The Audio File: Live From Mount Olympus: Pandora

Even the best of audio dramas can have slip-ups. Past success doesn’t make one immune to the occasional hiccup, or lapse in judgement. A certain amount of slack is certainly due, but that doesn’t mean we ought to omit any criticism. Without further ado, onto the main event. We’re taking a look at season five of Live From Mount Olympus. 

You might know the story of Pandora. The curious woman who opened a box and let all of the evils into the world. But it wasn’t a box, it was actually a jar called a pithos. And maybe the story you think you know isn’t really what happened. Hermes and Athena are going to work together to weave a new story of Pandora.

We have had many successful seasons of Live From Mount Olympus at this point. Season one retold the story of Perseus and Andromeda, season two retold the story of Persephone and Demeter, season three the story of Atalanta, and season four the story of Prometheus.

Season six is a mere three episodes long. I wasn’t bothered by this. Perhaps it would serve as a coda to the story of Prometheus? Or perhaps the show runners were experimenting with a new format? The story of Pandora doesn’t have enough material to sustain a full season. So, perhaps the shorter format would work?

So, the first episode follows the story of Pandora as written by the poet Hesiod. The gods create Pandora with traits to punish humanity for stealing fire. Traits such as the ability to deceive men and lead them astray. She is given as a wife to Epimetheus, the brother of Prometheus. Pandora immediately falls in love…with cooking, cleaning, and looking pretty for Epimetheus. And, of course, curiosity gets the better of her, and she opens the lid of the jar. The jar the gods specifically told her not to open. And thus, evil enters the world, but hope remains in the pithos. Obviously, we’re playing up the sexism inherent in the original. Hesiod believed that women were inherently evil, and only lived to deceive and hurt men. Sadly, this wasn’t exactly an uncommon belief in Ancient Greece. If anything, this retelling is being slightly nicer. In Hesiod’s version, Pandora opened the jar…just because, really. Athena isn’t having it, and that sets in motion us learning the “real” version of Pandora’s story.

Now, admittedly, there are some details of Pandora’s story that retellings often get wrong. As you may have noticed, she did not have a box, but a jar. A pithos was a type of large jar used for storing things like olive oil or wine. They were also sometimes used to store dead bodies for burial. The common confusion is due to a mistranslation. As for hope, there are multiple interpretations. Some say that hope was a good thing, as it can get us through hard times. Others, however, feel that hope was a dangerous thing. Sometimes, it can be a bad thing to put your faith in a better tomorrow that isn’t coming.

The second episode retells the story, but form a different perspective. We follow Athena and Hephaestus as the work together to craft Pandora. There’s some cute moments where they bond over how much Zeus makes them frustrated. There was a myth where Athena, Hera, Apollo, and Poseidon all teamed up to try to overthrow Zeus while he was taking a nap. But they are stopped by one of the Hecatoncheires; also known as the Hundred-Handed Ones. Hephaestus was thrown off of Mount Olympus by either Zeus or Hera, depending on the version of the myth, when he was a baby. So, I can definitely see them having such a conversation.

Anyway, this time around, Pandora has more agency. The traits the gods gift her allow her to think for herself, and navigate the world. She is constantly curious, but that’s because she literally was born yesterday. In fact, her curiosity is portrayed as a good thing. Pandora is driven by her desire to gain more knowledge and experience. She’s not some bimbo who exists only for Epimetheus’ pleasure. However, just like the first time around, Pandora winds-up opening the pithos and releasing all of the evils into the world.

So, we come to the final story. The “true” story of what happened. Pandora is telling the story to all of her granddaughters. She learned that the world needs both darkness and light. For example, lying can be a good thing if it keeps someone’s feelings from being hurt. So, Pandora reasoned that maybe the so-called evil isn’t so evil after all. That humanity needs to know how to deal with darker feelings and emotions if it is ever to achieve its true potential. Epimetheus felt this way also, and so he and Pandora opened the pithos together. So, the pithos was actually a secret test from the gods all along. At least, that’s Pandora’s take on the matter.

This actually wasn’t a bad idea in theory. It was a unique take on the story of Pandora, and I might have enjoyed it under other circumstances. However, Live From Mount Olympus is supposed to be educational as well as entertaining. Presenting your reimagining as the “true” version of the story is only going to confuse kids. Suggesting that the evils in the pithos might not have been so bad is a very modern concept. The Ancient Greeks would certainly not have viewed things that way.

Live From Mount Olympus has always been about filling in the gaps of the myths. What was going through Perseus’ head during his quest? Did he ever struggle with self-doubt? What was Demeter and Persephone’s relationship like? What was it like for Atalanta to try to balance her wild nature and the civilized world? However, this season didn’t do any of that. Instead, it just made things up out of whole cloth to tell any entirely different story.

But what really irks me is why this all happened in the first place. The creators of Live From Mount Olympus have admitted that they found Pandora’s story to be incredibly sexist. As such, they felt that they had to change the story to better fit modern sensibilities. And to that I have to ask, well, why? There was no reason they absolutely had to adapt Pandora’s story. Wouldn’t it have been better to adapt a more agreeable myth?

In fact, I know just such a myth. You could even keep this season’s Rashomon style that this season was aiming for. I’m talking, of course, about the story of Arachne. There’s a lot of different angles you can take with Arachne’s story. The original version of the story portrays her as a victim of her own hubris. She arrogantly thought she could challenge Athena, the goddess weaving, to a weaving contest. Not only that, but Arachne also depicted the gods behaving badly in her tapestries. Then you have Ovid’s version. According to Ovid, Arachne genuinely was better, and Athena unjustly slew her out of petty jealousy. Ovid had a habit of getting on the bad side of Roman authority figures, and perhaps his writing reflects this.

So, you could do a season asking who Arachne really was. Was she an arrogant braggart who was rightly knocked off her high horse? Was she a brilliant artist who was unjustly persecuted? Was the truth some combination, or was it neither? You could have the season end on an inconclusive note. Rashomon did this for its ending. You could have the moral be that sometimes there just aren’t definitive answers, and we must choose what to believe. Hey, if Live From Mount Olympus wants to hire me as an idea guy, I’m ready and willing.

I would like to think that season five will serve as a lesson on how no to adapt stories from Greek Mythology. I would like to think that Live From Mount Olympus would know better. However, I do worry that this season is a sign of things to come. I suppose it is possible that things could course correct, but that remains to be seen.

As it stands, season five of Live From Mount Olympus was incredibly disappointing. A perfect streak of outstanding Greek Mythology adaptations was finally broken. The creators prioritized inserting their own views and messages over being true to the mythology. Next time, they really ought to pick a myth that is more agreeable to their sensibilities.

Well, I think that should do it from me for now. I will see you guys next time. 

The Audio File: Live From Mount Olympus: Prometheus

I’ve been on a bit of a review hiatus, but I’m officially back in the saddle. To start, we’re going to revisit an audio drama that has appeared on this blog several times in the past. Without further ado, let’s get right to it. We’re going to be taking a look at season four of Live From Mount Olympus. 

Prometheus, titan of foresight, is chained high in the Caucasus Mountains. He always has an eye towards the future. Yet now he looks back at his past, and what lead him to be chained. We follow him as defies his fellow titans in order to aid the Olympians. We watch as he forms a budding friendship with Zeus, the future king of the gods. We also witness his famous theft of fire for the sake of humanity. Prometheus, titan of foresight, adviser to Zeus, friend to humanity. This is his story.

Live From Mount Olympus is doing something a little different this time. Season four is a mere five episodes long. It seems that season five, which will focus on Pandora, will be about the same length. From what I understand, this was done to get new episodes out faster. And hey, we get two seasons for the price of one.

Season four is easily the best season of Live From Mount Olympus to date. We get a real sense of what a tragic hero Prometheus was. He constantly gets visions of the future. From the start, he knows that his journey will lead him to those chains, and having his liver ripped out each morning. And yet, he doesn’t try to fight it, nor does he protest his fate. For his visions also show him the heights that humanity will achieve once they harness the gift of fire. Knowing this is enough for Prometheus.

We see these even before the big heist. Prometheus begins his journey by openly defying Kronos and the other titans. He and his brother Epimetheus are some of the only titans to do so. This is no small feat, but Prometheus has seen the glories that the Olympians are destined to achieve.

I liked how this season handled Zeus. He and Prometheus start off as the best of friends. This makes it all the more tragic when Prometheus must betray Zeus. It would have been easy to portray Zeus as a tyrant, or a one-note villain. However, Live From Mount Olympus takes a nuanced approach. Zeus is clearly depicted as being in the wrong, but you can understand why he is so hesitant to share fire with humanity. Zeus rightly points out that humans are already fairly destructive and naïve. Giving them a new tool, especially such an inherently destructive one, could potentially make things worse.

I also really like how the actual theft of the fire is portrayed. It plays out almost like a heist movie. I thought that was a very fun touch. I also enjoyed seeing Hestia become a fairly prominent supporting character this season. I always kind of felt bad for her. She was the stalwart and steadfast one. She didn’t get involved in the shenanigans that the other Olympians did. Consequently, she doesn’t really feature in many myths. In fact, some lists of the Twelve Olympians even replace her with Dionysus.

Now, all of that being said, I also feel there were some areas that could have been better. I know that this season is shorter by design, but I felt that worked against it at times. Having more episodes to really develop Prometheus and Zeus’ friendship would make Prometheus’ betrayal carry more weight. We’d also get to see Zeus transition from an idealistic rebel to a flawed, but ultimately good at heart, king of the gods. It was necessary for the Titanomachy to be part of this season. Having the season start after the Titanomachy wouldn’t work. There just wouldn’t be enough material to sustain a full season, even a truncated one. Still, I feel that the Titanomachy could have made for an interesting full season in and of itself.

So, now for a bit of mythological musings. You would think that Prometheus, being a friend to humanity, would be a pretty popular guy in Ancient Greece. However, from what archeology can tell, this doesn’t appear to have been the case. Oh, he had some cults, but they were fairly minor. In fact, the earliest account of Prometheus, written by the poet Hesiod, depict him in an unflattering light. Hesiod portrays Prometheus as a self-righteous trickster who ended the Golden Age of humanity. Though, Hesiod is a bit mum about how not having fire, and having to sacrifice most of our food to the gods, was beneficial to humanity. To be fair, Zeus was considered the god of law and order. The Ancient Greeks viewed the world less as good vs evil, and more order vs chaos. So, Prometheus defying Zeus, and in such a chaotic way, would have potentially rubbed the Ancient Greeks the wrong way.

We do get to see a more sympathetic Prometheus in the play Prometheus Bound by Aeschylus. Here, Prometheus is a tragic hero and friend to humanity. Though, at the same time, the playwright Aristophanes depicts Prometheus as almost comically sneaky and devious. Interestingly, the bit about Prometheus creating humanity doesn’t show up until much later. The story of Prometheus, as we know it, really solidified during the Hellenistic era.

Where am I going with this? Well, the point is, Prometheus has always been more of a literary character than a mythological character. Often, ancient playwright and storytellers weren’t focused on replicating old stories, but rather, on exploring new themes and ideas. There was no strict canon in Greek Mythology. The stories varied from city-state to city-state. Prometheus has inspired artists from the Renascence to the Present Day. Live From Mount Olympus follows in that tradition, while also being faithful to the ancient sources.

Once again, let’s take a moment to thank the cast for the wonderful performances. Ato Blankson-Wood gives a very layered performance as Prometheus. He makes Prometheus sound very world-weary, and perhaps a bit resigned as well. Yet he also carefully drapes a thin layer of hope over everything that Prometheus does. Ian Lassiter, meanwhile, shows as more vulnerable side of Zeus as a younger god trying to make his mark on the world. Andres De Shields recently promoted Live From Mount Olympus when he was interviewed on The Today Show. I also love the title card this season. The orange and black evoke Ancient Greek pottery. Thought, really, all the title cards have been great. 

Season four is dedicated in loving memory of Vinie Burrows. She passed away last year and played many characters on Live From Mount Olympus. She always brought such power and grace to her roles. She will be missed by listeners and cast alike. 

The season ends on a bittersweet note. Prometheus is still chained, but he knows that one day he shall be free. Specifically, he shall be freed by Heracles, a son of Zeus. And though our time with Prometheus has come to an end, our time with Pandora will soon begin.

So, there you have it. Season four of Live From Mount Olympus is easily our best season to date. We explore the tragic story of Prometheus, the fire-bringer and friend to humanity. We’re going to be picking back up with the story of Pandora in season five, and I can’t wait to listen to it.

Well, that should do it from me for now. I will see you guys next time.

The Audio File: Live From Mount Olympus: Atalanta

Well, I can’t really think of a clever introduction for this one. We’re talking about another fantastic adaptation of Greek Mythology, in audio drama form, today. And one I’ve been eagerly anticipating. We’re taking a look at season three of Live From Mount Olympus.

Atalanta is a conflicted young woman. She was abandoned in the forest as a baby and raised by a family of bears. She loves her home in the forest, but she finds herself increasingly drawn towards human civilization. She is determined to learn about her origins and find her birth parents. She soon becomes renowned for both her fierce prowess in battle, and her incredible beauty. Atalanta must learn to balance her wild nature with the ways of civilization if she is ever going to find her place in the world.

I had previously speculated that we might see the story Atalanta get adapted as a season of Live From Mount Olympus. Atalanta is one of the few Greek heroes who, it could be argued, got a happy ending. Put a pin in that bit for now. However, as we can see, my prediction turned out to be fairly on the money.

The most famous aspect of Atalanta’s story, of course, is how she challenged her suitors to defeat her in the foot race. This happens, of course, but not until the end of the season. To be fair, the race does occur later into the story of Atalanta. Still, I’m remind of how, back in season one, Perseus slaying Medusa took less time than you might expect. However, in another parallel to season one, this just serves to emphasize the aspects that many people tend to forget in retelling of Atalanta’s story. One such aspects is the role that Meleager plays in Atalanta’s story.

Who is this Meleager person? He was the prince of Calydon, and a member of the Argonauts. The Fates connected his life with a piece of firewood. It was prophesied that Meleager would die if the firewood ever burned. Meleager’s mother kept the firewood locked in a special box. The truly cultured among you will notice this is an early example of Chekhov‘s Gun. It is a literary device name for the Russian playwright Anton Chekhov. It comes from advice he gave to aspiring playwrights. He said, paraphrased, don’t introduce a gun in the first act of a play unless you intend for it to be fired in the last act of a play.

Each season of Live From Mount Olympus has always been a two-person story. Season one was Perseus and Andromeda, season two was Persephone and Demeter, and now we have Atalanta and Meleager. It is Atalanta’s slaying of the Calydonian Boar, and her relationship with Meleager, that gets the lion’s share of the attention in season three. Of course, season three does break the pattern slightly. Meleager dies slightly over halfway through the season. Even then, a big driver for Atalanta’s growth as a character is learning to come to terms with Meleager’s death.

Live From Mount Olympus thrives by filling in the gaps and spaces of the original myths. That remains very true in season three. We spend a lot of time getting to know Atalanta’s adoptive family of bears. In fact, we spend more time with the bears than we do with her human family. At times, I was a bit reminded of Tarzan. Then again…well, actually, I guess Enkidu from The Epic of Gilgamesh would be the original Tarzan. Atalanta is a respectable second, however. We also see that Atalanta feels remorse over all the suitors who are killed as a result of losing the foot race to her. In the original myth, this is kind of glossed over. Here, however, she reflects on how they all have family and friends who will mourn their deaths.

We also get a closer look at Hermes’ godscast. It was just a framing device in pervious seasons. Season three, by contrast, makes it feel more like Hermes is actually producing a podcast. There’s a few scenes where he interviews Artemis and Athena about their role in Atalanta’s story. They both banter a bit with Hermes, and those scenes are written quite well. It never comes across as forced or annoying, unlike certain other podcasts. That means you, Parcast. Getting back on track, I thought this was a nice addition to season three of Live From Mount Olympus.

The voice acting is as fantastic as ever. We see several of our leading voices returning to the spotlight. Joanne Hernandez, who played Persephone in season two, takes center stage as Atalanta. It was fun getting to hear her play a character who headstrong, aggressive, and just a tad cocky. However, she also wonderfully captures Atalanta’s more vulnerable side as well. Divine Garland, who played Perseus in season one, also makes a triumphant return as Meleager. He is tasked with going in the opposite direction of Joanne’s performance. But it should come has no surprise that he captures Meleager’s thoughtful and sensitive nature. He managed to capture that side of Perseus fairly well. I must also give praise to Libby King’s performance as Athena, and Christina Liberus’ performance as Artemis. And, of course, Andre De Shields was just as wonderful as ever as Hermes.

There’s a running theme throughout this season about nature vs. civilization, or put another way, chaos vs. order. Artemis is the representative for team nature, while Athena represents team civilization. I like that neither is portrayed as being better than the other. Artemis and Athena do have friendly competition over who will influence Atalanta more, but it never turns malicious. Artemis and Athena both gives valuable gifts and advice to Atalanta. So, I guess the message is that we’ve all got a little wild and a little civilized inside of us. The trick is to find a way to balance them.

Okay, now I know you’re all wondering this for a while. Just how does Live From Mount Olympus handle the ending of Atalanta’s myth? Well, first we should talk about how the foot race goes. True to the myth, Hippomenes wins the race using golden apples given to him by the goddess Aphrodite. He dedicates each apple to an aspect of Atalanta that he loves. So, she isn’t just intrigued by the apples being shiny. We also get to know Hippomenes before the race, and learn why he loves Atalanta so much. This was, I suspect, done to makes the whole marriage race thing more palatable to modern listeners. I also loved how the announcer guy made the race sound like a modern-day sporting event. It was a fun little touch.

The original myth ends with Atalanta and Hippomenes getting turned into lions after having sex in a temple dedicated to Rhea. This might not seem bad, given how much Atalanta loves the wilderness. However, the Ancient Greeks certainly wouldn’t have viewed it in a positive light. The Ancient Greeks had many strange ideas about sex. One of these was that lions could only have sex with leopards. Therefore, Atalanta and Hippomenes had been cursed to never be able to have sex again.

Obviously, you can’t do any of that in an audio drama aimed at kids. Still, there could be some potential workarounds. Perhaps have them simply kissing and laughing, though that could still come across as unintentionally suggestive, given the audio only medium. Perhaps, Live From Mount Olympus could put a positive spin on the curse. That is, Atalanta could finally be free of civilization, and can return to the wilderness she loves for good. That would, of course, go against the theme of balancing nature and civilization.

However, Live From Mount Olympus took another approach. Season three ends right after the foot race. They do pay some lip service to the original myth. Hippomenes remarks that Atalanta is fierce like a lioness. Also, this is all presented in present tense. So, from the perspective of the gods, Atalanta’s story has come to an end yet. This is certainly a shake-up compared to previous seasons.

I also wonder how this will impact future seasons going forwards. Jason and the Argonauts were all depicted as jerks to Atalanta. So, that rules them out. Theseus was also a jerk to Atalanta, so that rules him out. Atalanta is sometimes a member of the Argonauts, but Greek Mythology is often contradictory. That, and that bit about dumping Ariadne on an island. Hmm, maybe they could tell the story of Theseus, but from the perspective of Ariadne. She married Dionysus after Theseus dumped her, so, she got a happy ending. Maybe they could combine several of the myths about Athena to make a season about her. Dionysus has too much alcohol and sex in most of his myths to get his own season.

I want to make it clear, I’m not faulting Live From Mount Olympus for ending season three the way it did. Greek Mythology has all sorts of things in it that aren’t exactly kid-friendly. Inevitably, this was going to happen at some point. As with many things, it is the journey, not the destination, that truly matters. Season three of Live From Mount Olympus certainly gave me a wonderful journey.

It is with season three that Live From Mount Olympus has officially bowled a turkey. This season retold the story of Atalanta, and highlighted the bits that tend to get downplayed in most adaptations. I certainly hope that there is a fourth season on the way. I certainly can’t wait to see which Ancient Greek myth gets adapted next.

Well, that should do it from me for now. I will see your guys next time.

The Audio File: Live From Mount Olympus: Persephone

It is always exciting when an audio drama puts out a new season. Especially so when you aren’t sure if the new season was on the way. Well, I don’t really have much more to add, so let’s get directly to it. We’re taking a look at season two of Live From Mount Olympus. 

Persephone is a young goddess with a reasonably good life. Her half-sisters Athena and Artemis are her best friends, her parents Demeter and Zeus love her, and she’s a fairly talented artist. And yet, she feels that she doesn’t know who she really is. She worries that she isn’t pretty, and that she has no identity beyond being Demeter’s daughter. But that’s not Persephone’s only problem. She’s been swallowed by a hole in the ground, and now finds herself in the underworld. Apparently, Zeus offered her hand in marriage to Hades. Persephone must journey through the underworld to discover who she really is. Meanwhile, Demeter will search high and low for Persephone. She will do whatever it takes to get her daughter back, no matter the consequences.

I had been hoping that Live From Mount Olympus would be getting a second season. As you might recall, I absolutely adored season one of Live From Mount Olympus. There’s plenty of stories from Greek Mythology that would make for great adaptions. Lo and behold, Live From Mount Olympus put out some bonus mini-episodes, and announced that a seconds season was on the way. The only hint was that it would involve a female character as the protagonist. Who could it be? What myth would be adapted? Psyche and Eros? That one had a happy ending, which is fairly rare for Greek Mythology. Atalanta, perhaps? But the ending of that one is bittersweet at absolute best. Didn’t seem like the sort of thing Live From Mount Olympus would go for.

But what if it wasn’t anything about mortal heroes? What if it involved the gods and goddesses? Sure enough, it turned out to be an adaption the Persephone and Demeter myth. Well, season one turned out pretty great. So, I had full confidence that season two would live up to its predecessor. It would seem that my faith was certainly not misplaced.

As I noted in my review of season one, Live From Mount Olympus is all about filling in the gaps. The original myths don’t offer much in the way of introspection. Characters will do things, but we don’t really get insight into their inner thoughts, and there’s not much in the way of dialogue. Point being, there’s a lot of wiggle room, and room for creativity, when it comes to adapting myths. For example, while the myths never say that Persephone hung out with Athena and Artemis, there’s also no evidence against it. The dialogue is modern, but feels natural, and never comes across as trying too hard to be hip and cool.

Persephone is also more assertive, and isn’t just some damsel in distress like in the original myth. She has adventures exploring the underworld on her own, and this is a big part of her character arc. She gains confidence and learns to embrace her new role as the queen of the underworld. She learns to see her new role as a chance to finally step out from her mother’s shadow. Persephone also makes some changes to the underworld. Prior to her arrival, all shades drink water from the River Lethe. It makes them lose their memories, and Hades believes that this will help them adjust to life in the underworld. However, Persephone convinces Hades that it might be better to let some shades retain their memories of life. Technically, this isn’t really part of the original myth, but it was a nice addition. I’d say there’s enough wiggle room that we can let it slide.

I really liked how Hades was portrayed. It is depressingly common for works that draw upon Greek Mythology to portray Hades as, basically, Ancient Greek Satan. In actual mythology, however, he was stern, but ultimately fair and reasonable. Death comes for us all sooner or later. Also, unlike Zeus and Poseidon, Hades only had a grand total of two affairs. In both cases, his lovers were turned into plants by Persephone. Of course, this is Live From Mount Olympus, so, naturally the writing is going to portray Greek Mythology accurately.

Hades is shown to be a very kind, sensitive, and introspective. He isn’t forceful with Persephone, and allows her take her time getting acclimated to the underworld. He also willingly let’s Persephone return to the land of the living after she learns how bad things have gotten in her absence. Persephone and Hades’ relationship progress realistically. Persephone doesn’t instantly fall for Hades, and still isn’t head-over-heels for Hades by the end of the season. However, she has grown to enjoy spending time with Hades, and is eager to continue to help improve the underworld.

I also enjoy that equal time was devoted to Demeter. This is pretty much the only myth where Demeter played a starring role. Oh, she appeared in other myths, but usually as a supporting character. As such, it was nice to explore Demeter’s time living among the mortals. She teaches humanity how to plant and harvest crops in the last episode of this season. This is in keeping with the myth, but earlier segments of the season seemed to indicate that humanity already knew how to do that. Mortals complained that the ground was barren, and nothing would grow. Did Demeter teach them how to harvest, but not how to plant? The Greek Gods could be jerks at times, but that comes across more as being scatterbrained. Demeter is a bit overprotective of Persephone, but that’s because she’s worried about being a bad mother. Demeter never really had a relationship with her own mother, Rhea, due to being swallowed by her father Kronos as a child. So, Demeter’s kind of figuring out parenting as she goes along. But then, isn’t that true of all parents?

Hermes still acts as narrator, but he’s joined by Hekate this time. That pairing made me think of The Hermes & Hekate Road Show. Such a good show, such a same that it only lasted one season, and is no longer available to listen to. Anyway, getting back on track, Hermes has a more reduced role this time round. He still pops into the story ever now and again, but not to the extent he did in season one. On the flips side, Persephone meets the goddess Styx during her time in the underworld. Styx is the personification of the river of the same name. Many gods and goddesses were personifications of various concepts or geographic features. They usually did have much in the way of personality, so that gives you wiggle room when adapting them. Styx provides words of wisdom to Persephone, and reminds her of the new opportunities she can find in the underworld. And I did love how Cerberus was portrayed as, basically, a big happy, energetic puppy. But, you know, with three heads and all that.

Okay, let’s just get this out the way now. Hades is the brother of Zeus and Demeter, who are Persephone’s parents. So, that means that Persephone’s parents are also her aunt and uncle, she is both their daughter and their niece, and her hand in marriage has been offered to her uncle twice-over. Live From Mount Olympus doesn’t deny any of this, but it also doesn’t go out of its way to emphasis any of it either. Like, there are times Zeus and Hades are mentioned to be brothers, and a couple times that Kronos and Rhea are mentioned as the parents of Zeus and Demeter, but not at the same time. Also, just as a random aside, I did notice that Hera was conspicuously absent from the happenings. Personally, I think this was the best approach to take with such subject matter. Don’t deny it, but also don’t go out of your way to draw attention to it.

I’d like to take a moment to talk about the voice acting. Joanne Hernandez had to walk a very fine line in her portrayal of Persephone. She strikes a good balance between sounding confident, but also showing an insecure side at times. Likewise, Nidra Sous la Terre strikes a good balance of portraying Demeter as overprotective, but also genuinely sympathetic. Andre De Shields is once again wonderful as Hermes. He’s joined by Ching Valdes-Aran as Hekate. We also get a surprise cameo from Anna Kendrick as Eos, goddess of the dawn. In other cameos, Divine Garland briefly appears as both a soul in the underworld, and as a human learning how to plant crops. I don’t think the soul was meant to be Perseus. I’m pretty sure the story of Perseus took place after the story of Persephone and Hades. It was just meant to be a fun little cameo.

Well, there you have it. Season two of Live From Mount Olympus lives up to the standard set by its predecessor. This has opened up many more possibilities for future seasons. There’s still so many myths left to adapt. The possibilities are endless, and I can’t wait to see where this show goes next.

Well, that should do it from me for now. I will see you guys next time.

The Audio File: Timestorm: Season 3

Sooner or later, every audio drama must come to an end. Not just the end of an episode, or the end of a season, but the end of the series. The sun must set at the end of every day. The curtain must fall at the end of every play. But that doesn't mean we can't have good times along the way. If nothing else, the shows you love will always live on in your heart. It helps that, in most cases, you can easily relisten to the series whenever you feel like it.

Why am I talking about all of this? Because it ties in with today's review. We're taking a look at season three of Timestorm.

Alexa and Beni Ventura are continuing their mission to witness, find, and remember events from throughout Puerto Rican history. They're aided by their cousin Horacio and his trusty AI Atabay. In the present day, they're assisted by their other cousin, Josie, and their mutual friend Janelly. Lately, the Ventura towns have been going on a lot of quests to retrieve guanín artifacts. Things have been going pretty well, but lately there is trouble on the horizon. A mysterious woman named Kaylee is also very interested in guanín, and believes the Ventura's can lead her to a great treasure. At the same time, Alexa and Beni begin to question the ethics of collecting artifacts. There are many questions to be asked, and many answers found, in the final season of Timestorm.

I can't believe the final season of Timestorm is here already. It seems like it was only yesterday that the adventure first began. I mean, I knew on some level that this day had to come eventually, but it's still kind of surreal that it's here already. Still, let's not dwell too much on the sad times. We still got a fantastic final season full of plenty of great moments and episodes.

Season three differs in a couple ways from its predecessors. For example, not counting bonus episodes, the previous two seasons had ten episodes each. Season three, by contrast, only has eight. I don't know if that was always planned, or if something happened behind the scenes. Season three also lacks an obvious theme. Season one was about women, especially teachers, in Puerto Rican History. Season two was about how Puerto Rican culture is the result of the blending of African, Indigenous, and European culture. Season three doesn't really have a central theme. The closest it comes is that it does touch on the question of who archeological artifacts ought to belong to.

The quests are also slightly different. They're carried out in two stages. For the first part, Alexa and Beni go to the past and locate the artifacts, and then return to the present day to retrieve the artifacts. At one point Janelly raises a really good question: why store the artifacts to the Artifact Cloud? What is Horacio and Atabay's long-term goal with that? You know, I'd never really thought of that before. I always just accepted it as part of the plot, and never really gave much thought. Well, your guess is as good as mine, as we never get an answer to that particular question.

One of the first missions takes the twins back to 1918, during the height of the Spanish Flu Pandemic. The name is more than a bit of a misnomer. Conventional wisdom is that the 1918 Flu originated in Kansas. However, recent evidence suggests that it may have actually originated in China. How did it become associated with Spain then? Well, it first began during the final years of World War I. Nations on both sides of the conflict censored mentions of the flu in their newspapers for fear that it might lower troop morale. Spain was a neutral nation, so their newspapers were uncensored, and reported on the flu. Thus, everyone wrongly associated the flu with Spain. Though, in the long run, the deaths caused by the 1918 Flu got overshadowed by all the deaths caused by World War I. Of course, the 1918 Flu is getting more attention now in large part due to the COVID-19 Pandemic.

The COVID-19 Pandemic happened while season three was being produced, and that particularly episode is clear meant to tie-in with the Pandemic. There's even a point where Beni says he can't imagine a pandemic in modern times. Oh, don't worry Beni. In a couple years you'll get to find out what that's like. As you might recall, Timestorm is set about three years in the past of when each season comes out. So, for the characters, the present day is 2018.

The series also continues its work in highlighting important, but often obscure, figures from Puerto Rican history. Another quest sees Alexa and Beni travel to 1980 to meet the archeologists Osvaldo Garcia and Ricardo Alegria. They both made major discoveries regarding the Taino people. Osvaldo and Ricardo proved that the Taino had a considerably advanced knowledge of astronomy, and played a ritual ballgame. I find that very interesting, as the peoples of Mesoamerica, especially the Maya, also had those traits. The Taino did have ocean-going canoes. However, this is no evidence that the Taino ever made it to Central America. It's fun to speculate about, but there isn't any evidence of trade or contact between the two cultures. On the other hand, countless Maya records were destroyed by the Spanish. Who knows what might have been recorded within those codices? Again, fun to speculate, but let's get back to the review.

So, what exactly is guanín? It is an alloy created my combining gold, silver, and copper. It was often used for the necklaces and medallions worn by caciques. Horacio's grandfather was a skilled guanín smith, and hoped to pass the skills on to Horacio someday. In fact, this season seemed to put a lot of emphasis on Horacio's family history, and his personal legacy. For example, we learn that his father Gael work in the Civilian Conservation Corp.

It was never established how exactly time works within the Timestorm, or how much subjective time Horacio has experienced. That being said, it is implied that he's experienced a few years, if not real time, in the Timestorm. Granted, he's got Atabay to keep him company, but it must get awfully boring and lonesome at times. It is implied that Horacio no longer needs to eat, sleep, drink, or use the bathroom. Frankly, it's a small miracle he has gone completely insane from being confined to his helicopter.

Like I said, we do get themes about legacy as it relates to Horacio and his side of the family. We also get some touching on themes of colonialism. Granted, we did get that in previous seasons with Idrissa's story, but this season touches on that in a lighter way. Kaylee wants to build a community center in San Juan. This isn't necessarily a bad thing, but she doesn't get any impute from any Puerto Rican people. You know, the very people she claims to want to help. She's also pretty clueless about Puerto Rican culture and history. It reminds me of what happened when the slums of London got torn down in the Edwardian era. The social reformers wanted to help the poor and destitute, but they didn't both talking to the poor, and finding out what they wanted/needed. As result, most of the former slum dwellers didn't meet the residency requirements for the new public housing that was built in place of the slums. Oh, they got monetary compensation, but only enough for a night or two in a boarding house.

Josie has an assistant in San Juan named Lalo. He runs ghost tours when he's not working at the comic shop. That's interesting because there was a bonus episode from last season where Alexa and Beni meet a ghost pirate. It was especially notable in that the supernatural never factored into the plot before. The time travel is explained as really advanced science. Said ghost pirate also mentions guanín as his treasure of choice. We got the guanín hunt, but no ghost pirates to be seen. I wonder if something happened behind the scenes necessitating a rewrite, and Lalo's side job was a vestige of the original plan.

We have all these elements that could make for a theme, but none of them quite hit the critical mass to become the overarching theme of the season. I also wonder why this season was only eight episodes, rather than the ten we got with the first two seasons. It further adds to speculations that something happened behind the scenes. Like many audio dramas, the COVID-19 Pandemic impacted the production of season three of Timestorm. I'm just not sure to exactly what degree it did.

We're about to get into the spoilers, but before we do, I want to take a moment to be clear. I did very much enjoy this season of Timestorm. The writing was still very much on-point. The acting was just as excellent as always. There was clearly a lot of love and dedication put into this season, as is to be expected from Timestorm.

But now we must get into the spoilers. So, if you don't want any of that, turn back now.

Last chance, you sure you want to continue?

Well, if everyone who wants out is gone, let's get into it.

So, how do Alexa and Beni resolve the question of who gets the guanín artifacts. Well, one of them is a container that belonged to Horacio's dad, so Horacio gets to keep that one. As for the rest, they decide that the artifacts belong to the land itself. With that in kind thy decide...to throw the artifacts into the sea. Um, what? I know they said it was about giving them back to the land and...wait, if they were giving them to the land, why did they throw them into the ocean? What was the thought process? If we can't figure out who can have it, then nobody can have it?

It feels like one of two things happened. One possibility is that Dania Ramos painted herself into a corner and couldn't think of a proper resolution. The other possibility is that the ending was going to be different, but then something happened behind the scenes, and it necessitated a rewrite. Tying into that is that the possibility that Timestorm had to end sooner than expected, and the ending got rushed. The pacing of the final episode did feel a bit rushed in places.

To be fair, the questions raised by this season of Timestorm aren't easy to answer. As the podcast itself notes, there aren't very many pure-blooded Tainos left; but there are many people who, to varying degrees, have Taino ancestry. But who, if any, should get the artifacts? How do you determine that? Moreover, sometimes the correct answer isn't clear cut. For example, many people believe that the Elgin Marbles should be returned to Greece. However, given how much economic and political turmoil Greece has been going through, a case can be made that it would be better for them to stay in the British Museum. During the Arab Spring, there was concern about archeological and historical artifacts in Egyptian Museum in Cairo being damaged or looted. Thankfully, baring a few minor incidents, this didn't happen. Ironically, it was the gift shops that got targeted by looters, such as they were.

Point is, sometimes there aren't any easy answers when it comes to who archeological artifacts belong to. But I still maintain that throwing the artifacts into the sea felt like a cop-out. There's also a point where Alexa and Beni briefly travel into the future. We see that a community center has been built by Josie and Lalo. It is the site of a protest about...well, actually, we don't find out what the people were protesting. In the grand scheme of things, it isn't important. Though the way the scene is written makes it look like the people are protesting the community center itself. This gives the unfortunate impression that Josie and Lalo screwed-up really badly, or possibly did something morally questionable, and the Ventura twins needed to set them straight.

It is too bad Mr. and Mrs. Ventura never found out about their children's time traveling adventures. It would make things easier for Alexa and Beni, not having to constantly make-up excuses and stories. Also, the family is planning a trip to Puerto Rico, and Josie's magic tapestry would be a great way to save on airfare. That, and you don't have to be stuck on a plane for hours on end.

I remember when my family went to Puerto Rico. We left from the Dallas Airport, since Shreveport only has a regional airport. It was a four-ish hour flight, possibly a bit longer. We were all in coach class, which meant cramped leg room, and no room to recline the seats. The food wasn't much better. The main offerings were sandwiches of questionable quality. Oh, and they weren't free; you had to pay for them on-top of your ticket price. Guess it was marginally better than my aunt, uncle, and cousins who started from San Diego. They live in Temecula, California. I really wished I could magically teleport to and from San Juan. I shudder to think how much time starting from New Jersey adds to the plane ride.

On that note, I think I visited the tower Alexa and Beni go to in this season...possibly. I'm not sure if it was the exact same one, but I remember it was a tower in the middle of the rainforest, and the view at the top was absolutely gorgeous. I also remember there were lots of signs that said "don't pet the mongooses, they will bite you. I'd always wanted to visit a tropical rainforest, so I had a good time.   

It's too bad that Sonia never got in on the fun. She was the only character, besides Mr. and Mrs. Ventura, not to know. Even Datu from the New Jersey branch of Taino comics found out, but not Sonia. Though I did like the song she sings for the radio contest. Also, season one set up Thad as a major recurring character, but he fell off the face of the Earth after season one. Not a complaint, just an observation. Perhaps his actor had other commitments, or there just wasn't much else to do with the character. And this is a random aside, but I love the new series title card we have for season three.

I realize I sounds like I'm being a bit negative. I just want to emphasize that, overall, I did very much enjoy season three of Timestorm. The writing was still, overall, strong. The cast also gave great performances as usual.  

I had a few theories on what would happen if Timestorm ever officially came to an end. I thought for sure that, somehow, Horacio would manage to free himself from the Timestorm, and move-in with the Ventura family. However, it appears I was wrong, and that never happened. But that does make sense. 

The series ends with Alexa and Beni being summoned to the Timestorm for another mission. I liked how they take a moment to revisit the artifacts they've collected over the course of the series. It is a reminder of how far they've come, and the lessons they've learned along the way.

There is a strong vibe of "And the adventure continues" with the ending. It felt less like "Goodbye forever" and more like "Goodbye for now." Dania has said it might be possible that Timestorm will return one day. However, if it does, and I must emphasize what a big if that is, it will be several years from now. For the moment, Dania and company are moving on to other things. Specifically, she and Timestorm's music producer and sound designer Michael J. Aquino are working season two of the audio drama Time Trip! As the name suggests, it is also a time travel audio drama, but takes a more comedic approach than Timestorm. Personally, I found Time Trip! a bit too silly for my liking, but perhaps I'll give it another chance. Fun fact, Time Trip! was one of the things Orlando Segarra was involved with before he was cast as Horacio in Timestorm.

I wish everyone involved in Timestorm the best in all their future endeavors. Thank you too all the actors who contributed their voices to the podcast. I hope to see you in many future audio dramas. Thank you to the writers, cultural consultants, sound designers and engineers, and the other behind the scenes heroes. And thank you for quoting my first review and linking to it on Cocotazo Media's page for Timestorm. I want you all to know that it really meant a lot to me to see my review quoted alongside many other top audio drama critics and reviewers.

And thank you to everyone who gave Timestorm a chance because of these reviews. I hope it taught you more about Puerto Rican history, and brought some entertainment into your life. Really, I hope all of my reviews help you find your next favorite listens.

Well, I think that should do it from me for now. I will see you guys next time.

The Audio File: The Creeping Hour

When I was a kid, I absolutely adored the Goosebumps books by R.L. Stine. Sure, maybe they could be a bit cheesy at times, but that's what made them fun. Plus, they were good introductory horror novels for kids. You just don't really see very much horror media aimed kids like that these days. Thankfully, I've found an audio drama that fills that niche. We're taking a look at The Creeping Hour.

The Creeping Hour is a horror anthology aimed at kids. It is hosted by The Creeps. They're three kids named Axe, Weta, and Toro. They turned into monsters after listening to too many scary stories. If you're not careful you may become a Creep yourself before the podcast is over. So, strap in your ribs, crumple you ears, and suck on something sour, because the time has come for The Creeping Hour.

I first learned of The Creeping Hour when it decided to take a look at the website for TRAX. They're a subsidiary of PRX focused on creating quality podcasts for listeners between the ages of nine and thirteen. I'd know about TRAX thanks to Timestorm and Live From Mount Olympus, and I was curious about what other shows they had to offer. I saw The Creeping Hour, it looked promising, and now here we are.

The Creeping Hour is created by Elie Lichtschein in collaboration with WGBH. If you've ever watched PBS or PBS Kids, chances are you've encountered WGBH's logo at some point. This is rather fitting, as I think of TRAX as what it would be like if PBS Kids made audio dramas. Molly of Denali doesn't count, because it was made to tie-in with the show. Usually, audio dramas from TRAX have at least some sort of education content to them. The Creeping Hour stands out due to being purely for entertainment.

Like I said, this is a horror podcast aimed at kids, so don't expect anything too intense. Think along the lines of Goosebumps or Are You Afraid of the Dark? However, being aimed at kids doesn't mean that that these aren't good stories. I quite enjoyed them. In fact, why don't we take a look at the individual stories?

Our first episode is titled "Meet the Creeps." We are formally introduced to our ghoulish hosts for the first time. Axe goes first with the story telling. She tells a story about two boys who sneak into an old house on a dare. The house belongs to an old man named Mr. Dirt Spy, because that's all he can say. They're sure they'll find something weird, but they're about to find more than they bargained for.

Overall, this was a reasonably good first episode. The production values are top-of-the-line, as is to be expected from TRAX. The acting is also quite good. In fact, I think I recognize one of the boys as the kid who played Mondo in Cupid and The Reaper. And yes, I have that and Becoming Mother Nature on the "to be reviewed" list. Anyway, there's a good sense of tension and spookiness before we finally get the big reveal. I thought that said reveal was well done. On the flip side, Mr. Dirt Spy's constant chanting got very irritating very quickly.

All of that having been said, I couldn't help but feel that The Creeping Hour was capable of doing better. I sensed strong potential, don't get me wrong, but perhaps this first episode isn't their best work. I'm going to discuss the big reveal, so jump down a few paragraphs if you don't want that spoiled.

Everyone who wants out gone? Then let's continue.

So, what's lurking in the house? A spider, a very big spider. That's what Mr. Dirt Spy has been trying to say: dir spi, or put another way, spider. All well and good, but I protest this slander of our eight-legged friends! They are wonders of nature, and help keep the insect population in-check. Besides, we all know that only naughty kids get eaten by the monster-sized ones. The story stops just before we find out the boys' fate, but that just makes it more effective. Horror often works best when you leave blank spaces for the audience's fertile imaginations to fill.

Also, I realized that the names of the Creeps are puns. Weta has mandibles and antennas like an insect, and shares her name with a type of cricket from New Zealand. Toro has horns and a nose ring like a bull. Axe seems to be the only one without an obvious theme. Though, I guess it works as a rocker name, and she is a rock star.

All in all, a reasonably solid first episode, but I sensed that The Creeping Hour was capable of doing better.

That brings us to episode two "Out of the Wind." Weta tells a story about a group of friends on a field trip. They're helping clean up a beach on a blustery overcast day. Before long, they discover some mysterious eggs, and decide to sneak them home on their backpacks. But what about that mysterious creature soaring through the clouds?

Okay, now we're talking. I rather enjoy overcast days when it's not too bright, but also not too dark. When the light is just right, it's a magical time where anything seems possible. A sort of time when mystery and adventure could be lurking in your own backyard. We never get a full description of the monsters, but what we do hear sounds fun. I like the idea of some sort of sky shark thing that only comes out on overcast days. Well, only comes out on overcast days as far as we know.

But we also gotta talk about Rashona. She really wants to be a scientist. She's determined to make discoveries and prove how fearless she is. To this end, upon discovering the mysterious eggs, she...immediately swallows several of them. I realize that kids don't always think things out, and the horror often relies on people doing stupid things, but really? Rashona, there's a difference between being brave and being stupid. In fact, most scientists would agree that sticking random objects in your mouth, especially when you don't know what they are, is incredibly dangerous. Although, this does lead to some amusing scenes later on in the story.

I thought it was a nice touch to have the monster attack the bus when everything was dark and rainy. When I was a kid, my classes always took charter buses whenever we went on out of town. It was actually pretty fun; the rides were always very relaxed and casual. Of course, if we ever drove once it got dark, then things could get boring. Hey, at least when it's day you have nice scenery to look at. It probably would have been scary, but having a monster attack would have spiced things up.

In a way, this episode was almost were rely nostalgic for me. It is also an excellent second episode, and really begins to show what The Creeping Hour is capable of.

Episode three is titled "Big Shoes." Toro tells the story of Andrew Korman. He loves to pick on Gary, a kid who wears big shoes because he has big feet. Andrew begins to wonder if maybe Gary might not be human. Perhaps, he might be a shedim. Andrew is sent to see the guidance counselor, Mrs. Chanticleer. Of course, Andrew will soon learn that a phone-call to his parents is the least of his concerns.

This show keeps getting better and better. I love it when I get to learn about creatures from folklore and mythology that I hadn't previously heard of. Shedim are creatures from Jewish Folklore. They're a type of demon, or at least, fill the role of demons. They look exactly like humans, except that they have large chicken feet, instead of human feet. Yes, there are more creatures in Jewish Folklore than just golems. It is really great to see lesser-known aspects of Jewish folklore brought to a wider audience. Admittedly, it was pretty obvious that Mrs. Chanticleer was the shedim. Chanticleer is a common name for roosters in fairy tales. It was obvious, but still effective. Sometimes times in horror, waiting for the other shoe to drop for the characters can be effective.

It sure was nice of Gary to save Andrew from Mrs. Chanticleer. Personally, if I was in his shoes, I'd have just let the bully get eaten. I guess that makes Gary a better person than I am. The only real issue is that it is said that Mrs. Chanticleer is from Sylvania. I looked it up, and I couldn't find anywhere of that name. I suppose it was supposed to be a fictional Central/Eastern European country.

Still, that's a minor quibble. I'd say this is the best episode of The Creeping Hour yet. So, how are they going to top this one?

The fourth episode is titled "Perfect Teeth." Weta tells the story of Mariana, a girl who needs to get braces. Thankfully, she won't have to wear them for long. Her orthodontist, Dr. Fossil, has discovered a revolutionary new metal called fossilonium. It is stronger and quicker to bond than most other metals, so Mariana will only have to wear her braces for a few weeks. However, Mariana's brother Pablo has noticed that she's acting awfully strange after getting her braces. It's as if the braces are changing more than just her teeth.

So, how does The Creeping Hour top the last episode? Quite well indeed. It's interesting, because this episode very much reminds me of an episode from the Canadian radio horror anthology Nightfall titled "The Dentist." Said episode was later adapted by the always excellent horror anthology audio drama Campfire Radio Theatre. It involves an evil dentist who is using a laser to lobotomize his patients, and then sells their cranial fluids as a youth serum. Obviously, this results in some pretty significant personality changes in the patients. So, in many ways, you can see "Perfect Teeth" as a kid-friendly version of "The Dentist." Hey, I'm not complaining. "The Dentist" was one of my favorite episodes of both Campfire Radio Theatre and Nightfall.

Horror often derives from social anxieties, and this episode is no different. Just as "Big Shoes" taps into the fear of bullying, this story draws upon feelings of forced conformity. When you're a kid, it often feels like every adult is trying their hardest to cram you into a mold. Braces are also something many kids have to deal with sooner or later. Now, I should say most orthodontist are lovely people, but it doesn't make brace hurt any less. Hey, if you ever feel bad about having braces, take solace that at least you aren't me. I had to have braces twice! Second time was to correct the impact of faulty headgear, and I had to have jaw surgery as part of that correction.

An episode that manages to surpass its predecessor and more. I'd even go so far as to declare it possibly the best of the bunch.

Episode five is titled "The Beat." Axe tells the story of a boy named Ben. He is attending a Halloween party hosted by his friend Aiden. Ben is incredibly nervous and easily spooked, but his crush Esme will be there, so he's trying to put on a brave face. But he'll have to find answers to several questions if he wants to make it through the night. Why is very wearing such strange white masks? And what's up with that strange beat coming out of the speakers?

And so, we've reached the final episode of The Creeping Hour. I found Ben very easy to relate to. I too was very nervous and easily spooked when I was kid. Well, if I'm being honest, I still am. I didn't go to many parties, but that's because I didn't actively seek them out, and I wasn't much of a social butterfly. It didn't help that I tend to be fairly sensitive to loud music. I must say that the titular beat is rather catchy. I found myself tapping along to it. Hmm, better watch out, the fourth wall might not be able to protect you from this one.

It's not that this was a bad episode. Far from it, I quite enjoy it. It's just that this was the last episode of the series, hopefully just for now, so I was a little bummed that The Creeping Hour was over already. I also felt that "The Beat didn't quite keep up the momentum that "Big Shoes" and "Perfect Teeth" started. Again, this isn't to say that "The Beat" was bad. As the final episode, it had a lot of pressure riding on it, since it is the note that the series ends on. Again, hopefully that's just for now. If it had been just another episode, then perhaps it's would feel like there was less pressure on it.

Now, I don't want to end on a bad note here. This was still a very good episode, and I very much enjoyed it.

And so that was all the episodes of The Creeping Hour. It's a little disappointing that we only got five episodes, but hey, quality over quantity. According to Elie, the five episodes that are out so far are the pilot season. They were written with the hopes that The Creeping Hour would get picked up as a full series. Here's hoping that it does sooner, rather than later. It's been over a year, true, but the COVID-19 pandemic messed with the schedules of a lot of audio dramas. So, I suppose that hope springs eternal. I really hope we get more episodes of The Creeping Hour someday.

And so that was The Creeping Hour. An excellent horror podcast that is aimed at kids, but that doesn't mean listeners of all ages can't join in the fun. Give it a listen if you haven’t already.

Well, I think that should do it from me for now. I will see you guys next time.

The Audio File: Live From Mount Olympus: Perseus

The various mythologies of the world are some of the oldest inspirations for works of art. These timeless tales of gods and heroes invite themselves to reinterpretation and reimagining. Often, these retellings allow us to examine the original tales in a new light. There's still plenty of room for innovation and putting your own mark, even when you stay faithful to the plot of the myths. Yes, this is leading into the audio drama we're reviewing today. We're taking a look at Live From Mount Olympus.

Perhaps you have heard of the Ancient Greek hero Perseus. The slayer of Medusa, the one who saved Princess Andromeda from the sea monster Cetus, the one who defeated the tyrants Polydectes and Acrisius. Before of that, however, he was just a fisherman's apprentice with big dreams. Perseus never knew or suspected that he was a son of Zeus. However, when the tyrannical King Polydectes challenges Perseus to bring him the head of the gorgon Medusa, Perseus will rise to the occasion. Polydectes will marry Perseus’ mom, Danae, if Perseus doesn’t make it back. Thankfully, Perseus is not on his own. He will receive help from his siblings, the gods Hermes and Athena. One thing is for sure, Perseus is in for an adventure of Olympic proportions.

I first became aware of Live From Mount Olympus when I was scrolling through Twitter one day. Timestorm had retweeted about a new podcast that was coming soon named Live From Mount Olympus. It looked cool, and I made a not to check back on it. So, a month or so later, I checked back, and Live From Mount Olympus was putting out episodes. The whole series is now available, and so here we are. Timestorm and Live From Mount Olympus are both part of TRAX, a subsidiary of PRX, which focuses on making quality podcasts from listeners between the ages of nine and thirteen. TRAX is funded by the Corporation for Public Broadcasting, whom you may have heard of if you've ever watched PBS.

Live From Mount Olympus is created by the Onassis Foundation. They’re an organization founded by Aristotle Onassis to promote arts, culture, and community. Particularly, they focus on the arts and culture as they relate to Greece. The Onassis Foundation is headquartered in Athens, but also has offices in New York City as well.

Okay, so enough preamble, let's dive into the audio drama itself. Like I said, Live From Mount Olympus is a retelling of the myth of Perseus. It is incredibly faithful to the original myth. The biggest deviation is when Perseus meets the titan Atlas after slaying Medusa. In the original myth, Perseus used Medusa's head to turn Atlas to stone for refusing him hospitality. Atlas did this because he feared Perseus might steal his golden apples. In the audio drama, Perseus offers to turn Atlas to stone to help ease his burden of holding up the sky. However, Atlas refuses, but he does offer Perseus some words of advice.

Of course, the myths are hardly consistent on this point. One of Heracles' famous twelve labors was retrieving golden apples from Atlas. In that myth, Atlas was very much not turned to stone. For reference, Heracles was Perseus' great-grandson. Though, they were both sons of Zeus, so technically they were also half-brothers, and Zeus was thus Heracles' father and great-great-grandfather at the same time. The family trees of Greek Mythology can get a bit twisted at times. The point is, even the mythology is inconsistent on this point, and it is only a minor pit stop to the main plot.

The other main difference is that Hermes has much larger role in the story. In the original myth, he gave Perseus his winged sandals...and that was pretty much it. Here, Hermes acts as the narrator of the series. The series is part of his gods podcast, a godcast, if you will. Athena still acts a Perseus' primary mentor, as in the original myth, but Hermes is along for the ride too. He also provides bits of advice to Perseus along the way.

Now, just because the plot sticks closest to the original myth doesn’t mean there isn’t room for innovation. Nor does it mean the writers can't leave their own mark. The myths tell us what Perseus and company did, but not how they'd felt, or what was going on in their heads. Live From Mount Olympus thrives by filling in these gaps. Perseus starts off full of doubt and unsure of himself. He still takes a while, even after he's revealed as a son of Zeus, to fully accept that someone like him could be the son of a god. Over the course of the series, he learns to overcome these doubts, gains confidence in himself, and becomes a hero.

I really liked what Live From Mount Olympus did with Andromeda's character. She isn't some doe-eyed damsel in distress. She willingly offered herself up as a sacrifice to Cetus for the good the sake of her people. She also helps Perseus defeat Cetus...well, sort of. She throws rocks at the sea monsters, which is like trying to shoot Godzilla with a BB-gun, but hey, it's the thought the counts. She does shout some instructions to Perseus as he's fighting Cetus. She initially scoffs at the idea of marrying Perseus, but after accompanying him on some adventures, she warms up to it.

I also really like what they did with Danae. She might not be a physical fighter, but she has a lot of emotional strength. Remember, she had to raise Perseus pretty all on her own, barring a bit of help from Dictys. She's the one who instilled in him a sense of right and wrong. She's also the one who helps him through his dark times. For example, in the original myth, after Perseus accidentally kills his grandfather Acrisius, as foretold in the prophecy, he doesn’t think much of it. In the audio drama, however, Perseus feels an immense guilt and is completely torn-ups about it. Danae, along with Andromeda, Athena, and Hermes, help him put things into perspective. They remind him it was destined by fate to happen, and it doesn't mean he's a bad person.

This moment also provides great emotional whiplash, as just before all of that, the discus toss was portrayed like a modern-day baseball game. It has announcers, music, and everything. Perseus being a wise-cracking hero, plus his close relationship with his mom, brings to mind a certain other demigod named Perseus. Of course, that guy is a son of Poseidon from New York City, not a son of Zeus from Ancient Greece.

Though the series is primarily focused on the myth of Perseus, we do get mentions of others myths as well. We get a bonus episode where Hermes recounts the story of his birth, and how he invented the lyre after stealing Apollo's cattle. The episode where Perseus first meets Athena gives us a flashback to Perseus' childhood. Danae tells him various stories about Athena, such as her birth, and her contest against Arachne. Athena is Danae's favorite goddess, so you can imagine how excited she is when she finally gets to meet Athena.

If you're wondering, yes, Perseus does slay Medusa, just as in the original myth. It happens halfway through the series, and is over surprisingly quickly. Granted, this is true to the myth, but I had to reminded myself of that. Sometimes, the best-known parts of Greek myths don't last as long as you might think. For example, the parts of The Odyssey where Odysseus fights the monsters, travels to strange lands, and deals with Circe and Calypso, only lasts about four books of the epic poem. For reference, The Odyssey is composed of twenty-four books total. Well, they're called books, but they aren't as long as you might think. Point is, the most famous parts are only a small portion of it. Most of the epic poem is focused on Odysseus trying to reclaim Ithaca from the suitors.

Now I'd like to take a moment to talk about the cast. The production team went with colorblind casting, and the cast is racially diverse. I think that this is really great. Greek Mythology is for everyone. It isn't just for Greek people, it isn't just for white people, people of all races can enjoy and utilize Greek Mythology. I also appreciate that they didn't race-flip one or two major characters and then leave the rest of the cast white. They were consistent with their diversification of the cast across the entire cast, and I appreciate that consistency.

The cast are all professional theatre actors from a group called The TEAM. They're a Brooklyn based theatre ensemble who typically make works focusing on the experience of living in America today. Most notably, we have André De Shields as Hermes. You may remember him from the musical Hadestown, where he also played Hermes. Divine Garland gives an absolutely outstanding performance as Perseus. He captures the wise-cracking and confident side of Perseus, but also his more vulnerable and contemplative side. I'll add that I liked how Live From Mount Olympus emphasized how young Perseus was. At lot of the major heroes from Greek Mythology were, by modern standards, pretty much just kids when they accomplished their great deeds.

Jillian Walker gives an excellent performance as Danae. She reminded me a bit of Carrie Compere's performance as Mrs. Jackson in The Lightning Thief: The Percy Jackson Musical. Chalk another one up for the parallels with Percy Jackson. Just to be clear, the fact that there were elements that reminded me of Percy Jackson is not a bad thing. If anything, it is a major net positive, given how much I love Percy Jackson. And hey, if you need another reason to listen to this audio drama, Becky Riordan, wife of Rick Riordan himself, recommends it. I think it's safe to say Rick gives Live From Mount Olympus his seal of approval.

Christina Liberus did pretty well as Andromeda, though at times she sounded a bit older than Perseus, not that there's anything wrong with that. Really, the entire cast gave phenomenal performances, and I hope I hear more from The TEAM in the future.

I really hope that Live From Mount Olympus comes back for a second season. And a third, and a fourth, and...well, you get the idea. There's plenty of other stories from Greek Mythology to adapt. Though, most would probably, at best, end on a bittersweet note. Perseus is notable for being one of the only Greek heroes to get an unanimously happy ending. Hermes does hint, at the end of the last episode, that he has more stories to tell in the future. I certainly hope that this isn't the last we've heard of Live From Mount Olympus.

So, there you have it. Live From Mount Olympus retells the myth of Perseus as an adventure of Olympic proportions. It is aimed at kids, but can be enjoyed by listeners of all ages. You do not want to miss this audio drama is you love Greek Mythology, or mythology in general. Do yourself a favor and listen today. You'll be glad that you did.

Well, I think that should do it from me for now. I will see you guys next time.

The Audio File: Timestorm: Season 2

 I've been catching up with a lot of audio dramas now that they have their second seasons out in full. There really isn't much more for me to add here, so let's jump right to the point. We're taking a look at season two of Timestorm.

First, a brief recap. Timestorm follows a pair of twins from Newark, New Jersey named Alexa and Beni Ventura. They go on time travel adventures, usually throughout the history of Puerto Rico, to recover artifacts for their cousin Horacio and his A.I. friend Atabay. Horacio is halfway between life and death in a region outside of time and space called a Timestorm. This season, Alexa and Beni are going to take part in a multistage quest to recover the beat of three motherlands. Meanwhile, in the present day, they must uncover the identity of the mysterious author of the comic Take Back Time.

Timestorm wowed me with an amazing first season, and I was eagerly awaiting season two. I must say, it more than delivered, and the show just keeps getting better. In fact, I'd say this season was even better than the first, which was already pretty great in its own right. Waiting a week between episode was a new experience, as last time I listened after the season was completed in its entirety. Still, it wasn't like it was a great burden or anything, and the consistent quality kept me eager for more.

Last season, the main theme was about women in Puerto Rican history, especially those who have been largely forgotten by history. This season, the main theme is about how Puerto Rican culture is the result of the mixing of African, European, and Indigenous culture. To this end, most of the time travel adventures this season take place outside of Puerto Rico. We get to see Senegal in 1810 and Spain in 1852. Africa tends to get ignored in time travel media; especially ones aimed at kids. As such, I was very happy that Alexa and Beni visited early 19th Century Senegal, and that we got to explore the richness of Senegalese culture. Although, when I saw that it was 1810, I got worried. The Transatlantic Slave Trade was in full swing in 1810, and I knew things were going to get back to Puerto Rico eventually. Would these new characters be captured as slaves? Well, everyone gets through the episode okay but...well, actually, let's put a pin in that for right now.

We didn't explore Spain as in-depth in the episode where Alexa and Beni visit it. Granted, we do get to meet Francisco Oller, a famous Puerto Rican painter who studied in Spain. We also meet Frederico Madrazo, a famous Spanish portrait artist, and Francisco's teacher. Still, we probably didn't explore Spanish culture as much because it would have been redundant. Spain, arguably, left the biggest impact on what would be Puerto Rican culture. Spanish is the dominate language in Puerto Rico, after all. Still, as this season makes clear, Africans and Tainos made fairly significant contributions to Puerto Rican culture of their own.

Speaking of which, remember last time when I said that I hoped we'd get an episode centered around the Taino people? Well, this season granted my wish to me. Not only that, but Alexa and Beni visit the Taino in 1488, a good five years before the Spanish arrived on the island. This means we get to see the Taino in their pre-contact prime. Taino are the native people of Puerto Rico. You might not have heard of the Taino, but you've probably used words from their language. The words hammock, canoe, and hurricane all have their roots in the Taino language. Hurricane is derived from an epitaph for the Taino goddess of storms. I found that interesting, because the Maya people of Central America have a storm god named Huracan. Though it is probably just coincidence, as the Taino storm goddess' proper name is Guabancex.

I also recently learned a new word: Boricua. It means a person of Puerto Rican ancestry, but who does not necessarily live in Puerto Rico. It derives from the word the Taino used to refer to the island, Borikén. So anyway, Alexa and Beni get to meet Aguay, who went on to become a great cacique, a type of chief. In fact, he was cacique when Spanish explorers first arrived in Puerto Rico in 1493. His real name was Agueybana, but he had a brother by the same name, who also appears in the episode. Timestorm got around this by splitting the name. Agueybana I is called simply Aguey, while his brother Agueybana II is called Bana. Aguey recounts the creation story from Taino Mythology to Alexa and Beni. I always love when less well-known mythologies get featured. This also meant we got mention of the supreme earth goddess Atabay, namesake of a certain snarky A.I.

We even get a short bonus episode set 1510. Bana is now the main cacique, and the Taino are uncertain about what the coming of the Spanish will bring. This is shortly after Ponce de Leon has visited the island. Yes, he who sought the fountain of youth. Ah, so is that where the city of Ponce got its name from?  There's a disclaimer at the start that, though it involves real people, the events of the episode are fictional. I thought it was a nice touch, and very much appreciated.

We also get more development in the Ventura Twins' present day lives. For example, we learn that Datu, the owner of the Taino Comics & Games Store, is apparently Filipino. We know this because he meant that his grandma is from Manila. I always assumed he was Boricua like the rest of the cast, but I guess I was wrong. To be fair, Filipinos are often called, with varying degrees of seriousness, often call Latinos who got lost and wound up in Asia. About one out of five Tagalong words come from Spanish, they eat flan, they're devout Roman Catholics. I'm just saying, a case could be made, but I digress.

More importantly, we meet Josie. She is Datu's boss, even though I think he owns the store...the chain of command was a bit unclear. Whatever the exact pecking order, she is his superior. More importantly, she has a magical tapestry that can transport people to the other Taino Comics & Games in San Juan, Puerto Rico. There is a tapestry there connected to the store in Newark. How did Josie get this magical tapestry? Well, that's another thing we'll have to put a pin in for now.

We also learn the series is set in 2017. I always assumed there was no definitive date, but that works. That way, there series won't be impacted by any major world events, especially if the characters travel to the future at any point. Obviously, you don't want to make predictions, only to have them not turn out to happen. As of this writing, there is speculation about Puerto Rico finally becoming a state. Personally, I'm skeptical about this, given how many times it has been proposed, only for things to stay just as they have been, but you never know. Also, this explains why none of the characters make mention of things like wearing masks or social distancing.

We'll be getting into some potential spoilers in just a minute. For now, I'd like to talk about something I thought could have been done better. There's a mini episode where the twins are attending a music festival, which includes Afro-Puerto Rican music. So, Beni is playing on the drums and having a good time when some white guys walk up and say, basically, "that's sounds like slave music to me." And this really hurts Beni. Really now, that's the example of modern-day racism you're going to go with? Did the white boys perhaps return and call him doo-doo head while they were at it?

Every year at the high school I went to all the students had to watch a PSA video about stranger danger and how to not get molested on the Internet. It was a poorly made video from start to finish. It seemed to have been created under the assumption that kids of my generation has somehow never used the Internet before. Then there was the incredibly wooden acting, and the fact that they made the creepy adults so over the top they were basically saying "child molesters are so glaringly easy to spot you basically have to be trying to not notice them." Naturally, this elicited quite a few giggles from the students. The teachers naturally didn't take this well, and tried to shame everyone into behaving, to little effect. The point being, despite their good intentions, the crappy execution of the PSA video undermined the message. 

It is a disservice to your listeners to tackle topics like racism without fully committing to it. Do or do not, there is no try. Maybe that means writing uncomfortable scenes, but you know what else is uncomfortable, actual racism. You wouldn't even have to use any naughty words. You could just have the white boys pretend to be friendly, only for them to then say "Well, if you like black music so much, why don't you go back to Africa?!" I know it's a minor point, but it still bothered me. Especially in light of the stuff we're going to talk about in the spoiler section. I've lived in Louisiana my entire life, so I'm well aware of what actual racism looks like. I could help but think "Damn it, Dania! Real racist aren't that nice!" And if the issue is the actors feeling uncomfortable reading such lines, well, I charge three dollars per hour of production. No not really; I'd work for free if Timestorm actually offered me a role. In all seriousness, racism isn't a topic you can handle with kid gloves if you wanted to seriously tackle it.

On a much minor note, every episode ends with a reminder that Timestorm is produced on the traditional land of the Leni Lenape people. It didn't bother me,  but I feel there might be better ways to honor the native peoples of New Jersey. Perhaps have Alexa and Beni go back in time to visit the Lenape. The team has shown that they're more than capable of writing time travel episodes set outside of Puerto Rico. Our maybe have some Lenape characters in the present day. That would be good because it would show that Native Americans are a living breathing people and culture; not just a topic you read about in history books. I'm a big advocate of increased Native American representation in media.

Okay, now that we've got that out the way, it is time for the spoilers. If you don't want any of that, turn back now.

Last warning. You sure you want to continue?

Well okay, if everyone who wants off is gone, then let's dive into it.

Remember when I wondered if anyone the Ventura twins met in Senegal was going to get sold into slavery? Well, turns out I was right on the money with that one. Well, in one case anyway. Idrissa was captured and taken to Puerto Rico, where he was renamed Gabriel. Alexa and Beni meet him again in 1890. I don't think they said how old he was in 1810; my guess would be twenty-something, maybe late teens. If I'm right, then he'd be nearly 100 years old by 1890. Technically not impossible, but would still be rather unusual for a man who had to endure a life of hard physical labor. That would be especially true if he wound-up on a sugar plantation.

Sugar cane goes sour only one day after it is harvested. That means it has to be processed right away. The process of processing the sugar had a nasty tendency to result in hands getting chopped off. Oh, and it wasn't a question of maybe, this was a guarantee that someone would get maimed. As such, sugar plantation had large populations of slaves to supplement the workforce. That, and sugar was the oil of its day in terms of value. Sugar plantations were common across the Caribbean and Brazil. I bring this up because fourth-five percent of all slaves brought to the New World went to the Caribbean, including Puerto Rico. Fifty percent went to Brazil, and the remaining five percent went to the Untied States and the rest of mainland Latin America.

Idrissa has become a broken man from his life in bondage. The horror of slavery wasn't just the threat of physical violence. It was also the psychological horror that you could be taken from your loved ones at any moment, and that you would never see them again. Or perhaps you lost your loved ones because you were captured, stuffed onto a ship, and taken to a land you'd never even heard of before. Then, upon arrival, your captors do everything in their power to stamp out your culture, and force you to adopt their strange and alien culture.

And yet, despite all of this, Idrissa survived and started a family. But not just any family. Alexa and Beni do some research in the present day, and wouldn't you know it, Idrissa is their several times great-grandfather. If nothing else, they know his life's story, and thanks to time travel, he was able to pass on some of his traditional African culture to them. So, this means that even though he lost touch with his African roots, his culture will live on in future generations thanks to Alexa and Beni. In the end, the slavers lost, and Idrissa's struggles were not in vein. Though spare a thought for all the Idrissas who didn't get to have their stories told.

Alexa and Beni discovered this all partially thanks to an Ancestry.com type genealogy service. Strange that it wasn't actually the real thing. I'm pretty sure Ancestry does sponsorships, and that might help offset production costs. But I know that Timestorm is partially sponsored by The Corporation For Public Broadcasting, so maybe there are rules about that. Hmm, I guess that makes Timestorm is the closest thing to if PBS Kids were to make an audio drama. Molly of Denali doesn't count; because it was based on a pre-existing property. 

Speaking of family, now let's talk about Josie. Surprise! She's another long lost Ventura cousin. Also, Janelly finds out about what Alexa and Beni have been doing. Maybe this will means she and Datu will get to join the Venturas on future adventures. It would be nice to show that you don't have to be a blood relative of the Ventura family to have adventures. Now all we need is to get Sonya and Mr and Mrs. Ventura onboard, and the gang will all on the same page. Also, I now know what piraguas are. Sure, they sound like just a variation on snow cones/balls, but I'd still like to try them. Though, if I did have a magical tapestry that took me to San Juan and back again, I'd be making a beeline for the nearest mofongo restaurant. I haven't had any in years, and I still think about it often.

Well, I think that covers everything if importance. Season two of Timestorm builds upon the already excellent first season, and just keeps getting better. I can't wait to see what excitement and adventure future seasons bring. If you haven't listen to season one...you should probably do something about that, or else you'll be very confused. But if you have listened to season one, but have not listened to season two yet, do so today. You'll be glad that you did.

I think that's enough from me for now. I will see you guys next time.