The Audio File: A Fox’s Guide to Deurbanisation

I’m back with another requested review. This one has talking foxes, rediscovering roots, and even a bit of chicken korma. So, without further ado, let’s get into it. We’re taking a look at A Fox’s Guide to Deurbanisation. 

Rusty is a fox that has lived in London his entire life. He and his friends get by scavenging food from rubbish bins. Chicken korma is their favorite. But lately, Rusty has grown disillusioned with urban life. His mom died from asthma caused by the smog and pollution, and his dad got run over by a taxi. Rusty’s dad was from the countryside before he met Rusty’s mom and moved to the city. Rusty wants to get back to nature and reconnect with his rural roots. Well, he hasn’t really experience true wilderness before. Still, he’s going to find the forest his dad grew up in, and reconnect with his estranged family. How hard can it be? And he’s going to record it all as part of a podcast he’s making.

This was another audio drama I received a request to review. Series creator Lisa Emily Petersen emailed me requesting a review. It took a while, between my day job at the Shreveport Aquarium, working on The Books of Thoth, and working on the new season of Residents of Proserpina Park. But I finally managed to get around to listening to A Fox’s Guide to Deurbanisation.

The audio drama this most reminds me of is Lights Out. They’re both dramdies that follow casts of semi-anthropomorphic animals. That is, the characters physically look like regular animals, but mentally, they’re basically human. And get into human-like shenanigans, with a animal coat of paint. Lights Out is a true gem of an audio drama, and I was delighted to find an audio drama that reminded me of it.

Amusingly, there is a kernel of truth to A Fox’s Guide to Deurbanisation. Scientists have observed some foxes adapting to life in urban areas. In fact, some scientists believe we’re witnessing the birth of a new subspecies of red foxes. These urban foxes are smaller on average. Easier to blend in and hide that way. And they primarily subsist by scavenging scraps of human food. Though, no word on whether they consider chicken korma superior to other curries. Also, as far as we know, none of these foxes have figured out how to create podcasts.

In some ways, this audio drama feels like an analogy for the experiences of diaspora kids. Children of immigrants grow up hearing stories about their parents’ homelands. It isn’t uncommon for them to wonder if the grass might be greener in the lands of their ancestors. Of course, it's also far from uncommon for them to discover that their parents’ countries have plenty of issues of their own. That, and these diaspora children discover they aren’t always welcomed with open arms, or automatically considered a member of the tribe.

I also see some parallels to…well, people experience a quarter life crisis, I suppose, but even that doesn’t feel quite right. The type who will convert to a new religion, like Buddhism or Paganism, and advocate getting back to nature and living in harmony with Mother Earth. Okay, Rusty isn’t quite that hippie dippie. The point being, they’re the type to take up farming, or living off the land, only to discover that it's actually much harder than they expected. 

A particularly tragic example of this was Christopher Johnson McCandless. He decided to try living off the land in the Alaskan bush. He was constantly starving, he couldn’t get back to civilization because he miscalculated the flooding of the river, refused to use a map and then probably starved to death. Though, some people think he accidentally ate a poisonous plant. 

On a brighter note, one of the major themes of A Fox’s Guide to Deurbanisation is that people are often more than they seem. Characters are frequently introduced in a way that paints them as one note, and often in a very unflattering light. However, later on it will turn out that they have hidden depths. People, and foxes, are complex and multifaceted.

Now, let’s talk about the characters. Rusty, of course, is our protagonist, and host of the in-universe podcast. We never find out how exactly he’s able to operate all of that podcast equipment without opposable thumbs or flexible digits. But details, details. He’s still the number one fox podcast creator. He’s also the only podcast creator who is also a fox, but hey, less competition. Rusty has high hopes for his journey into the wilderness. Suffice it to say, reality hits him like an eighteen wheeler and top speed.

Most of Rusty’s friends think he’s completely crazy out his head. However, he does have one supporter: his best friend Finnick. Get it, like a fennec fox. Anyway, Finnick initially seems like he's the typical best friend character. That is, always supporting Rusty, and having everything about him revolve around Rusty. However, Finnick has more of a spine to him. Rust and Finnick fall head over heels for Amber the Sexy Fox. And yes, that is how she’s listed in the show credits. She’s the most beautiful vixen either of them has either seen. 

Naturally, they have a slap-off. Apparently, that’s a thing foxes actually do to establish dominance. Finnick wins, and he had earlier advocated to Amber should be the one to pick which of them she wants. Nice foxes, it would seem, do not finish last. Of course, we later learn that Amber is into polyamory, so the point is a bit moot. But it was funny to listen to Rusty having to be kept up all night by Finnick and Amber…making baby foxes.

Yeah, despite the premise involving talking animals, A Fox’s Guide to Deurbanisation is not a kids show. Nor is it appropriate for kids. Besides the sex scene, there’s a bit of swearing, references to affairs, and references to alcohol. All well and good, but I do have to ding them in one regard. During the “not for kids” warning we are advised to keep our cubs out of the den. While this is technically acceptable, the more common name for a juvenile fox is kit. Though, points for having Rusty refer to himself as a tod, one of the terms for a male fox.

And another point for having Lucy the Canada Goose sing the sea shanty “Heave Away.” In my day job at Shreveport Aquarium, I will occasionally play the role of Captain Bones the Pirate. Sometimes, to get the kids excited, I’ll get them to do a pirate dance while I sing sea shanties. “Heave Away” is one of my go-to’s. Though, at times Lucy kind of sounded…well, back when Hugh Laurie was best known for A Bit of Fry and Laurie, his attempts to imitate an American accent were a bit off. Like, it was clearly American, but didn’t sound like any of the American regional accents. In fact, at times he sounded a bit constipated. Lucy kind of sounded like that to me, minus the constipation.

I also loved Fitzgerald the Cat. He was a lovable rouge who helped Rusty get out of several jams. I enjoyed the scene where he introduces Rusty to the wonders of wine, and tells him that humans engage in cannibalism every Sunday. They should probably not have been drinking that, given that wine is highly toxic to cats and foxes. Then again, in large enough quantities, it is to humans too. And based on a throw away line, foxes like to eat chocolate, another toxic substance, to get high. In fact, Rusty and his ex-girlfriend were going to move in behind the M&M store. So, uh, yeah, Rusty dodged a bullet on that one.

So, once Rusty makes it to the countryside he has to deal with fox hunters. I know that it is possible to obtain guns in Britain, but significantly harder than in America. For example, in British crime shows, a suspect using a gun is incredibly shocking. In American crime shows…it’s a pretty typical Thursday.

Now, obviously, Rusty reconnects with his family. However, that’s going to be part of the spoilers section. So, if you don’t want any of that, turn back now.

Last chance, sure you want to continue?

Okay, with that out the way, let's get into it.

Rusty’s country cousins are an eclectic bunch. We’ve got his Aunt Hillary. She drinks a bit too much, and she’s having an affair with a badger. But she seems reasonably…decent, I suppose. Then there are his cousins Cricket and Minnow. They consider literal dog shit to be the height of cuisine. He does have another cousin named Flint who shares his love of podcasting. Flint practically worships the ground Rusty walks on. And then we have Elder Estelle. She’s the oldest fox in the area. Why, she just turn four not to long ago. Wait, if four is considered old, how old is Rusty supposed to be?

And rounding out the group is Uncle Graham. Graham is very surly and a bit of a curmudgeon. You see, long ago he loved a beautiful vixen. And he even won the slap off for her paw. Unfortunately, she was a foodie, and the other fox wooed her with some delicious chicken korma. The two of them ran off to London together, and Graham never forgave his brother for stealing his girl.

Surprise! Rusty’s mom was the vixen that came between Uncle Graham and Rusty’s dad. And that’s why Graham taught everyone in his clan to shun delicious chicken korma, and embrace literal dog shit. Granted, the fact that his wife is having an affair with a badger probably doesn’t help.

So, yeah, we started off with fish out of water humor, and we end with family drama, but still comedy. And it all still works.

I enjoyed the scene where Rusty tells off his family for looking down on him for his city ways. I’ve had similar issues with my own family not understanding my interests. And yes, that includes both creating and reviewing audio dramas, and my work with the aquarium.

But it was nice he was able to patch things up with everyone in the end. It was especially amusing that Amber’s slightly hippie-ish methods worked. Just talking things out and using I statements. For example, instead of saying “You’re a dickhead” say instead “I feel that you’re a dickhead.” Actually, that’s not how that’s supposed to work, and Amber says as much, but it was funny that they actually went with that joke.

I also love how the audio drama ends. After everyone has made up we are treated to the sounds of the forest, which transitions to the sounds of the city. The message being that home isn’t a physical place. It’s wherever the people who love you and care about you are. And, you know, having access to chicken korma doesn’t hurt.

So, there you have it. A Fox’s Guide to Deurbanisation is a fun, lighthearted audio drama about a city fox trying to reconnect with his rural roots. It’s got humor, heart, and a cast of fluffy red foxes. Listen to it today, preferably with some chicken korma on hand.

Well, I think that should do from me for now. I will see you guys next time.

The Audio File: The Chronicles of Wild Hollow

This year has brought many new opportunities for me as an audio drama critic. I’m connecting more with other podcast critics, and that is bringing about new opportunities. This has also meant that more audio drama creators have been asking me to review their shows as of late. Speaking of which, that brings us to the audio drama we’ll be reviewing today. We’re taking a look at The Chronicles of Wild Hollow. 

In a far off place, an endless forest grows; sprawling, barren, impenetrable. But beyond the tree line…creatures roam free. A land where adventure lurks around every corner. A land where legends are made. A land called Wild Hollow. Wild Hollow is home to a veritable menagerie of talking animals. The series chronicles the adventures of the various denizens of Wild Hollow.

I’d been vaguely aware of The Chronicles of Wild Hollow for a while. I think I might have seen it over on the r/audiodrama subreddit, or possibly on Twitter at various points. However, it didn’t really get on my radar until recently. Not long ago, I become part of a podcast critics group that meets on Slack. We share our reviews, discuss various podcast related things, and just enjoy each other’s company. We also trying to help each other out and raise our collective profile. One persistent myth is that there are no podcast critics. The fact that your reading this proves that isn’t true at all. So, to combat that, Arielle Nissenblatt (rhymes with this-and-that) did a Twitter tread introducing all of us to everyone on Twitter. Naturally, I was included, and got several audio dramas asking me to review them. The Chronicles of Wild Hollow, produced by Shouting is Funny, was one such show, and here we are now.

As previously stated, The Chronicles of Wild Hollow features talking animals that do human things. It is a bit like Redwall or Zootopia, but in the style of Discworld. Wild Hollow is a deliberately anachronistic land. 18th Century pirates, Wild West gunslingers, and gangsters from somewhere between 1920 and 1950 all exists side-by-side. Basically, if it could potentially make for a good story, it can be found in Wild Hollow. The stories are meant to be adventure tales, but with a humorous bent. In terms of demographic, The Chronicles of Wild Hollow is an all ages affair; fun that the whole family can enjoy. There’s usually about two or three songs per episode. They usually help move the plot along, or reveal something about the characters. The website for The Chronicles of Wild Hollow includes an interactive map of Wild Hollow itself.

The Chronicles of Wild Hollow doesn’t really have many episodes available so far. As of this writing, it has six episodes, which are divided into two trilogies, plus one Christmas episode. The first trilogy follows a mouse named Fandango Boursin, and he is also the protagonist of the Christmas Special. Shouting is Funny recommended that I start with the Grey Trilogy; named after its title character Artemis Grey. In hindsight, I should have listened to that advise. 

I need to briefly talk about what the Boursin Trilogy did wrong. That way, it will be easier to appreciate what the Grey Trilogy did right. The first strike was the voice acting. Fandango is a mouse who sounds a bit like Clint Eastwood…if he gargled cigarettes and razor blades. It got very irritating very quickly. The rest of the voice cast were generally decent, but not really anything to write home about. Though, I will say that I enjoyed the songs at the Lillypad Lounge. The tone was incredibly disjointed to the point of being schizophrenic. The episodes would be dead serious one minute, only to be downright parodic the next minute. The jokes always fell flat, were too self-referential, and I wasn’t a fan of the repeated fourth wall breaking. I also just didn’t find Fandango to be as interesting or as compelling of a character as I found Artemis to be. So, yeah, don’t make the mistake I did. I suggest skipping the Boursin Trilogy. 

The Christmas Special is slightly better. Being a thirty minute standalone episode certainly made things more bearable. And I will concede that a few jokes managed to get a chuckle out of me. However, it still suffers from many of the same problems that the Boursin Trilogy does. So, I’d recommend skipping it as well. Start with the Grey Trilogy instead. 

Now that we’ve got that out of the way. Let’s talk about the Grey Trilogy. Artemis Grey is a fox who works as a smuggler. She’s very quick witted a resourceful, as a fox must be. Artemis has recently attempted to stowaway aboard a pirate ship. Unfortunately, the pirates found out, but Artemis convinced them not to kill her. The pirates are in search of a Whale Song. It is an artifact created by Primus, the first whale. The Whale Song can grant great knowledge to those who know how to use it. Artemis forms an uneasy alliance with the pirates, and soon they’re off to find the Whale Song, and the secrets it contains.

I should begin by mentioning that you can listen to the Grey trilogy with having listened to the Boursin Trilogy. It appears that The Chronicles of Wild Hollow is aiming to be an anthology of stories set in the same world. The Grey Trilogy was a marked improvement over the Boursin Trilogy in every conceivable way. There was a proper balance between humor and seriousness. The voice acting was significantly stronger this time around. There wasn’t a single bad performance among the cast. You could tell the cast were more experienced this time around. I also appreciated that the fourth wall stayed firmly in place.

I also found Artemis to be a far mor interesting and compelling character than Fandango. I like foxes, so that helps. At first, Artemis seems like a typical, if still highly entertaining, roguish thief character. However, she’s shown to have a honorable streak, and she has good reason for wanting to find the Whale Song. Artemis was separated from her mother when she was just a kit. What she really wants, more than anything else, is to find her mom, and to have a family again. I liked that Artemis’ mom is named Freya, and thus, they’re both named after mythological goddesses. Poor Artemis has been on her own since she was about seven or so. Certain animals experience prejudice and discrimination from other animals in Wild Hollow. I would assume that includes foxes. Artemis probably turned to a life of crime because nobody was willing to help her, or take her in.

The legend of Primus added some much needed worldbuilding to Wild Hollow. Legend says that Primus was the first whale ever. He came into being when the world was first created. Primus swam the world singing his song of truth to all who would listen. But people grew greedy and kept demanding new knowledge from him. One of his teeth got knocked out by a rock, but Primus imbued it was his song. It is said whoever finds the tooth will also find the truth they seek. I liked how the legend gave a sense of lore and history to Wild Hollow. It makes it feel more like a real place, rather than just “our world, but with talking animals.”

I also greatly enjoyed the new friends Artemis makes along the way. Osric is an otter who dreams of becoming King of the Pirates someday. He’s an interesting take on an otter character. Usually, otters are portrayed as mischievous and playful. Osric, by contrast, is a fairly serious no-nonsense character. He doesn’t like Artemis initially, but comes to see her as a friend. Osric is joined by a penguin named Salami. Yes, that’s really her name. She’s dumb as a brick, but a good person at heart, and very happy-go-lucky. Salami doesn’t have a single mean bone in her body. Over the course of the trilogy, Osric and Salami become like family to Artemis.

I must also give praise to the sheer imagination that went into all of the settings for the Grey Trilogy. So, we start of having an adventure with pirates. Our first port of call is an island inhabited by dodo birds who wear togas and all have very Roman-sounding names. Then, our heroes ride inside of a whale to get to a city located within the fossilized remains of Primus. Then, Artemis has to travel to a forest who’s tree produce pollen that makes people act stupid. It all sounds absolutely insane, but it works. The bits in the city within the remains of Primus was my favorite bit. The Grey Trilogy felt weirdly nostalgic at times. It feels like a story, or a cartoon, I would have encountered as a kid. But don’t worry, adults can easily enjoy it as well.

Transcipts were originally only available for the Boursin Trilogy. However, Shouting is Funny has since corrected this. I want to take a moment to take them for that. I will reiterate what I said in my reviews of Seen and Not Heard and Main Street Mythology. Transcripts are very important for providing accessibility; especially to listeners with hearing difficulties. They are also very handy for people who write reviews. 

My only real quibble, and this is more minor, is that Fandango appears at the end of the Grey Trilogy. This means he’ll be coming along for Artemis’ next adventure. However, I’m cautiously optimistic that Shouting is Funny will take what they learned from the Grey Trilogy, and apply it to this next adventure.

And I certainly hope I get to go on more adventures with The Chronicles of Wild Hollow soon. They don’t have much now, but I’ll happily review whatever new episodes come out. I did something similar with my review of Poe Theatre on the Air. The next plan is to do a series of shorter one-off episodes. That sounds like it could be fun, and a great way to add more characters to the cast. 

The first of these mini-episodes is called “The Ballad of Little Mollusk.” Little Mollusk was a minor character from the Grey Trilogy. They tried to stop Caine the Horney Toad from starting a coup, but got thrown into the sea. As Little Mollusk drift upon the waves, they think about their early life. Little Mollusk used to be part of a family of famous singers. They entered a singing contest to bring honor and glory to her family. But fate had other plans for Little Mollusk. 

It would seem that my faith in Shouting is Funny was not misplaced. We start in familiar territory with a character from the Grey Trilogy. Wasn’t expecting Little Mollusk to be the focus character, but I’m not about to argue with the results. I thought that it was utterly brilliant to have the singing contest be Simon Cowell, who is a cow. It worked a lot better than the Christmas special having Macaulay Culkin inexplicably exist in the world of Wild Hollow exactly as he does in our world. I guess the theme of this mini-episode is that, as one door closes, another door opens. Your life won’t always go as planned, but sometimes that means you find new opportunities. I certainly didn’t think I’d be reviewing audio dramas on a highly successful blog. And yet, here we are.

I only have one minor nitpick. At one point, the narrator refers to Little Mollusk as a cephalopod. However, the way that Little Mollusk is described indicates that they are a sea snail. Snails are gastropods, not cephalopods. However, gastropods, cephalopods, and bivalves are all mollusks. Like I said, minor nitpick, not really that big of a deal.

“The Ballad of Little Mollusk” is an excellent start to the mini-episodes.

Our next mini-episode is a Halloween special. It is called “The House with the Glass Eyes.” It follows two raccoons who are very happy, and very much in love. They are pretty much the picture of a happy loving couple. They have won a stay at the creepy old mansion at the edge of town. The butler is an equally creepy crow, the walls are hung with mysterious portraits, and their are many strange sounds the happen in the middle of the night. Still, it does have a certain rustic charm. And really, what’s the worst that could happen?

Well, this was certainly unexpected. I knew that this was going to be a Halloween special, but I didn't expect The Chronicles of Wild Hollow to go full-on horror. True, there are some humorous moments. For example, our protagonists are incredibly naive and ignore the numerous red flags all around them. This is obviously a rib at how horror movie protagonists tend not to be very bright. Still, this mini-episode does a surprisingly good job of building atmosphere and suspense.

The main villains are a cult. Cults certainly do seem to pop-up a bit more in British Horror, compared to American Horror. Britain is a lot older than America, so an ancient cult makes more sense in Britain. By contrast, a monster and/or alien randomly appearing, and remaining largely hidden, works a bit better in America. As the saying goes, 100 years is a long time to an American, but 100 miles is a long distance to a European.

Anyway, the cult worships the concept of love, and likes to…taxidermy loving couples that they come across. Oh, and that crow butler? He doesn’t believe in the cult’s teachings, but he loves to eat all of the internal organs that the cult has leftover. I mean, wow, that’s pretty brutal for a show that’s usually pretty lighthearted, and somewhat silly. And to think the last mini-episode was about a singing contest. I suppose it makes sense that the crow turned out to be evil. After all, a group of crows in called a murder.

Personally, I’m all in favor of The Chronicles of Wild Hollow trying their hand at something darker. They clearly like to experiment with different genres and styles, and it is clear that the writers are pretty competent at writing horror. In fact, my one real complaint was that I wish the episode had been longer. I realize that this was a mini-episode, but I see potential here for a full-sized episode or two. I won’t tell you how it ends, but I just loved how dark things got.

“The House with the Glass Eyes” is an excellent Halloween Special. I certainly hope we’ll see more horror stories from The Chronicles of Wild Hollow.

The Chronicles of Wild Hollow makes a second crack at a Christmas episode for our third mini-episode. It is titled “Salami Saves Christmas.” We return to the pirate crew that we met in the Grey Trilogy. Christmas time is here, but the pirates aren’t in a very festive mood. They’re still mourning the death of Pirate King Lesley. The pirates need a little Christmas right this very minute, and Salami is determined to bring it to them. She’s got the plan for perfect Christmas. What could possibly go wrong?

This marks second time that The Chronicles of Wild Hollow has attempted a Christmas Special. It also lightyears better. I’m quite fond of the pirates from the Grey Trilogy. I’m also pleased to see Salami getting to take center stage for the episode. It really is family and friends, not presents, that make Christmas a special time. I’ve come to appreciate that more as I’ve gotten older. This episode shows The Chronicles of Wild Hollow at its best. Heartwarming and sentimental, but with a few jokes and laughs as well. Much better than being a straight-up farce, like the last Christmas Special.

We also learn that roasted swampworm is considered a delicacy in Wild Hollow. This raises an interesting point I hadn’t considered until now. What do the carnivores of Wild Hollow eat? Mammals, birds, reptiles, and amphibians are all sentient in Wild Hollow. Certain invertebrates, such as mollusks, are as well. Maybe they eat fish and insects? Though, Salami’s name being what it is raises…interesting implications.

We also have Harvey Badger taking over as narrator. Angus Maxwell, who formerly played the narrator, decided to leave Shouting is Funny. Also, despite his name, Harvey Badger is a human…I think. I mean, never seen any photos, but I’m pretty certain that Harvey is a human.

Well, anyway, this mini-episode was really sweet, and is another example of The Chronicles of Wild Hollow at its best. And that means we’re three for three. The Chronicles of Wild Hollow bowls a turkey for excellent mini-episodes.  

Our next mini-morsel is “Bing and Crosby Make a Cake.” We return to the Stupid Woods where we meet a beaver and a praying mantis named Bing and Crosby. They host their own cooking shows where they make quite tasty meals. Except, not really. In reality, they’re both under the effects of the Idiot Pollen. The two have remained blissfully unaware of this, but Bing has begun hearing strange voices. Almost like memories of another life.

One of my guilty pleasure television shows is Worst Cooks in America on Food Network. As the name suggests, it is a cooking competition show where some of the worst home cooks in America compete, and hope to improve their cooking skills, for a cash prize. Over the years, it seems as though the contestants have gotten progressively stupider. However, even the dumbest contestants on Worst Cooks look like rocket surgeons compared to Bing and Crosby. But we see darkness amidst the silliness. It’s a pretty horrible scenario to think of. You have family and friends, an entire life, waiting for you outside the forest. But, thanks to the pollen, you can only kind of remember it. What must it be like for Bing’s loved ones, I wonder? Are they looking for him, or have they given up all hope? This short almost feels like an allegory of Alzheimer’s or Dementia.

Wild Hollow has once again decided to dabble in darker material. And once again, they have given us a quality short. 

The next mini-episode is “Hollow Herald Archive - Entry no.402.” We begin with a framing device. The archivist for the Hollow Herald Archive, the top newspaper in Wild Hollow. The archivist is listening to a recording from an investigative reporter who disappeared under mysterious circumstances. The reporter was covering stories about unusual homes. His search led him to the city of Primus. But what started as a simple trip will uncover corruption and lies within the leadership of Primus.

I was a little hesitant when I first started listening to this mini-episode. The episode title and framing device seemed to be inspired by The Magnus Archives. I realize that a lot of people love The Magnus Archives, but I could never get into it. Out of Place was more along the lines of what I was hoping for from The Magnus Archives. Though, it probably helps that Out of Place has a strong emphasis on alternate history. 

However, turns out that it was just coincidence. The writers wanted to try their hand at found recording horror with this one. Unfortunately, as perviously noted, I’ve never really been able to get into that genre. Though, I will say I liked the bits where the archivist fast-forwards because he doesn’t want to hear the singing and exposition.

So, we get another look at the city of Primus. Specifically, we get to see the seedier and more corrupt side. All well and good, but personally, I didn’t feel there was any more territory to cover with Primus. Uh, metaphorically speaking, that is. I felt the story of Primus had already been pretty well covered in the Gray Trilogy. Don’t get me wrong, this was not a bad mini-episode by any stretch of the imagination. That said, I sense we can do a bit better here. Not really anything to write home about with this one.

I know The Chronicles of Wild Hollow can do better, because it has been for all of the other mini-episode up until this point. So, I’m still confident in what the future holds for these mini-episodes.

Our final mini-episode, at least for this season, is “The Stork and the King.” We begin with a framing device. Young Artemis Grey is being read a bedtime story by her mother Freya. Mrs. Grey weaves a tale of the founding and early days of Wild Hollow. She speaks of a people who voyaged from a distant land in hopes of finding a new home. These people were led by a king, and he befriended a stork who could perform fantastic miracles when called upon. However, the king grew greedy, and began to rely on the stork’s miracles more and more. The once benevolent monarch had allowed a great darkness to grow within him. His people began to question his rule, and ask if they should once again seek new homes.

Ah, it would seem that my trust was not misplaced. We get another in-universe legend that expands upon the worldbuilding of Wild Hollow. This time, we get an origin story for the people of Wild Hollow. I’m all for more in-universe legends. We see a lot of typical fairytale tropes with this one. We have the mysterious stranger who performs fantastic feats, and a greedy king who abuses those miracles. I had wondered about what the government of Wild Hollow was like. There doesn’t really appear to be much in the way of government in Wild Hollow. Or maybe it just never factors into the plot? Either way, it seems that the peoples of Wild Hollow decided that monarchies are overrated. On an unrelated note, the interactions between Artemis and Freya were really cute, and very sweet. 

And so this is the last of the mini-episodes, at least for now. It has been a great ride. We got to explore all sorts of different sides of Wild Hollow. The writers got to play with many different genres, and it was awesome. I do hope they expand upon some of the ideas. Maybe try their hand at horror again, or maybe do a series set in the early days of Wild Hollow. But whatever the future holds for The Chronicles of Wild Hollow, I can’t wait to find out. The writers clearly have a lot of ideas for more great stories. I’m confident that they’ll give us something amazing before long.

So, there you have it. The Chronicles of Wild Hollow got off to a rocky start, but it redeemed itself with the Grey Trilogy, and stuck the landing. Then it took a victory lap with the mini-episodes. It is a fun all-age affair set in a world of talking animals. There’s laughs, adventure, and even a bit of music to be had along the way. I cannot recommend the Grey Trilogy enough, and I can’t wait to see what other adventures the future holds. 

Well, I think that should do it from me for now. I will see you guys next time.

The Audio File: Lights Out

It is a sad but true fact that many great podcasts go defunct after one season and a handful of episodes. It's frustrating, but sometimes creators lose their passion, move on to other projects, or life gets in the way. Still, that doesn't mean we can't enjoy what we do have. Where am I going with this? Why, to the podcast we're going to review! We're taking a look at the podcast Lights Out.

Lights Out follows two female fruit bats named Mallory and Spencer. They get into plenty of wacky adventures and good times at the zoo they live in. However, Malory is about to be moved to another zoo, so they've got to make the most of the time they still have together.

Just a brief note, Lights Out should not be confused with the old time radio horror show of the same name. You might remember that one from the Chicken Heart routine Bill Cosby did before everyone learned of his dark secrets. So, obviously, pretty big difference between that Lights Out and the Lights Out we're reviewing.

What can I say? Lights Out is cute, funny, and I love it. It's very much a sitcom in an unusual setting. It is written by Helen Burak, who also voices Spencer, with Mallory voiced by Megan Goldman. They're joined by a team of several more talented voice actors, who all do a fantastic job. The theme music is called "Colourful Spots" by Nicolai Heidlas, and is an absolute joy to listen to. I should say upfront that Lights Out, despite featuring talking animals, is not a kids show. There is swearing in the first episode, including an f-bomb or two, but otherwise there isn't anything too inappropriate for kids. My guess is that the creators didn't want to get mistaken and/or pigeonholed as a kids show, so they put in the swearing to dissuade listeners of that notions.

There are only six episodes, so I guess we can go through them all individually. There were plans for a second season, but it never materialized. Anyway, let's into it.

Episode one is titled "God Rest Ye Merry Gentlebats." Spencer is miffed that the spiders, rather than bats, are being featured as the mascots for the zoo's Halloween webpage. So she decides to create her own bat-centric holiday no matter what it takes.

So, this episode set up the basic premise and let us get to know our leads. Spencer is the eccentric one who comes up with wacky schemes, while Mallory acts as the straight woman, or straight bat, as the case may be, and voice of reason. We also get to learn that bats are one of the only mammals, besides humans, that menstruate. That is indeed a real bat fact. This comes up when Spencer tries to create a holiday about menstruation called Bat Mitzvah. Oh, now that I write in down, I see that it's a pun on multiple levels. Before that, Spencer tried to make a bat-themed version of Christmas called Batmas. This episode also sets up the main conflict of Mallory being moved to another zoo. All in all, a good first episode.

Episode two is titled "Quarantine." The flu is in the air, and Spencer discovers that Mallory hasn't been vaccinated. So she does the rational thing: puts the exhibit under quarantine. To get those vaccinations, Spencer and Malory are going to face their greatest foe yet: The American Health Insurance Industry!

Wow, I picked a really bad time to review this podcast. For those of you reading this in the future, I'm writing in the middle of the COVID-19 Pandemic. It started in China because...of a bat someone ate. Well, let's ignore that for a moment. It is funny how Spencer overreacts to Mallory potentially having the flu, but given the rise of the anti-vaxxer movement, I can't help but feel she had a right to be paranoid. Hmm, nah, I'm probably overthinking it.

Let's leave the dreariness behind, shall we? The part where Mallory and Spencer call the insurance agency was pretty funny. It reminds me of the stuff my parents went through when they got the insurance agency to pay for my jaw surgery. It was to correct faulty orthodontics, if you're wondering. Anyway, we also learn that Mallory and Spencer's enclosure has a kitchen, a computer, and a telephone. How is this possible? Don't think to hard about it, it's not that kind of show. I also liked when they finally confronted the insurance agent, and Spencer forced Mallory to wear a hazmat suit. Another solid episode.

Episode three is titled "S.C.R.E.A.M." Spencer is trying to help Mallory prepare for her new life by teaching her fun acronyms. Acronyms for things like how to eat fruit without choking, or what to do if your friend has rabies. She also recommends Mallory get to know her new enclosuremate Hazel. Mallory and Hazel hit it off, but this makes Spencer jealous.

We've all been through that time when your best friend get a new friend, and you feel left out. I had a feeling that the acronyms were gonna turn-out to be useful, but I wasn't expecting Spencer to be one who needed saving. And wouldn't you know it, turns out Hazel is just like Spencer. Mallory is gonna be okay after all. That's three in a row for great episodes.

Episode four is titled "Stop Looking at Us, Kid." A little human boy is lost at the bat enclosure. Spencer will have to babysit him, while Mallory and friends go look for the kid's parents.

This was a live episode recorded at iO West in Hollywood as part of the 4th Annual Scripted Comedy Festival. Live episodes are always a bit of a gamble, but this one turned out pretty well. It didn't sound too different than a typical episode. From this episode, we see that Mallory and Spencer aren't as different as they seem. In fact, their usual roles are reversed. Mallory is freaking out because her horoscope says that her friendship with Spencer won't last. Meanwhile, Spencer has to be the voice of reason and calm Mallory down. So yeah, Mallory believes in astrology and aroma therapy, among other things. We also learn that Mallory and Spencer have been friends for two and a half years. I do kind of wish we'd gotten to know a bit more about their pasts at some point. It could have been interesting.

We also learn that Mallory and Spencer can come and go from their enclosure as they please. Again, don't think too hard about it. All in all, anther great episode.

The fifth episode is titled "Kindness Debt." Mallory's departure is immanent, and Spencer is struggling to find a farewell gift. She soon settles on the idea of paying back all the kindness that Mallory has given her and the other zoo animals. Naturally, she ropes the rest of the zoo into her scheme. They can just get it all out the way in one go. How hard can it be?

I have been in a very similar situation as this. I always stress about what to get my family for Christmas. I stress, but I always seem to do pretty well. It was especially funny when the snakes suggest a scented candle as a gift, but Spencer shoots it down. Then, wouldn't you know it, Mallory would have like a scented candle. Something similar has happened to me. But what she really wanted was to spend time with everyone, especially Spencer, so they give her a surprise party. The surprise is that they weren't planning on throwing a party when Mallory "found out." What else can I say? Another great episode that I loved.

Episode six is titled "Leaf Hobble." Mallory has officially been moved to the other zoo. Spencer is left despondent and mopey without her best friend around. Maybe Ginger the spider can help lift her spirits.

And so we have reached the season one finale, which unfortunately also became the series finale. At some point or another, we all have to deal with our friends moving away. Sometimes we're the ones who move away. Still, the time we spend with them is meaningful and can never be taken from us. Even after they're gone, we always carry them in our hearts. With technologies like Facebook and Skype, it is easier than ever to keep in touch with friends that no longer live near you.

I don't think they ever said what kind of spider Ginger is, but I always figured tarantula. She's milktoast, soft-spoken, and makes a good foil for Spencer without feeling too much like Mallory. I think she'll be a good friend to Spencer. If nothing else, at least this episode wraps up the plot threads of the season, so the series doesn't end on a cliffhanger or anything. But it still leaves open the possibility of future episodes...which probably won't be coming, but still.

What more can I say? I absolutely love Lights Out, and I desperately wish there were more seasons. Still, we should be thankful for what we do have, and enjoy it to bits. Lights Out only lasted one season, but what a season it was. So there you have it. Lights Out is a cute and funny comedy about two female fruit bats and the wacky adventures they get into. Check it out today, you'll be glad that you did.

Well, that should do it from me for now. I will see you guys next time.