophile’s review of The Truth.

The first episode we’re taking a look at is “Moon Graffiti.” We start things off with an alternate history piece about the Apollo 11 mission. In this story, The Eagle comes in for a crash landing on the Moon. The lander’s capsule is damaged in such a way that it can’t launch into orbit. Neil Armstrong and Buzz Aldrin are stranded on the Moon until their oxygen runs out. After that, they will go down in history as the first men to die on the Moon. They take their remaining time to chat and muse about the nature of life and mortality.

This was the very first episode of The Truth ever, and they certainly started out of the gate strong. As you might imagine, the alternate history premise piqued my interest. This scenario was very much a concern during the real Apollo 11 mission. In fact, President Richard Nixon had a speech prepared just in case Armstrong and Aldrin became stranded on the Moon. The speech is actually read at the very end of the episode. The actor sounds nothing like Nixon, but he certainly captures the emotion of the speech. Ironically, there was a memorial to the victims of the Apollo 1 fire included with the other equipment on the lander.

What would it be like to experience such a stroke of bad luck? You are stranded hundreds of thousands of miles from home with no hope of rescue. You can see death slowly, but surely, creeping towards you. I try my best not to think too much about death, but the thought proves rather intrusive. I don’t know how I would like to die, as I would very much not like to die at all. But I’m also keenly aware that the reaper will claim me sooner or later.

Yeah, there are a lot of implications on how such a disaster would impact the Space Race. However, this episode is presented as a very intimate story about two men complimenting their own imminent mortality. I am of the opinion that this was absolutely the right move.

“Moon Graffiti” was an excellent start for The Truth.

Our next episode is “Eat Cake.” It follows a woman named Elizabeth who is participating in her favorite Valentines Day tradition: baking a coconut cake for herself and going to a movie of her choice. It's been a thing with her ever since she broke-up with her boyfriend a few years ago. She's just received a phone call from a mysterious man named Brian. Apparently, he calls random people in hopes of having someone to talk to. He's sweet, if a tad socially awkward. So, they decide to meet at the movies.

So, what's the trick? Where is the twist? No trick here, and no twist either. Brian really is exactly what he seems to be. He's a genuinely kind-hearted guy, and he and Elizabeth have a great time. They initially hit it off over their shared love of coconut cake. Elizabeth's former boyfriend didn't like coconut cake, so she rarely got to eat it. A true pity; not enough people appreciate coconut cake. Still, at least she has Brian now.

What else can I say? “Eat Cake” is really cute and I utterly adore it.

The third episode we’ll be looking at is “That’s Democracy.” Jeffery Mohr is a high school social studies teacher. He’s going through a rough patch in his life. Still, he’s determined to give his students an excellent lesson on Direct Democracy vs Representative Democracy. He has brought a gun with him to class. He challenges the students to elect a representative. This representative will select one person from the class to be killed. The students will have the opportunity to debate and persuade the representative about who to pick. They must choose wisely. For if the students fail to pick someone, Mr. Mohr will kill them all, and then kill himself.

A lot of people say “That’s Democracy” is the best episode of The Truth. I’m not sure if that is the case. There’s simply too many great episodes to choose from. However, it is certainly one of the most memorable episodes. The episode started off as a part of a Halloween episode that The Truth made for PRX. However, due to the rise in high profile school shootings, PRX got cold feet about the plot. However, the team behind The Truth didn’t want their hard work to go to waste. And it was thanks to that hard work that we got an excellent episode.

In a way, this episode is about the classic thought experiment of The Trolly Problem. Of course, it is easy to act moral when everything is hypothetical. It is quite another story when the knife’s literally at your throat. Or the gun at your head, in this case. I’m a bit reminded of the classic Twilight Zone episode “The Shelter.” It isn’t as well known as other classics, such as “The Monsters Are Due on Maple Street”, but it is very much worth looking into. It hits on many of the same themes as “That’s Democracy.”

“That’s Democracy” is also notable for having been adapted into a short film. It is the only episode of The Truth to hold this distinction. The short film follows the plot of the episode almost exactly, baring a couple minor differences. It is an excellent short film. It was certainly interesting to see an audio drama be adapted into a different medium.

No matter the medium, “That’s Democracy” is very much worth experiencing. If you haven’t done so already, of course.

Next up, we have “Do You Have a Minute for Equality?” This episode follows a young woman named Kate. She’s a professional activist of a sort. She goes around collecting donations for various social causes. And yet she doesn’t really give too much thought at the causes themselves. One day, while collecting donations, she meets a prosthodontist named Arnold. He doesn’t have any money right now, but he’ll be sure to give her a big donation if she comes to his house. What could possibly go wrong?

I have many social causes I feel strongly about. I admit I could be a bit of a firebrand in my younger days. And yet, as I’ve gotten older, I’ve also grown more cynical towards activists. Particularly, those who make a career of being professional activists. I sometimes feel such people do fare more to harm the causes they claim to support. I also often feel there are those who are only in it for the attention. That, or so they can claim unearned moral superiority over others.

Kate claims to be fighting for voters' rights, but is totally unfamiliar with the major cases relating to that cause. To their credit, the writers certainly make Kate flawed, but not a strawwoman. I will say, however, that I felt that the ending was darkly comedic in a way. Suppose I related to Arnold somewhat. Oh, and remember that Halloween special I mentioned earlier? Well, “Do You Have a Minute for Equality?” was one of the segments included in that special. And don’t worry, we shall get to the other segments in due time.

No, I don’t have a minute for equality. But I do have a minute to say that we’re four-for-four when it comes to great episodes of The Truth.

For our fifth outing, we have “Brain Chemistry.” This one follows a man named Richard. He was cryogenically preserved, but he’s been revived. The future isn’t quite what he expected. Oh, climate change is a bit of an issue, but the people are nice enough. Unfortunately, Richard, and others like him, could only be revived as a brain in a jar. He spends his days as an exhibit in a museum. He tells visitors, usually kids on field trips, about what the 21st Century was like. One day, he meets another cryonically preserved brain named Casey. Richard hasn’t had much to look forward to in a long time, but Casey lights up his world. They might be a couple of brains in jars, but they’ve got serious chemistry.

We already discussed how I often have morbid thoughts about death. I have entertained the idea of cryogenics as a way to cheat death. It sounds nice in theory, but is there any hope that it could actually work? I’d like to think so, and yet I can’t help but feel that is far too optimistic. Still, I suppose you never know. What would it be like to awaken in a brave new world of the future? There are many people who choose only to have their heads frozen. The thinking is that future science will be able to provide entirely new bodies for them. Of course, what if the future isn’t a better place? Even if not dystopian, perhaps the future is different in a way you might find enjoyable.

I do value my mind, but I’m not sure if I could handle being a brain in a jar. It is nice to take a stroll around the neighborhood every now and again. It is especially hard on Richard. He used to be a mountain climber. Still, any hardship is easier to shoulder when you have people you love and care about you.

The ending was absolutely fantastic. I won’t give it away, but I loved how Richard gains a new perspective on life. The ending where he asks the kids to tell him about their lives, rather than the other way round, and the way the music was woven in so beautifully. It was just such a wonderful ending.

And yet I’d be lying if I said this episode wasn’t somewhat tainted for me. The Truth wanted to do something special during their tenth anniversary. So, they allowed listeners to audition to be interviewed about an episode they loved. I picked “Brain Chemistry” because it was the first episode of The Truth that I ever listened to. I poured my heart out in the application. There were only five slots, but I was selected. I did my best to be extra sure I was prepared for my interview with Jonathan Mitchell. We had a really good time chatting, but wouldn’t you know it, Jonathan forgot to press record. So, we had to do the whole thing all over again. I was mentally exhausted from giving it my all, and as a result, I sounded like a total dumbass the second time round. But I was assured that all was well. So, I patiently waited for the big day to come. It felt like I was going to get some validation for helping to promote quality audio dramas.

Alas, this was not to be. The big day came, and I received an email. The Truth couldn’t make my interview work, but they hoped I understood. I was crestfallen, but I listened to the episode…which featured five interviews. Apparently, Jonathan had done seven interviews. It would seem there was a lack of planning with the tenth anniversary special. He says he wanted to include them all, but he wanted things to flow well. And if that meant cutting interviews, then so be it. In his view, it would be no different than cutting an actor’s scene from an episode. 

Well, in my view, I felt like The Truth was spitting in my face, and didn’t even have the decency to call it rain. But I bit my tongue, and wished everyone a happy tenth anniversary. But I’m not holding my tongue anymore. I would expect a certain degree of professionalism, or at the very least planning, from an audio drama like The Truth.

Look, I get that Jonathan was probably being sincere. I get that he had good intentions, but you know what they say about the road to Hell. What The Truth did was an absolutely shitty thing to do. Especially how they waited til the day of to let me know. It didn’t completely ruin The Truth for me, but it was still a pretty serious black mark against them. If there was a possibility that the interview would be cut, well, you should have been more upfront about that. You could have at least tried to schedule a do-over. Just saying.

Well, anyway, let’s move right along.

The next episode is “Fish Girl.” It follows a girl named Win who has the ability to talk to fish. She befriends a porcupine pufferfish named Jane. Jane lives at an aquarium store, but longs to see the ocean. Win can’t do that, but she can take her down to the pond. Safely in a plastic bag, of course. It’s sure to be the adventure of a lifetime for them both.

Many of you know that I work as an edutainer at the Shreveport Aquarium. I inform and entertain the public about the animals; especially the touch pool animals. As it happens, we also have porcupine pufferfish. His name is Potato, and he is very cute. We also have a green spotted pufferfish named Bean. He is also extremely cute, if a bit shy. As such, this episode has become entertaining in a whole new way. I loved how real fish fact got woven into the story. Pufferfish have extremely powerful jaws, and can snap snail shells and clam shells in half like crackers. And yes, most fish will happily eat themselves into obesity if given the opportunity. Also, Eddie the store owner is right, don’t tap the glass. It sounds very loud to the fish. I admit that I don’t have the ability to understand fish. However, I do often talk to the fish as though they were people. That’s pretty common among aquarium workers.

Now, “Fish Girl” is all in good fun. However, I should point out that, in real life, it is important not to anthropomorphize animals. Don’t worry, the fish you see in aquariums are not longing to be in the wild. In fact, they have no clue they aren’t in the wild, and are most likely being well cared for. Their biggest concern is about what’s for lunch. I only mention this due to having dealt with my share of loony animal rights activists while on the job. It’s an occupational hazard, but thankfully they tend to be few and far between.

This was an episode that has gotten even better with age. It is also one that I happily recommend.

Our seventh episode is “Mall Santa.” It follows a longtime mall Santa named Al. He's growing increasingly disillusioned with the cheeriness of the holidays. However, he's about to have an encounter with an amateur Santa that just might help him rediscover the magic of Christmas.

It is cliche, but true, that giving is better than receiving. There is a certain magic that can be found in helping your fellow man. This magic isn't exclusive to the holidays. It can be found any time of the year. I think that's really the take away from this story. You don't have to move mountains to make the world a better place. Spare some time for those who need someone to talk to, and perhaps could use a few kind words.

This episode might be Christmas themed, but it plays well no matter the time of year.

Like I said before, this is just the initial foundation. I will be returning periodically to review more episodes of The Truth. In fact, I think I’ll have to split things off into a part two. So, be on the lookout for that at some point. But until then, I hope you have enjoyed our little look at The Truth. I certainly hope I’ve inspired you to check it out. It was movies for the ears, it was a shining star to other anthologies, it was a tapestry of genres. Above all else, it was The Truth, and it will be missed.

I think that should do it from me for now. I will see you guys next time.

The Audio File: Live From Mount Olympus: Atalanta

Well, I can’t really think of a clever introduction for this one. We’re talking about another fantastic adaptation of Greek Mythology, in audio drama form, today. And one I’ve been eagerly anticipating. We’re taking a look at season three of Live From Mount Olympus.

Atalanta is a conflicted young woman. She was abandoned in the forest as a baby and raised by a family of bears. She loves her home in the forest, but she finds herself increasingly drawn towards human civilization. She is determined to learn about her origins and find her birth parents. She soon becomes renowned for both her fierce prowess in battle, and her incredible beauty. Atalanta must learn to balance her wild nature with the ways of civilization if she is ever going to find her place in the world.

I had previously speculated that we might see the story Atalanta get adapted as a season of Live From Mount Olympus. Atalanta is one of the few Greek heroes who, it could be argued, got a happy ending. Put a pin in that bit for now. However, as we can see, my prediction turned out to be fairly on the money.

The most famous aspect of Atalanta’s story, of course, is how she challenged her suitors to defeat her in the foot race. This happens, of course, but not until the end of the season. To be fair, the race does occur later into the story of Atalanta. Still, I’m remind of how, back in season one, Perseus slaying Medusa took less time than you might expect. However, in another parallel to season one, this just serves to emphasize the aspects that many people tend to forget in retelling of Atalanta’s story. One such aspects is the role that Meleager plays in Atalanta’s story.

Who is this Meleager person? He was the prince of Calydon, and a member of the Argonauts. The Fates connected his life with a piece of firewood. It was prophesied that Meleager would die if the firewood ever burned. Meleager’s mother kept the firewood locked in a special box. The truly cultured among you will notice this is an early example of Chekhov‘s Gun. It is a literary device name for the Russian playwright Anton Chekhov. It comes from advice he gave to aspiring playwrights. He said, paraphrased, don’t introduce a gun in the first act of a play unless you intend for it to be fired in the last act of a play.

Each season of Live From Mount Olympus has always been a two-person story. Season one was Perseus and Andromeda, season two was Persephone and Demeter, and now we have Atalanta and Meleager. It is Atalanta’s slaying of the Calydonian Boar, and her relationship with Meleager, that gets the lion’s share of the attention in season three. Of course, season three does break the pattern slightly. Meleager dies slightly over halfway through the season. Even then, a big driver for Atalanta’s growth as a character is learning to come to terms with Meleager’s death.

Live From Mount Olympus thrives by filling in the gaps and spaces of the original myths. That remains very true in season three. We spend a lot of time getting to know Atalanta’s adoptive family of bears. In fact, we spend more time with the bears than we do with her human family. At times, I was a bit reminded of Tarzan. Then again…well, actually, I guess Enkidu from The Epic of Gilgamesh would be the original Tarzan. Atalanta is a respectable second, however. We also see that Atalanta feels remorse over all the suitors who are killed as a result of losing the foot race to her. In the original myth, this is kind of glossed over. Here, however, she reflects on how they all have family and friends who will mourn their deaths.

We also get a closer look at Hermes’ godscast. It was just a framing device in pervious seasons. Season three, by contrast, makes it feel more like Hermes is actually producing a podcast. There’s a few scenes where he interviews Artemis and Athena about their role in Atalanta’s story. They both banter a bit with Hermes, and those scenes are written quite well. It never comes across as forced or annoying, unlike certain other podcasts. That means you, Parcast. Getting back on track, I thought this was a nice addition to season three of Live From Mount Olympus.

The voice acting is as fantastic as ever. We see several of our leading voices returning to the spotlight. Joanne Hernandez, who played Persephone in season two, takes center stage as Atalanta. It was fun getting to hear her play a character who headstrong, aggressive, and just a tad cocky. However, she also wonderfully captures Atalanta’s more vulnerable side as well. Divine Garland, who played Perseus in season one, also makes a triumphant return as Meleager. He is tasked with going in the opposite direction of Joanne’s performance. But it should come has no surprise that he captures Meleager’s thoughtful and sensitive nature. He managed to capture that side of Perseus fairly well. I must also give praise to Libby King’s performance as Athena, and Christina Liberus’ performance as Artemis. And, of course, Andre De Shields was just as wonderful as ever as Hermes.

There’s a running theme throughout this season about nature vs. civilization, or put another way, chaos vs. order. Artemis is the representative for team nature, while Athena represents team civilization. I like that neither is portrayed as being better than the other. Artemis and Athena do have friendly competition over who will influence Atalanta more, but it never turns malicious. Artemis and Athena both gives valuable gifts and advice to Atalanta. So, I guess the message is that we’ve all got a little wild and a little civilized inside of us. The trick is to find a way to balance them.

Okay, now I know you’re all wondering this for a while. Just how does Live From Mount Olympus handle the ending of Atalanta’s myth? Well, first we should talk about how the foot race goes. True to the myth, Hippomenes wins the race using golden apples given to him by the goddess Aphrodite. He dedicates each apple to an aspect of Atalanta that he loves. So, she isn’t just intrigued by the apples being shiny. We also get to know Hippomenes before the race, and learn why he loves Atalanta so much. This was, I suspect, done to makes the whole marriage race thing more palatable to modern listeners. I also loved how the announcer guy made the race sound like a modern-day sporting event. It was a fun little touch.

The original myth ends with Atalanta and Hippomenes getting turned into lions after having sex in a temple dedicated to Rhea. This might not seem bad, given how much Atalanta loves the wilderness. However, the Ancient Greeks certainly wouldn’t have viewed it in a positive light. The Ancient Greeks had many strange ideas about sex. One of these was that lions could only have sex with leopards. Therefore, Atalanta and Hippomenes had been cursed to never be able to have sex again.

Obviously, you can’t do any of that in an audio drama aimed at kids. Still, there could be some potential workarounds. Perhaps have them simply kissing and laughing, though that could still come across as unintentionally suggestive, given the audio only medium. Perhaps, Live From Mount Olympus could put a positive spin on the curse. That is, Atalanta could finally be free of civilization, and can return to the wilderness she loves for good. That would, of course, go against the theme of balancing nature and civilization.

However, Live From Mount Olympus took another approach. Season three ends right after the foot race. They do pay some lip service to the original myth. Hippomenes remarks that Atalanta is fierce like a lioness. Also, this is all presented in present tense. So, from the perspective of the gods, Atalanta’s story has come to an end yet. This is certainly a shake-up compared to previous seasons.

I also wonder how this will impact future seasons going forwards. Jason and the Argonauts were all depicted as jerks to Atalanta. So, that rules them out. Theseus was also a jerk to Atalanta, so that rules him out. Atalanta is sometimes a member of the Argonauts, but Greek Mythology is often contradictory. That, and that bit about dumping Ariadne on an island. Hmm, maybe they could tell the story of Theseus, but from the perspective of Ariadne. She married Dionysus after Theseus dumped her, so, she got a happy ending. Maybe they could combine several of the myths about Athena to make a season about her. Dionysus has too much alcohol and sex in most of his myths to get his own season.

I want to make it clear, I’m not faulting Live From Mount Olympus for ending season three the way it did. Greek Mythology has all sorts of things in it that aren’t exactly kid-friendly. Inevitably, this was going to happen at some point. As with many things, it is the journey, not the destination, that truly matters. Season three of Live From Mount Olympus certainly gave me a wonderful journey.

It is with season three that Live From Mount Olympus has officially bowled a turkey. This season retold the story of Atalanta, and highlighted the bits that tend to get downplayed in most adaptations. I certainly hope that there is a fourth season on the way. I certainly can’t wait to see which Ancient Greek myth gets adapted next.

Well, that should do it from me for now. I will see your guys next time.

The Audio File: Live From Mount Olympus: Persephone

It is always exciting when an audio drama puts out a new season. Especially so when you aren’t sure if the new season was on the way. Well, I don’t really have much more to add, so let’s get directly to it. We’re taking a look at season two of Live From Mount Olympus. 

Persephone is a young goddess with a reasonably good life. Her half-sisters Athena and Artemis are her best friends, her parents Demeter and Zeus love her, and she’s a fairly talented artist. And yet, she feels that she doesn’t know who she really is. She worries that she isn’t pretty, and that she has no identity beyond being Demeter’s daughter. But that’s not Persephone’s only problem. She’s been swallowed by a hole in the ground, and now finds herself in the underworld. Apparently, Zeus offered her hand in marriage to Hades. Persephone must journey through the underworld to discover who she really is. Meanwhile, Demeter will search high and low for Persephone. She will do whatever it takes to get her daughter back, no matter the consequences.

I had been hoping that Live From Mount Olympus would be getting a second season. As you might recall, I absolutely adored season one of Live From Mount Olympus. There’s plenty of stories from Greek Mythology that would make for great adaptions. Lo and behold, Live From Mount Olympus put out some bonus mini-episodes, and announced that a seconds season was on the way. The only hint was that it would involve a female character as the protagonist. Who could it be? What myth would be adapted? Psyche and Eros? That one had a happy ending, which is fairly rare for Greek Mythology. Atalanta, perhaps? But the ending of that one is bittersweet at absolute best. Didn’t seem like the sort of thing Live From Mount Olympus would go for.

But what if it wasn’t anything about mortal heroes? What if it involved the gods and goddesses? Sure enough, it turned out to be an adaption the Persephone and Demeter myth. Well, season one turned out pretty great. So, I had full confidence that season two would live up to its predecessor. It would seem that my faith was certainly not misplaced.

As I noted in my review of season one, Live From Mount Olympus is all about filling in the gaps. The original myths don’t offer much in the way of introspection. Characters will do things, but we don’t really get insight into their inner thoughts, and there’s not much in the way of dialogue. Point being, there’s a lot of wiggle room, and room for creativity, when it comes to adapting myths. For example, while the myths never say that Persephone hung out with Athena and Artemis, there’s also no evidence against it. The dialogue is modern, but feels natural, and never comes across as trying too hard to be hip and cool.

Persephone is also more assertive, and isn’t just some damsel in distress like in the original myth. She has adventures exploring the underworld on her own, and this is a big part of her character arc. She gains confidence and learns to embrace her new role as the queen of the underworld. She learns to see her new role as a chance to finally step out from her mother’s shadow. Persephone also makes some changes to the underworld. Prior to her arrival, all shades drink water from the River Lethe. It makes them lose their memories, and Hades believes that this will help them adjust to life in the underworld. However, Persephone convinces Hades that it might be better to let some shades retain their memories of life. Technically, this isn’t really part of the original myth, but it was a nice addition. I’d say there’s enough wiggle room that we can let it slide.

I really liked how Hades was portrayed. It is depressingly common for works that draw upon Greek Mythology to portray Hades as, basically, Ancient Greek Satan. In actual mythology, however, he was stern, but ultimately fair and reasonable. Death comes for us all sooner or later. Also, unlike Zeus and Poseidon, Hades only had a grand total of two affairs. In both cases, his lovers were turned into plants by Persephone. Of course, this is Live From Mount Olympus, so, naturally the writing is going to portray Greek Mythology accurately.

Hades is shown to be a very kind, sensitive, and introspective. He isn’t forceful with Persephone, and allows her take her time getting acclimated to the underworld. He also willingly let’s Persephone return to the land of the living after she learns how bad things have gotten in her absence. Persephone and Hades’ relationship progress realistically. Persephone doesn’t instantly fall for Hades, and still isn’t head-over-heels for Hades by the end of the season. However, she has grown to enjoy spending time with Hades, and is eager to continue to help improve the underworld.

I also enjoy that equal time was devoted to Demeter. This is pretty much the only myth where Demeter played a starring role. Oh, she appeared in other myths, but usually as a supporting character. As such, it was nice to explore Demeter’s time living among the mortals. She teaches humanity how to plant and harvest crops in the last episode of this season. This is in keeping with the myth, but earlier segments of the season seemed to indicate that humanity already knew how to do that. Mortals complained that the ground was barren, and nothing would grow. Did Demeter teach them how to harvest, but not how to plant? The Greek Gods could be jerks at times, but that comes across more as being scatterbrained. Demeter is a bit overprotective of Persephone, but that’s because she’s worried about being a bad mother. Demeter never really had a relationship with her own mother, Rhea, due to being swallowed by her father Kronos as a child. So, Demeter’s kind of figuring out parenting as she goes along. But then, isn’t that true of all parents?

Hermes still acts as narrator, but he’s joined by Hekate this time. That pairing made me think of The Hermes & Hekate Road Show. Such a good show, such a same that it only lasted one season, and is no longer available to listen to. Anyway, getting back on track, Hermes has a more reduced role this time round. He still pops into the story ever now and again, but not to the extent he did in season one. On the flips side, Persephone meets the goddess Styx during her time in the underworld. Styx is the personification of the river of the same name. Many gods and goddesses were personifications of various concepts or geographic features. They usually did have much in the way of personality, so that gives you wiggle room when adapting them. Styx provides words of wisdom to Persephone, and reminds her of the new opportunities she can find in the underworld. And I did love how Cerberus was portrayed as, basically, a big happy, energetic puppy. But, you know, with three heads and all that.

Okay, let’s just get this out the way now. Hades is the brother of Zeus and Demeter, who are Persephone’s parents. So, that means that Persephone’s parents are also her aunt and uncle, she is both their daughter and their niece, and her hand in marriage has been offered to her uncle twice-over. Live From Mount Olympus doesn’t deny any of this, but it also doesn’t go out of its way to emphasis any of it either. Like, there are times Zeus and Hades are mentioned to be brothers, and a couple times that Kronos and Rhea are mentioned as the parents of Zeus and Demeter, but not at the same time. Also, just as a random aside, I did notice that Hera was conspicuously absent from the happenings. Personally, I think this was the best approach to take with such subject matter. Don’t deny it, but also don’t go out of your way to draw attention to it.

I’d like to take a moment to talk about the voice acting. Joanne Hernandez had to walk a very fine line in her portrayal of Persephone. She strikes a good balance between sounding confident, but also showing an insecure side at times. Likewise, Nidra Sous la Terre strikes a good balance of portraying Demeter as overprotective, but also genuinely sympathetic. Andre De Shields is once again wonderful as Hermes. He’s joined by Ching Valdes-Aran as Hekate. We also get a surprise cameo from Anna Kendrick as Eos, goddess of the dawn. In other cameos, Divine Garland briefly appears as both a soul in the underworld, and as a human learning how to plant crops. I don’t think the soul was meant to be Perseus. I’m pretty sure the story of Perseus took place after the story of Persephone and Hades. It was just meant to be a fun little cameo.

Well, there you have it. Season two of Live From Mount Olympus lives up to the standard set by its predecessor. This has opened up many more possibilities for future seasons. There’s still so many myths left to adapt. The possibilities are endless, and I can’t wait to see where this show goes next.

Well, that should do it from me for now. I will see you guys next time.

The Audio File: Timestorm: Season 3

Sooner or later, every audio drama must come to an end. Not just the end of an episode, or the end of a season, but the end of the series. The sun must set at the end of every day. The curtain must fall at the end of every play. But that doesn't mean we can't have good times along the way. If nothing else, the shows you love will always live on in your heart. It helps that, in most cases, you can easily relisten to the series whenever you feel like it.

Why am I talking about all of this? Because it ties in with today's review. We're taking a look at season three of Timestorm.

Alexa and Beni Ventura are continuing their mission to witness, find, and remember events from throughout Puerto Rican history. They're aided by their cousin Horacio and his trusty AI Atabay. In the present day, they're assisted by their other cousin, Josie, and their mutual friend Janelly. Lately, the Ventura towns have been going on a lot of quests to retrieve guanín artifacts. Things have been going pretty well, but lately there is trouble on the horizon. A mysterious woman named Kaylee is also very interested in guanín, and believes the Ventura's can lead her to a great treasure. At the same time, Alexa and Beni begin to question the ethics of collecting artifacts. There are many questions to be asked, and many answers found, in the final season of Timestorm.

I can't believe the final season of Timestorm is here already. It seems like it was only yesterday that the adventure first began. I mean, I knew on some level that this day had to come eventually, but it's still kind of surreal that it's here already. Still, let's not dwell too much on the sad times. We still got a fantastic final season full of plenty of great moments and episodes.

Season three differs in a couple ways from its predecessors. For example, not counting bonus episodes, the previous two seasons had ten episodes each. Season three, by contrast, only has eight. I don't know if that was always planned, or if something happened behind the scenes. Season three also lacks an obvious theme. Season one was about women, especially teachers, in Puerto Rican History. Season two was about how Puerto Rican culture is the result of the blending of African, Indigenous, and European culture. Season three doesn't really have a central theme. The closest it comes is that it does touch on the question of who archeological artifacts ought to belong to.

The quests are also slightly different. They're carried out in two stages. For the first part, Alexa and Beni go to the past and locate the artifacts, and then return to the present day to retrieve the artifacts. At one point Janelly raises a really good question: why store the artifacts to the Artifact Cloud? What is Horacio and Atabay's long-term goal with that? You know, I'd never really thought of that before. I always just accepted it as part of the plot, and never really gave much thought. Well, your guess is as good as mine, as we never get an answer to that particular question.

One of the first missions takes the twins back to 1918, during the height of the Spanish Flu Pandemic. The name is more than a bit of a misnomer. Conventional wisdom is that the 1918 Flu originated in Kansas. However, recent evidence suggests that it may have actually originated in China. How did it become associated with Spain then? Well, it first began during the final years of World War I. Nations on both sides of the conflict censored mentions of the flu in their newspapers for fear that it might lower troop morale. Spain was a neutral nation, so their newspapers were uncensored, and reported on the flu. Thus, everyone wrongly associated the flu with Spain. Though, in the long run, the deaths caused by the 1918 Flu got overshadowed by all the deaths caused by World War I. Of course, the 1918 Flu is getting more attention now in large part due to the COVID-19 Pandemic.

The COVID-19 Pandemic happened while season three was being produced, and that particularly episode is clear meant to tie-in with the Pandemic. There's even a point where Beni says he can't imagine a pandemic in modern times. Oh, don't worry Beni. In a couple years you'll get to find out what that's like. As you might recall, Timestorm is set about three years in the past of when each season comes out. So, for the characters, the present day is 2018.

The series also continues its work in highlighting important, but often obscure, figures from Puerto Rican history. Another quest sees Alexa and Beni travel to 1980 to meet the archeologists Osvaldo Garcia and Ricardo Alegria. They both made major discoveries regarding the Taino people. Osvaldo and Ricardo proved that the Taino had a considerably advanced knowledge of astronomy, and played a ritual ballgame. I find that very interesting, as the peoples of Mesoamerica, especially the Maya, also had those traits. The Taino did have ocean-going canoes. However, this is no evidence that the Taino ever made it to Central America. It's fun to speculate about, but there isn't any evidence of trade or contact between the two cultures. On the other hand, countless Maya records were destroyed by the Spanish. Who knows what might have been recorded within those codices? Again, fun to speculate, but let's get back to the review.

So, what exactly is guanín? It is an alloy created my combining gold, silver, and copper. It was often used for the necklaces and medallions worn by caciques. Horacio's grandfather was a skilled guanín smith, and hoped to pass the skills on to Horacio someday. In fact, this season seemed to put a lot of emphasis on Horacio's family history, and his personal legacy. For example, we learn that his father Gael work in the Civilian Conservation Corp.

It was never established how exactly time works within the Timestorm, or how much subjective time Horacio has experienced. That being said, it is implied that he's experienced a few years, if not real time, in the Timestorm. Granted, he's got Atabay to keep him company, but it must get awfully boring and lonesome at times. It is implied that Horacio no longer needs to eat, sleep, drink, or use the bathroom. Frankly, it's a small miracle he has gone completely insane from being confined to his helicopter.

Like I said, we do get themes about legacy as it relates to Horacio and his side of the family. We also get some touching on themes of colonialism. Granted, we did get that in previous seasons with Idrissa's story, but this season touches on that in a lighter way. Kaylee wants to build a community center in San Juan. This isn't necessarily a bad thing, but she doesn't get any impute from any Puerto Rican people. You know, the very people she claims to want to help. She's also pretty clueless about Puerto Rican culture and history. It reminds me of what happened when the slums of London got torn down in the Edwardian era. The social reformers wanted to help the poor and destitute, but they didn't both talking to the poor, and finding out what they wanted/needed. As result, most of the former slum dwellers didn't meet the residency requirements for the new public housing that was built in place of the slums. Oh, they got monetary compensation, but only enough for a night or two in a boarding house.

Josie has an assistant in San Juan named Lalo. He runs ghost tours when he's not working at the comic shop. That's interesting because there was a bonus episode from last season where Alexa and Beni meet a ghost pirate. It was especially notable in that the supernatural never factored into the plot before. The time travel is explained as really advanced science. Said ghost pirate also mentions guanín as his treasure of choice. We got the guanín hunt, but no ghost pirates to be seen. I wonder if something happened behind the scenes necessitating a rewrite, and Lalo's side job was a vestige of the original plan.

We have all these elements that could make for a theme, but none of them quite hit the critical mass to become the overarching theme of the season. I also wonder why this season was only eight episodes, rather than the ten we got with the first two seasons. It further adds to speculations that something happened behind the scenes. Like many audio dramas, the COVID-19 Pandemic impacted the production of season three of Timestorm. I'm just not sure to exactly what degree it did.

We're about to get into the spoilers, but before we do, I want to take a moment to be clear. I did very much enjoy this season of Timestorm. The writing was still very much on-point. The acting was just as excellent as always. There was clearly a lot of love and dedication put into this season, as is to be expected from Timestorm.

But now we must get into the spoilers. So, if you don't want any of that, turn back now.

Last chance, you sure you want to continue?

Well, if everyone who wants out is gone, let's get into it.

So, how do Alexa and Beni resolve the question of who gets the guanín artifacts. Well, one of them is a container that belonged to Horacio's dad, so Horacio gets to keep that one. As for the rest, they decide that the artifacts belong to the land itself. With that in kind thy decide...to throw the artifacts into the sea. Um, what? I know they said it was about giving them back to the land and...wait, if they were giving them to the land, why did they throw them into the ocean? What was the thought process? If we can't figure out who can have it, then nobody can have it?

It feels like one of two things happened. One possibility is that Dania Ramos painted herself into a corner and couldn't think of a proper resolution. The other possibility is that the ending was going to be different, but then something happened behind the scenes, and it necessitated a rewrite. Tying into that is that the possibility that Timestorm had to end sooner than expected, and the ending got rushed. The pacing of the final episode did feel a bit rushed in places.

To be fair, the questions raised by this season of Timestorm aren't easy to answer. As the podcast itself notes, there aren't very many pure-blooded Tainos left; but there are many people who, to varying degrees, have Taino ancestry. But who, if any, should get the artifacts? How do you determine that? Moreover, sometimes the correct answer isn't clear cut. For example, many people believe that the Elgin Marbles should be returned to Greece. However, given how much economic and political turmoil Greece has been going through, a case can be made that it would be better for them to stay in the British Museum. During the Arab Spring, there was concern about archeological and historical artifacts in Egyptian Museum in Cairo being damaged or looted. Thankfully, baring a few minor incidents, this didn't happen. Ironically, it was the gift shops that got targeted by looters, such as they were.

Point is, sometimes there aren't any easy answers when it comes to who archeological artifacts belong to. But I still maintain that throwing the artifacts into the sea felt like a cop-out. There's also a point where Alexa and Beni briefly travel into the future. We see that a community center has been built by Josie and Lalo. It is the site of a protest about...well, actually, we don't find out what the people were protesting. In the grand scheme of things, it isn't important. Though the way the scene is written makes it look like the people are protesting the community center itself. This gives the unfortunate impression that Josie and Lalo screwed-up really badly, or possibly did something morally questionable, and the Ventura twins needed to set them straight.

It is too bad Mr. and Mrs. Ventura never found out about their children's time traveling adventures. It would make things easier for Alexa and Beni, not having to constantly make-up excuses and stories. Also, the family is planning a trip to Puerto Rico, and Josie's magic tapestry would be a great way to save on airfare. That, and you don't have to be stuck on a plane for hours on end.

I remember when my family went to Puerto Rico. We left from the Dallas Airport, since Shreveport only has a regional airport. It was a four-ish hour flight, possibly a bit longer. We were all in coach class, which meant cramped leg room, and no room to recline the seats. The food wasn't much better. The main offerings were sandwiches of questionable quality. Oh, and they weren't free; you had to pay for them on-top of your ticket price. Guess it was marginally better than my aunt, uncle, and cousins who started from San Diego. They live in Temecula, California. I really wished I could magically teleport to and from San Juan. I shudder to think how much time starting from New Jersey adds to the plane ride.

On that note, I think I visited the tower Alexa and Beni go to in this season...possibly. I'm not sure if it was the exact same one, but I remember it was a tower in the middle of the rainforest, and the view at the top was absolutely gorgeous. I also remember there were lots of signs that said "don't pet the mongooses, they will bite you. I'd always wanted to visit a tropical rainforest, so I had a good time.   

It's too bad that Sonia never got in on the fun. She was the only character, besides Mr. and Mrs. Ventura, not to know. Even Datu from the New Jersey branch of Taino comics found out, but not Sonia. Though I did like the song she sings for the radio contest. Also, season one set up Thad as a major recurring character, but he fell off the face of the Earth after season one. Not a complaint, just an observation. Perhaps his actor had other commitments, or there just wasn't much else to do with the character. And this is a random aside, but I love the new series title card we have for season three.

I realize I sounds like I'm being a bit negative. I just want to emphasize that, overall, I did very much enjoy season three of Timestorm. The writing was still, overall, strong. The cast also gave great performances as usual.  

I had a few theories on what would happen if Timestorm ever officially came to an end. I thought for sure that, somehow, Horacio would manage to free himself from the Timestorm, and move-in with the Ventura family. However, it appears I was wrong, and that never happened. But that does make sense. 

The series ends with Alexa and Beni being summoned to the Timestorm for another mission. I liked how they take a moment to revisit the artifacts they've collected over the course of the series. It is a reminder of how far they've come, and the lessons they've learned along the way.

There is a strong vibe of "And the adventure continues" with the ending. It felt less like "Goodbye forever" and more like "Goodbye for now." Dania has said it might be possible that Timestorm will return one day. However, if it does, and I must emphasize what a big if that is, it will be several years from now. For the moment, Dania and company are moving on to other things. Specifically, she and Timestorm's music producer and sound designer Michael J. Aquino are working season two of the audio drama Time Trip! As the name suggests, it is also a time travel audio drama, but takes a more comedic approach than Timestorm. Personally, I found Time Trip! a bit too silly for my liking, but perhaps I'll give it another chance. Fun fact, Time Trip! was one of the things Orlando Segarra was involved with before he was cast as Horacio in Timestorm.

I wish everyone involved in Timestorm the best in all their future endeavors. Thank you too all the actors who contributed their voices to the podcast. I hope to see you in many future audio dramas. Thank you to the writers, cultural consultants, sound designers and engineers, and the other behind the scenes heroes. And thank you for quoting my first review and linking to it on Cocotazo Media's page for Timestorm. I want you all to know that it really meant a lot to me to see my review quoted alongside many other top audio drama critics and reviewers.

And thank you to everyone who gave Timestorm a chance because of these reviews. I hope it taught you more about Puerto Rican history, and brought some entertainment into your life. Really, I hope all of my reviews help you find your next favorite listens.

Well, I think that should do it from me for now. I will see you guys next time.